DocsBarcelona – Films

There is quite a distance from “The Territory” by Alex Pritz to “Maija Isola” by Leena Kilpeläinen. Both are films that have seen selected for the Official Panorama competition program of this year’s DocsBarcelona. “The Territory” is a product made according to the standards of National Geographic, “Maija Isola” is a classic creative documentary on the life of the Finnish artist, whose name is connected to the world famous brand of Marimekko. “The Territory” comes with awards from the Sundance festival, “Maija Isola” has been to design and architecture festivals. “The Territory” is full of music and sound effects, no second you are left alone as a viewer, the sound tells you what to think and feel of the important topic: the Amazon being deforested and the fight to survive for the Indigenous Uru-eu-wau-wau people of Brazil. For me a complete over-kill sound-wise, whereas the makers of “Maija Isola” chose to ask the brilliant composer Finnish Sanna Salmenkallio to guide us through the fascinating life of Maija Isola. 

To be honest I had never heard of Maija Isola before so I thought, why the film had been chosen. Watching yesterday, the answer was given. What a life (1927-2001) she had as an artist, a traveller, many men, constantly in the process of creating, with the connection to Marimekko as the backbone. She tells the story herself via her diaries and via her daughter, who lives in a house full of the mother’s creations, it’s a chronologically told adventurous film with lovely archive footage from the places, she went to, Paris being number one, but also Algeria, New York and sometimes back to – mostly – snowy Finland. It is simply a pleasure to be with clever, reflective Maija Isola in her search for what is the meaning of it all. And despite the many love stories her happy moments being alone. It’s a film with many layers and a huge respect for the audience. “Master of Colour and Form” is the subtitles to the film, indeed, we see that!

Diversity has always been what the DocsBarcelona festival has been seeking, I can say so having been involved in the selection until this year. I have written about the fine “Fire of Love”, I liked “Dreaming Walls” about Chelsea Hotel in NY, there were great moments in the French “Penelope My Love” on autistic Penelope and her mother, the director of the film, “A Thousand Fires”, “President” and “Nelly and Nadine” are masterpieces written about on this site before, the same goes for “Myanmar Diaries”, whereas “Aya” is too much staged and made up to be at a documentary film festival.

There are still some films to be seen and some I have forgotten about. That’s how it is at a festival. Awards will be announced tomorrow.

 

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Tue Steen Müller
Tue Steen Müller

Müller, Tue Steen
Documentary Consultant and Critic, DENMARK

Worked with documentary films for more than 20 years at the Danish Film Board, as press officer, festival representative and film consultant/commissioner. Co-founder of Balticum Film and TV Festival, Filmkontakt Nord, Documentary of the EU and EDN (European Documentary Network).
Awards: 2004 the Danish Roos Prize for his contribution to the Danish and European documentary culture. 2006 an award for promoting Portuguese documentaries. 2014 he received the EDN Award “for an outstanding contribution to the development of the European documentary culture”. 2016 The Cross of the Knight of the Order for Merits to Lithuania. 2019 a Big Stamp at the 15th edition of ZagrebDox. 2021 receipt of the highest state decoration, Order of the Three Stars, Fourth Class, for the significant contribution to the development and promotion of Latvian documentary cinema outside Latvia. In 2022 he received an honorary award at DocsBarcelona’s 25th edition having served as organizer and programmer since the start of the festival.
From 1996 until 2005 he was the first director of EDN (European Documentary Network). From 2006 a freelance consultant and teacher in workshops like Ex Oriente, DocsBarcelona, Archidoc, Documentary Campus, Storydoc, Baltic Sea Forum, Black Sea DocStories, Caucadoc, CinéDOC Tbilisi, Docudays Kiev, Dealing With the Past Sarajevo FF as well as programme consultant for the festivals Magnificent7 in Belgrade, DOCSBarcelona, Verzio Budapest, Message2Man in St. Petersburg and DOKLeipzig. Teaches at the Zelig Documentary School in Bolzano Italy.

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