Documentary Poetry/ DunaDock

The other day I was in Budapest for the DunaDock workshop… well online of course, me sitting in Copenhagen. I was invited by the engaged Hungarian documentarians Diana Groo, Julianna Ugrin and Klára Trencsényi and their helpers. To do tutoring at the workshop and a talk, as part of the (also online, cinemas are closed in Hungary) Verzio International Human Rights Documentary Film Festival. Klára Trencsényi was my host at the talk; I have known her for many years and have praised her films on this site – ”Corvin Variations” www.filmkommentaren.dk/blog/blogpost/2162/, ”Birds Way” http://www.filmkommentaren.dk/blog/blogpost/1056/, ”Train to Adulthood” http://www.filmkommentaren.dk/blog/blogpost/3395/. Right now Klára Trencsényi is in the editing of ”Wardens of Memory”, shot in India and about the Cochini Jews – and much more. The film project was pitched at DocsBarcelona this year, online, by the director and Julianna Ugrin, who has a long filmography, including ”A Woman Captured” by Bernadett Tuza-Ritter.

Anyway, for the talk I chose the title ”Documentary Poetry” and the participants in the festival and in the DunaDock workshop (more about that below) got the chance to watch in beforehand ”Bridges of Time” by Kristine Briede and Audrius Stonys, produced by Lithuanian Arunas Matelis, Latvian Uldis Cekulis and Estonian Riho Västrik. There are several texts on this site about this remarkable film on poetic documentary cinema.

I had 90 minutes, where I showed clips with words in between making again a lot of reference to the Balticum Film & TV Festival that was held in the 1990’es on the island of Bornholm in the middle of the Baltic Sea. It was here during a decade that my interest in and love for the Baltic documentary filmmaking and filmmakers were born. And for Russian and Polish…

I showed a clip from ”Paradise” – the boy eating his morning porridge and falling asleep – the graduation film by Sergey Dvortsevoy, whose four documentaries I consider to be outstanding and whose second feature film ”Ayka” is equally excellent. And then I went to Audrius Stonys – clips from ”Antigravitation” and ”Uku Ukai” – before the two clips from ”Bridges of Time” with Uldis Brauns, the man behind the masterpiece ”235.000.000” from 1967, of which a director’s cut is now being restored and digitized. If you want to watch the class, there is a link below, English spoken and clips with English subtitles.

About the DunaDock workshop that was run via Zoom: five projects, three tutors (Hanka Kastelicova, HBO Europe, Noemi Schory Israeli producer, and me), and a pitch session that included Christian Popp from FIPADOC and Brigid O’Shea from DAE, Documentary Association of Europe, who awarded two of the five projects. Go to the FB of the DunaDock and read much more, link below as well. 

DunaDock is for sure one of many workshops/training sessions, where talent is found and advised on how to enter the documentary community. In this session there were – behind the five projects – participants from Moldova, Kosovo, Pakistan, Germany and Hungary. Again go to the FB page to see who were the winners.  

https://www.facebook.com/dunadock

https://www.verzio.org/hu/node/3302

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Tue Steen Müller
Tue Steen Müller

Müller, Tue Steen
Documentary Consultant and Critic, DENMARK

Worked with documentary films for more than 20 years at the Danish Film Board, as press officer, festival representative and film consultant/commissioner. Co-founder of Balticum Film and TV Festival, Filmkontakt Nord, Documentary of the EU and EDN (European Documentary Network).
Awards: 2004 the Danish Roos Prize for his contribution to the Danish and European documentary culture. 2006 an award for promoting Portuguese documentaries. 2014 he received the EDN Award “for an outstanding contribution to the development of the European documentary culture”. 2016 The Cross of the Knight of the Order for Merits to Lithuania. 2019 a Big Stamp at the 15th edition of ZagrebDox. 2021 receipt of the highest state decoration, Order of the Three Stars, Fourth Class, for the significant contribution to the development and promotion of Latvian documentary cinema outside Latvia. In 2022 he received an honorary award at DocsBarcelona’s 25th edition having served as organizer and programmer since the start of the festival.
From 1996 until 2005 he was the first director of EDN (European Documentary Network). From 2006 a freelance consultant and teacher in workshops like Ex Oriente, DocsBarcelona, Archidoc, Documentary Campus, Storydoc, Baltic Sea Forum, Black Sea DocStories, Caucadoc, CinéDOC Tbilisi, Docudays Kiev, Dealing With the Past Sarajevo FF as well as programme consultant for the festivals Magnificent7 in Belgrade, DOCSBarcelona, Verzio Budapest, Message2Man in St. Petersburg and DOKLeipzig. Teaches at the Zelig Documentary School in Bolzano Italy.

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