Of course it was a scoop for the organisers, IDF (Institute of Documentary Film), to have an editor capacity like American Joe Bini as a tutor and to have him deliver a masterclass like he did yesterday at the Cervantes Institute for a full house. It was obvious that we liked what we heard and saw from the editor, who has been working with Werner Herzog on 27 films.
Bini started his class reading from a paper what he thought of film or rather – liked that – cinema language, because of the reading difficult to convey to you, and after he told us how much he dislikes American documentaries for their journalistic language, he became lovely concrete in his story about how he has been working with Herzog.
He showed clips from ”Little Dieter Needs to Fly” (1997), ”Into the Abyss” (2011) and ”Grizzly Man” (2005) as well as the opening of the film he edited ”Roman Polanski: Wanted and Desired” (2008) by Marina Zenovich.
Herzog is an instinctual filmmaker, Bini said. He shoots so little footage, it’s insane how little; he decides in advance that this is gonna be in the film. Most of the films with him have been edited in 3 months. With ”Grizzly Man” I found out that this was to be a film about ”the relationship between this German guy and the American bear lover, Timothy”, who had a totally different understanding of nature.
The famous narration of Herzog… With ”Grizzly Man” we made it during the editing. Herzog wrote a text, I often corrected his English, he had a microphone, the recording was done and we put it in immediately.
How do you decide to take on a film? I watch material and if I see that you speak the language of cinema…
Photo: Bini and Herzog at a screening – years ago.