„Das ist Laika. Am 3. November 1957 wurde die sowjetische Straßenhündin in einem Sputnik in die Erdumlaufbahn geschossen und war damit das erste Lebewesen im Weltall. Überlebt hat sie diese Mission nicht. Doch es gibt die Legende, dass sie als Geist auf die Erde zurückgekehrt ist und seitdem durch die Straßen Moskaus streift.“
Yes, that is what the two filmmakers do: follow stray dogs, Laika is maybe one of them, in Moscow, their drifting around, their barking, their showing teeth and aggression towards each other, their acting with brutality but also with care and love… Lebewesen in a metropole behaving like us human beings?
The film is constructed masterly in sound and image and editing; I read that the filmmakers are born in 1985. They demonstrate an amazing maturity, mixing the following of the stray dogs with Soviet science archive material of the preparation of dogs for space trips as well as (touching) footage of the dogs (those who survive) coming back. Colour and black&white images in a film, which is not really fun to look at: what we do with the animals in the name of science, and what they do to each other, the dogs in the constant „survival of the fittest“ game. But as a tense film essay, remarkable! Indeed also because of the narration, a fine factual(!) fairytale-like text in Russian, matching images and sound perfectly.
Watch out for that Dogumentary!
Photo of Laika.
Austria, Germany, 2019, 91 mins.