The festival in St. Petersburg, that has existed for a quarter of a century, starts September 25 and runs until October 3. The selection has been announced but first some quotes from the News of the website:

”… Over 3,400 films from 83 countries entered the qualifying round of the Anniversary… 90 films from 45 countries were selected:

International Competition will present 43 pictures from 25 countries: 10 feature documentary films and 12 documentary short  films, 11 short films and 10 animated films. The largest number of applications came from France, Poland, Germany and the USA. Also directors from Bahrain, Qatar, Morocco, Taiwan, Singapore, Africa and South America sent their works. There were many interesting applications from Russia and post-Soviet countries.

For the National Competition of Documentary Films were selected 22 films, 11 of them are debuts… Russian regional film studios are reviving: the Competition includes films not only from the two capitals, but also from Novosibirsk, Irkutsk, Kazan and other cities.

Finally the (my words) exciting and audience-wise popular Competition of Experimental Films ”In Silico”, which this year also celebrates its 5th anniversary, will present 25 films from 19 countries. At this section there will be three showtimes of original and unexpected copyright short films, most of which will be shown in Russia for the first time.”

I will be there for a week and look forward to watch the new Russian documentaries. That list is not available yet but at the list of long documentaries for the intl. competition I find ”Strange Particles” by Russian Denis Klebeev, that has already been (Joris Ivens Award) at Cinema du Réel in Paris and at Hot Docs in Toronto as well as Polish Krakow festival winner ”Call Me Marianna” by Karolina Bielawska. Have seen both. Otherwise I look forward to watch Daniel Sivan’s “A Hightech Soap Opera”, “Those Who Feel the Fire Burning” by Morgan Knibbe about which critic Neil Young wrote in Hollywood Reporter: Nominally a documentary, Morgan Knibbe‘s attention-grabbing if overly ambitious debut ”Those Who Feel the Fire Burning” is really a poetic boundary-blurrer that seeks to obliterate the fiction/nonfiction frontier. Not to forget ”Censored Voices” by Mor Loushy that has this description: One week after the 1967 ‘Six-Day War’, a group of young kibbutzniks, led by renowned author Amos Oz and Editor Avraham Shapira, recorded intimate conversations with soldiers returning from the battlefield. The Israeli army censored the recordings, allowing only a fragment of the conversations to be published. Censored Voices reveals these original recordings for the first time.

In the short documentary competition there is a film by Viktor Kossakovsky, ”Chicken Pox”, 26 minutes… of course not to be missed!

http://www.message2man.com/en/

Riga. The day after the Baltic Sea Docs, Edition 19. Producer Uldis Cekulis is developing a film project initiated by Kristine Briede. Theme: The poetic tradition in the Baltic cinema. They have been so kind to involve me in the research, which has given me the opportunity last year to meet Estonian master Mark Soosaar on his island in Estonia and legendary director Uldis Brauns, who lives in the countryside in Latvia. Brauns is the man behind ”235.000.000”, the classic masterpiece in Latvian and world documentary history. That the made together with Herz Frank in 1967.

And now Ivars Seleckis, 81 years old, fresh in head and legs, as always shooting a film, if anyone the Latvian documentarian, who has described people and culture and places and history of his motherland, and who has taken a place in world documentary with his trilogy from Skersiela, a street in Riga – three films: ”Crossroad Street” (1988), ”New Times at Crossroad Street” (1999) and ”Capitalism at Crossroad Street” (2012). As you can see from the photo (director Kristine Briede to the left doing sound and translation)

we went to the harbour area and had a nice time on board a ship that sails no longer and is now turned into offices – and flats! In this area Seleckis, director and cameraman, a classical documentarian, who called ”reenactment” ”disgusting”, when I asked him, has made several films. My relationship with Seleckis goes back to 10 years (1990-2000) of Balticum Film & TV Festival on the island of Bornholm in Denmark. He was there almost every year with a new film.

We spent a nice long afternoon together on the ship and in the Miera district of Riga – Miera means Peace, the district is full of nice cafés, old and new houses, shops – has been called the Hipster Capital of Riga! Seleckis talked about how he started his filmmaking, how the poetic documentary cinema was born, the absurd relationship to the authorities in Moscow during Soviet times, his concern about the privatisation of the Riga Film Studios. A man in good mood and a man who demonstrated that he is a specialist in Latvian food and drinks.

Photo taken by Uldis Cekulis, the man behind the fine excursion, a producer who has always a lot of interesting projects on his plate, a father of two small kids, super-active and generous. You can see how he looks like in the post below.

PS. At the hotel in last night my wife and I watched the Riga part of the arte series on food markets, directed by Uldis Cekulis and the man behind the series, Italian Stefano Tealdi from Stefilm in Turin. It was a fine, in terms of cinematography beautifully executed work with visits to the homes and working places of (as an example) the producers of the wonderful bread that we have carried home each year from Riga for 20 years now! The market in Riga is indeed a must for all visitors! We saw an English voiced version of the tv-documentary and although we – as Danes grown up in a different culture with subtitles where you can hear the original language – I have to say that the visual professionalism of the formatted one-hour programme was excellent, and we enjoyed to hear beautiful English spoken!