Luke Moody Leaves Sheffield Doc/Fest

In a very interesting article, written by Nick Bradshaw, in Sight & Sound, the head programmer of the Sheffield Doc/Fest Luke Moody reveals why he decided to leave the festival after 20 months as director of programming. Bradshaw writes about films shown in the programme films that are far away from the British television tradition, many films from Latin America…

Two years ago, on this site, in another interview, Moody explained what his vision was for the festival, link below. And now he says goodbye.

A couple of quotes from the article indicate why «… Such visions are hardly British broadcast television fare, and for Moody that’s reason to question the dominance on the Doc/Fest board of the British factual TV departments, who since the festival’s founding have increasingly retreated from international film co-production and turned to formatted entertainment. (The BFI also has one seat on the board; Moody counted it as an exception to his complaint.) “The only thing I hear from them is self-interest: ‘Where’s my commission?’,” he said when we met this year. “They’re not performing a job to take the festival forward and accept new partnerships or grow the festival, or support a programme that is progressive. They’re from a tradition that is a dinosaur – the likes of Netflix, Amazon, HBO and Hulu are far more progressive and will take their audiences…”

Quite som criticism… and he continues « … the day after the festival ended, Moody resigned from his role. “This festival needs to find a new vision and I’ve tried to bring that – for the programme to be international, and representative of a broader spectrum of what documentary and nonfiction can be,” he wrote to me. “But their anchor is the festival as it was 10, 20 years ago – putting forward colonial forms of filmmaking, annually offering and pressuring to include content only relevant to a domestic market and directed by white men over 40. The chimney needs sweeping before a fire can be lit…”

Colonial forms of filmmaking…!

Read the whole article, link below.

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Tue Steen Müller
Tue Steen Müller

Müller, Tue Steen
Documentary Consultant and Critic, DENMARK

Worked with documentary films for more than 20 years at the Danish Film Board, as press officer, festival representative and film consultant/commissioner. Co-founder of Balticum Film and TV Festival, Filmkontakt Nord, Documentary of the EU and EDN (European Documentary Network).
Awards: 2004 the Danish Roos Prize for his contribution to the Danish and European documentary culture. 2006 an award for promoting Portuguese documentaries. 2014 he received the EDN Award “for an outstanding contribution to the development of the European documentary culture”. 2016 The Cross of the Knight of the Order for Merits to Lithuania. 2019 a Big Stamp at the 15th edition of ZagrebDox. 2021 receipt of the highest state decoration, Order of the Three Stars, Fourth Class, for the significant contribution to the development and promotion of Latvian documentary cinema outside Latvia. In 2022 he received an honorary award at DocsBarcelona’s 25th edition having served as organizer and programmer since the start of the festival.
From 1996 until 2005 he was the first director of EDN (European Documentary Network). From 2006 a freelance consultant and teacher in workshops like Ex Oriente, DocsBarcelona, Archidoc, Documentary Campus, Storydoc, Baltic Sea Forum, Black Sea DocStories, Caucadoc, CinéDOC Tbilisi, Docudays Kiev, Dealing With the Past Sarajevo FF as well as programme consultant for the festivals Magnificent7 in Belgrade, DOCSBarcelona, Verzio Budapest, Message2Man in St. Petersburg and DOKLeipzig. Teaches at the Zelig Documentary School in Bolzano Italy.

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