Milena Holzknecht: Why Editing?

The following text was written by a student from the Zelig School for documentary as a motivation from her to go for editing studies in the next two years after the first year of general studies:

Editing is like a balancing act on a tightrope: On the one hand your walk shouldn’t be to rigid – you have to be flexible. On the other hand you shouldn’t be carried away by emotions: both would be fatal. Editing means declarative power, but at the same time responsability – to the protagonist(s), to the director and of course to the film itself. Editing denotes motion, but in certain moments stand still. It needs conscious decisions, but also letting speak the unconscious. Editing means to search the path, not to see the wood for the trees and to find – exhausted, but happy – the way out of the forest of the cutting process. It represents a creative challenge, which demands consistently new solutions and finds fascinating answers. Editing is an activity, which gives me – because of the reasons mentioned above – a lot of gratification and pleasure. June 2008

http://www.zeligfilm.it/

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Tue Steen Müller
Tue Steen Müller

Müller, Tue Steen
Documentary Consultant and Critic, DENMARK

Worked with documentary films for more than 20 years at the Danish Film Board, as press officer, festival representative and film consultant/commissioner. Co-founder of Balticum Film and TV Festival, Filmkontakt Nord, Documentary of the EU and EDN (European Documentary Network).
Awards: 2004 the Danish Roos Prize for his contribution to the Danish and European documentary culture. 2006 an award for promoting Portuguese documentaries. 2014 he received the EDN Award “for an outstanding contribution to the development of the European documentary culture”. 2016 The Cross of the Knight of the Order for Merits to Lithuania. 2019 a Big Stamp at the 15th edition of ZagrebDox. 2021 receipt of the highest state decoration, Order of the Three Stars, Fourth Class, for the significant contribution to the development and promotion of Latvian documentary cinema outside Latvia. In 2022 he received an honorary award at DocsBarcelona’s 25th edition having served as organizer and programmer since the start of the festival.
From 1996 until 2005 he was the first director of EDN (European Documentary Network). From 2006 a freelance consultant and teacher in workshops like Ex Oriente, DocsBarcelona, Archidoc, Documentary Campus, Storydoc, Baltic Sea Forum, Black Sea DocStories, Caucadoc, CinéDOC Tbilisi, Docudays Kiev, Dealing With the Past Sarajevo FF as well as programme consultant for the festivals Magnificent7 in Belgrade, DOCSBarcelona, Verzio Budapest, Message2Man in St. Petersburg and DOKLeipzig. Teaches at the Zelig Documentary School in Bolzano Italy.

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