It is sometimes difficult to understand the mechanisms of censorship. I saw the funny, maybe a bit repetitive documentary by Massoud Bakhshi, “Tehran has no more Pomegranates”, a playful and well made film about the big city, using wonderful archive, quite critical to the society in a soft ironic tone. I was told that the film has been screened in the national festival, and won a prize. When I was inTehran in 2000 several films were on the shelf forbidden for the local audience. But being shown abroad at whatever festival. So are times-a-changing? Or did the rulers just see that documentaries are not that dangerous?

Orwa Nyrabia, festival director at DoxBox, told me that there are many critical films shown in Iran, paradoxically some of these films can not be shown here in Damascus as the censors here do not want to annoy their allies in Iran!

Full house for this film, lots of laughter, always good to see humorous documentaries, is it not?

http://www.dox-box.org/

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Tue Steen Müller
Tue Steen Müller

Müller, Tue Steen
Documentary Consultant and Critic, DENMARK

Worked with documentary films for more than 20 years at the Danish Film Board, as press officer, festival representative and film consultant/commissioner. Co-founder of Balticum Film and TV Festival, Filmkontakt Nord, Documentary of the EU and EDN (European Documentary Network).
Awards: 2004 the Danish Roos Prize for his contribution to the Danish and European documentary culture. 2006 an award for promoting Portuguese documentaries. 2014 he received the EDN Award “for an outstanding contribution to the development of the European documentary culture”. 2016 The Cross of the Knight of the Order for Merits to Lithuania. 2019 a Big Stamp at the 15th edition of ZagrebDox. 2021 receipt of the highest state decoration, Order of the Three Stars, Fourth Class, for the significant contribution to the development and promotion of Latvian documentary cinema outside Latvia. In 2022 he received an honorary award at DocsBarcelona’s 25th edition having served as organizer and programmer since the start of the festival.
From 1996 until 2005 he was the first director of EDN (European Documentary Network). From 2006 a freelance consultant and teacher in workshops like Ex Oriente, DocsBarcelona, Archidoc, Documentary Campus, Storydoc, Baltic Sea Forum, Black Sea DocStories, Caucadoc, CinéDOC Tbilisi, Docudays Kiev, Dealing With the Past Sarajevo FF as well as programme consultant for the festivals Magnificent7 in Belgrade, DOCSBarcelona, Verzio Budapest, Message2Man in St. Petersburg and DOKLeipzig. Teaches at the Zelig Documentary School in Bolzano Italy.

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