IDFA: Guest of Honor Susana de Sousa Dias: Retrospective and Top 10

From press release of yesterday: IDFA is proud to present Portuguese filmmaker, curator, and academic Susana de Sousa Dias as the festival’s Guest of Honor, with a Retrospective and Top 10 selection. Known for her singular approach to archival images and cinematic form, de Sousa Dias has built an internationally acclaimed body of work that interrogates dictatorship, colonial legacies, and the fragile terrain of memory.
The director has had the attention of this site for decades. Colleague Allan Berg set up “a collection of posts about the early films of Susana de Sousa Dias. Here follows some quotes:
“Still Life. Faces of a Dictatorship (2005) the traumatic past of Portugal under Salazar. The film is 77 mins. long without any narration, built on archive from the 48 years between 1926 and till 1974, when the carnation revolution happened. The archive includes news, war footage from the colonies, propaganda films and photos of political prisoners. The musical score for this film, by António de Sousa Dias, is exceptional, first you wonder why but then you see what it does to the images, making a reflective distance and opens for a new both intellectual and emotional interpretation.”
And words of Allan Berg, translated and edited from Danish: “The portraits of the Secret Police appear calm and clarified for a long time on the screen. The ugly operation has lent the beauty, dignity and authenticity of the models… the images are carefully worked on so their aura become visible. The naked sound of the voices from the conversations are treated like was it delicate music. So it becomes delicate music. It is about the political crime of the Portuguese dictatorship… it is so horrifying and wild, and it is conveyed with such a beautiful and calm clarification”. (Posting from Cinéma du réel, March 26 2010).
Bravo IDFA!