Talal Derki: Of Fathers and Sons

It stands out. I can not avoid superlatives. And I can not express in words, in a language that is not mine, how I feel after having seen Talal Derki’s new film. Or how I felt while watching it. It is a film that hurts and makes you depressed, sad is too weak a word; it goes to the heart and to the stomach; two boys and a father who loses a foot – it’s all destined by the prophet, he says – the upbringing to Jihad, to kill the enemy, i.e. us, a film that is so well made, with a camera that caresses the face of Osama, the kid, who turns to the camera before he is transported to the sharia school. It’s an unbearable scene, he hugs his brother Ayman, who stays to go to school. The film shows, how hate is built up and also how love always looks like between a father and his sons. I stop here full of admiration for a filmmaker, who formulates his ambition in a text taken from the film’s website:

After my film RETURN TO HOMS, which was about the young rebel Basit Sarout and his comrades, I wanted to go deeper. I wanted to penetrate the psychology and the emotions of this war, understand what made people radicalize and what drives them to live under the strict rules of an Islamic state. In the media, war is often portrayed as a chess game and Islam is labeled as evil. If we see the images of war, we get the feeling that it is a unreal parallel world. In OF FATHERS AND SONS, I want to establish a direct relationship between the protagonists and the audience. I would like to take my audience with me on my journey and communicate with them through my camera.

The main characters of my film are Abu Osama (45), one of the founders of Al-Nusra, the Syrian arm of Al-Qaeda, and his two eldest sons Osama (13) and Ayman (12). I have been living with them over the period of 2.5 years and became a part of their family. Although I am an atheist, I prayed with them every day and led the life of a good Muslim to find out, what is happening in my country. Abu Osama is not only a loving father, but also a specialist for car bomb attacks and the disposal of mines. He deeply believes in an Islamic society under the laws of the Shari’ah, the Caliphate, and therefore he also places his children at its service.

I follow Osama and Ayman to a training camp for young fighters and start to understand how the children are affected, as they really do not have a chance to choose freely. How will I become who I am? Where is hope? What will the future look like? What choices do we have? The children are those who enable us to emotionally experience and understand the complex tragedy of Syria. Often, they are the ones who can look through all the madness, and in their own childlike way, they can save the hope.

OF FATHERS AND SONS is my personal journey through a devastated country and a troubled society, looking for answers to my desperate questions about the future of my country and the future of my family who had to flee into exile.

Talal Derki

Germany, Syria, Lebanon, 2017, 98 mins.

https://www.offathersandsons.com

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Tue Steen Müller
Tue Steen Müller

Müller, Tue Steen
Documentary Consultant and Critic, DENMARK

Worked with documentary films for more than 20 years at the Danish Film Board, as press officer, festival representative and film consultant/commissioner. Co-founder of Balticum Film and TV Festival, Filmkontakt Nord, Documentary of the EU and EDN (European Documentary Network).
Awards: 2004 the Danish Roos Prize for his contribution to the Danish and European documentary culture. 2006 an award for promoting Portuguese documentaries. 2014 he received the EDN Award “for an outstanding contribution to the development of the European documentary culture”. 2016 The Cross of the Knight of the Order for Merits to Lithuania. 2019 a Big Stamp at the 15th edition of ZagrebDox. 2021 receipt of the highest state decoration, Order of the Three Stars, Fourth Class, for the significant contribution to the development and promotion of Latvian documentary cinema outside Latvia. In 2022 he received an honorary award at DocsBarcelona’s 25th edition having served as organizer and programmer since the start of the festival.
From 1996 until 2005 he was the first director of EDN (European Documentary Network). From 2006 a freelance consultant and teacher in workshops like Ex Oriente, DocsBarcelona, Archidoc, Documentary Campus, Storydoc, Baltic Sea Forum, Black Sea DocStories, Caucadoc, CinéDOC Tbilisi, Docudays Kiev, Dealing With the Past Sarajevo FF as well as programme consultant for the festivals Magnificent7 in Belgrade, DOCSBarcelona, Verzio Budapest, Message2Man in St. Petersburg and DOKLeipzig. Teaches at the Zelig Documentary School in Bolzano Italy.

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