Film History/ Ukraine

Exciting it was to visit Dovzhenko Film Studios in Kiev, originating from 1927, carrying the name of Alexander Dovzhenko (1894-1956). And sad as well as the buildings stand alone (apart from a couple of sound studios and a fantastic store with props) and deserted – as I have experienced in other former Soviet republics, Latvia being one of them. But you can easily imagine the studio, that is like a small city in itself, with everything needed space-wise for big productions, flats for the important directors – and Dovzhenko was here.

Just to remind us, a text clip I googled:

”Along with Dziga Vertov, Sergei Eisenstein and Vsevolod Pudovkin, Alexander Dovzhenko is one of Soviet cinema’s early masters. Best known for his silent films, Zvenyhora (1928), Arsenal (1929) and Earth (1930), Dovzhenko holds a dominant place among avant-garde directors. It has generally not been recognized that Dovzhenko’s early canon was also an integral part of the Ukrainian cultural renaissance. This work looks at Alexander Dovzhenko’s Soviet Ukrainian trilogy in the light of the silent cinema’s early aesthetic and presents an analysis of the silent trilogy in the context of the Ukrainian Cultural Renaissance (1917-31)[2] and its dialogue with a wider modernist avant garde.”

The studio is today owned by the Ukraine state.

Photo taken by Roman Bondarchuk: Ellen Fonnesbech-Sandberg, Dar’ya Averchenko and me.

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Tue Steen Müller
Tue Steen Müller

Müller, Tue Steen
Documentary Consultant and Critic, DENMARK

Worked with documentary films for more than 20 years at the Danish Film Board, as press officer, festival representative and film consultant/commissioner. Co-founder of Balticum Film and TV Festival, Filmkontakt Nord, Documentary of the EU and EDN (European Documentary Network).
Awards: 2004 the Danish Roos Prize for his contribution to the Danish and European documentary culture. 2006 an award for promoting Portuguese documentaries. 2014 he received the EDN Award “for an outstanding contribution to the development of the European documentary culture”. 2016 The Cross of the Knight of the Order for Merits to Lithuania. 2019 a Big Stamp at the 15th edition of ZagrebDox. 2021 receipt of the highest state decoration, Order of the Three Stars, Fourth Class, for the significant contribution to the development and promotion of Latvian documentary cinema outside Latvia. In 2022 he received an honorary award at DocsBarcelona’s 25th edition having served as organizer and programmer since the start of the festival.
From 1996 until 2005 he was the first director of EDN (European Documentary Network). From 2006 a freelance consultant and teacher in workshops like Ex Oriente, DocsBarcelona, Archidoc, Documentary Campus, Storydoc, Baltic Sea Forum, Black Sea DocStories, Caucadoc, CinéDOC Tbilisi, Docudays Kiev, Dealing With the Past Sarajevo FF as well as programme consultant for the festivals Magnificent7 in Belgrade, DOCSBarcelona, Verzio Budapest, Message2Man in St. Petersburg and DOKLeipzig. Teaches at the Zelig Documentary School in Bolzano Italy.

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