DOKer Shorts and Diagnosis

Getting into the October cinema from the noisy boulevard with the constant traffic jam in Moscow is a blessing. Again a lot of people were there to watch the first competition program of short films, and they were not disappointed. Four films of high quality, that’s all I can write as a member of the jury.

I was thinking back in time, where I attended the short film festival in Clermont-Ferrand year after year, which mostly showed short fiction. Here in Moscow it’s short documentaries that reach the screen and/or hybrid works. Film history has often pointed out that short films are the step to making longer films, feature length, it might be but I did not sense that with the four films I saw yesterday. They were finished works in themselves, strong stories, well shaped with sense of the cinematographic possibilities. Each with their own handwriting. Far from being student films. I congratulated the selector Nastia Tarasova for her choice and look forward to the films of today Friday.

After a good meal into the darkness again to watch a film from Poland, “Diagnosis”, a documentary feature film debut of the director Ewa Podgórska and producer Małgorzata Wabińska. From Lodz, and that is an important piece of information as the film ” is a journey into the depths of subconscious of a city formed by human beings”, where some inhabitants undergo sessions on a couch, performed by a Frenchman – and from there the film takes its audience into the lives of the chosen characters, and slowly – in a puzzle-like narrative, where the characters through the editing are put to communicate with each other – you get to know that this is a film about la condition humaine. You are surprised, when watching the film and that’s a compliment, the film director dares to break dramaturgical rules, it plays with emotions, it is fragmented, maybe the form takes over once in while but I was impressed and entertained (company name Entertain Pictures!). I was there with Finnish film couple, Iiris Härma (who made the wonderful ”Leaving Africa” – http://www.filmkommentaren.dk/blog/blogpost/3154/ – and Visa Koiso-Kanttila, the latter director and cameraman praising the quality of the cinematography. Agreed! A Q&A afterwards focused on the film as a post-Soviet interpretation, not at all, it’s the universal theme of Life and Love that is at stake.

http://en.pisf.pl/news/polish-creative-documentary-diagnosis-goes-to-idfa?wcag=1

https://www.midff.com/

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Tue Steen Müller
Tue Steen Müller

Müller, Tue Steen
Documentary Consultant and Critic, DENMARK

Worked with documentary films for more than 20 years at the Danish Film Board, as press officer, festival representative and film consultant/commissioner. Co-founder of Balticum Film and TV Festival, Filmkontakt Nord, Documentary of the EU and EDN (European Documentary Network).
Awards: 2004 the Danish Roos Prize for his contribution to the Danish and European documentary culture. 2006 an award for promoting Portuguese documentaries. 2014 he received the EDN Award “for an outstanding contribution to the development of the European documentary culture”. 2016 The Cross of the Knight of the Order for Merits to Lithuania. 2019 a Big Stamp at the 15th edition of ZagrebDox. 2021 receipt of the highest state decoration, Order of the Three Stars, Fourth Class, for the significant contribution to the development and promotion of Latvian documentary cinema outside Latvia. In 2022 he received an honorary award at DocsBarcelona’s 25th edition having served as organizer and programmer since the start of the festival.
From 1996 until 2005 he was the first director of EDN (European Documentary Network). From 2006 a freelance consultant and teacher in workshops like Ex Oriente, DocsBarcelona, Archidoc, Documentary Campus, Storydoc, Baltic Sea Forum, Black Sea DocStories, Caucadoc, CinéDOC Tbilisi, Docudays Kiev, Dealing With the Past Sarajevo FF as well as programme consultant for the festivals Magnificent7 in Belgrade, DOCSBarcelona, Verzio Budapest, Message2Man in St. Petersburg and DOKLeipzig. Teaches at the Zelig Documentary School in Bolzano Italy.

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