Re:Frame ZeLIG – Stories in transition

This text is written by Emanuele Vernillo, who is Head of the Three – Years Training in Documentary Filmmaking at ZeLIG

The words we most often use in times of change speak of necessity: the need to renew, to make space for what is new, to set ourselves in motion and move forward. At ZeLIG we have chosen to embrace this change by taking up the legacy of a thirty-year journey that remains unique in the landscape of European film education.

We recognize and hold fast to the original intuition: to dedicate ourselves to documentary in its most varied and unexpected forms, where it becomes cinema, art. That intuition still lights our path today. Documentary, in its freest forms—even when it merges with other genres or ventures into non-linear storytelling—offers a rare possibility: to imagine a cinema that is open, flexible, ever-regenerating. A cinema that constantly reinvents its languages, as every true art form and every living industry must. It is no coincidence that series, fiction films, animation, virtual reality, even gaming, draw on the creative force of documentary in order to evolve and move forward.

The change we are experiencing is not a rupture but a continuation, a red thread running through our history. It is the same thread that has always tied us to the world of cinema and its industry: observing, engaging, and at the same time staying rooted in the real—rooted in people, in communities, in the stories around us. We want to keep this spirit alive and project it into the future with renewed energy.

Today, documentary is above all a hybrid form. It is the crossing of boundaries. It is the possibility of new combinations. To walk this path is to embrace an artistic vision that is also political and social. As members of a human community made of different languages, colors, smells, and embraces, we believe that becoming hybrid is a necessary response to the identitarian drifts of these dark times. For us, documentary, auteur cinema, and hybrid forms—linear or non-linear—are resistance, sometimes even of civil resistance, in a world where those in power would rather see us reduced to a single face, a single voice, a flattened identity. We, on the other hand, affirm that we can only save ourselves by mixing. This is the most valuable lesson we have learned in recent years, at ZeLIG and in the world. 
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Tue Steen Müller
Tue Steen Müller

Müller, Tue Steen
Documentary Consultant and Critic, DENMARK

Worked with documentary films for more than 20 years at the Danish Film Board, as press officer, festival representative and film consultant/commissioner. Co-founder of Balticum Film and TV Festival, Filmkontakt Nord, Documentary of the EU and EDN (European Documentary Network).
Awards: 2004 the Danish Roos Prize for his contribution to the Danish and European documentary culture. 2006 an award for promoting Portuguese documentaries. 2014 he received the EDN Award “for an outstanding contribution to the development of the European documentary culture”. 2016 The Cross of the Knight of the Order for Merits to Lithuania. 2019 a Big Stamp at the 15th edition of ZagrebDox. 2021 receipt of the highest state decoration, Order of the Three Stars, Fourth Class, for the significant contribution to the development and promotion of Latvian documentary cinema outside Latvia. In 2022 he received an honorary award at DocsBarcelona’s 25th edition having served as organizer and programmer since the start of the festival.
From 1996 until 2005 he was the first director of EDN (European Documentary Network). From 2006 a freelance consultant and teacher in workshops like Ex Oriente, DocsBarcelona, Archidoc, Documentary Campus, Storydoc, Baltic Sea Forum, Black Sea DocStories, Caucadoc, CinéDOC Tbilisi, Docudays Kiev, Dealing With the Past Sarajevo FF as well as programme consultant for the festivals Magnificent7 in Belgrade, DOCSBarcelona, Verzio Budapest, Message2Man in St. Petersburg and DOKLeipzig. Teaches at the Zelig Documentary School in Bolzano Italy.

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