Lukasz Borowski: 3 Days of Freedom

Yes, it is literally a film about a prisoner, Piotr, who gets out for three days to get a taste of the life outside that he knows nothing about since he has been inside for 15 years. His leaving is followed in details, all his belongings are checked before he gets through the many doors to meet some friends and first of all a man, a psychologist I guess, who takes him to the city and shows him around in a world that has changed a lot. He buys a nice shirt, dresses up, goes and meets his sister, who does not seem to have a good life, on the contrary. Marek, the man, who takes care of him, advises Piotr to ”adjust your dreams to reality”, once you get out. Back again, a wordless scene, images speak in the fine tradition of well crafted short documentaries from Poland. Precise language, right to the point, sometimes pretty moving in its treatment of an important question – how to reintegrate prisoners in society.

Poland, 27 mins., 2011

http://www.wajdastudio.pl/en/filmography/3-dni-wolnosci

Monica Lazurean & Andrei Gorgan: My Vote

Romania. Countryside. Village name Grojdibodu. Main character, the mayor of the village, Nitulescu Tudorel. Theme: Election is coming up, the mayor seeks to be elected for his third term. Focus on him and his campaign.

Who cares? Well, you care because it is a good film, well done, it can create atmosphere and make us discover the similarities that are quite as many as the differences. Glimpses of life, a charismatic chain-smoking mayor, who speaks well and makes sure that people, who can not come on their own are being picked up and taken to the voting booths, where many old people insist on entering the same booth as a couple, which is not allowed… I don’t care, is a reaction often heard. The mayor is a popular man, who of course is also the coach for the local football team, and dance and drink with his people. Cable television, electricity and a cultural house is wanted by the population, and the social subvention from the state must come before the election. And it does.

A Mini-The-War-Room (Pennebaker’s film on the Clinton-campaign) but as that one fine observational cinema of a small society, where the mayor needs 940 votes to be elected. He made it.

Romania, 2010, 42 mins

http://www.4prooffilm.ro/

DOK Leipzig 2012 – the Awards

DOK Leipzig winners have been announced to night. For this filmkommentaren correspondent it was a surprise (see post below) that the Swedish ”Colombianos” by Tora Mårtens got the first prize, the Golden Dove, whereas the Silver Dove to Ilian Metev for ”Sofia’s Last Ambulance” was an expected winner, as well as the honorary mention to the Chinese ”Cloudy Mountains” by Zhu Yu by the jury of the main competition.

Bravo also to the fine and warm ”Pablo’s Winter” (photo) by Chico Pereira, who received an honorary mention in the Talent category – and the award for the best film about the subject Work.

The MDR (the local broadcaster) Prize went to Helena Trestikova for her ”Private Universe”.

The many awards, and the motivations, at the DOK Leipzig are listed on the website below.  

http://www.dok-leipzig.de/festival/preistraeger_2012

http://www.stocktown.com/2012/03/colombianos/

DOK Leipzig – Films/ 4

Had an interesting conversation with Polish filmmakers last night at a dinner reception held by the good and always active people from Krakow Film Foundation and Festival. Two of their compatriots, members of juries, had to leave early for an evening screening with an audience. Is that right, we discussed, should juries watch the competing films with the audience or on their own, and should juries watch films in the evening after a long day – or should they do their work in the mornings. Of course there are a lot of practicalities involved, when festival people organise a time schedule for juries, but having been in loads of juries I can only say how pleasant it has been to watch films in the mornings and early afternoons with other jury members and to have the first discussions right after the screenings. With films on a big screen, of course.

So what does the DOK Leipzig international jury decides to communicate tomorrow night at the closing ceremony.

Let me try to come up with some ideas for films that could be candidates for the awards in the ”DOK Internationaler Wettbewerb”, the feature length international competition. I have seen most of the films – in the mornings at the market – some of them only in parts, to be fair.

”11 Images of a Human” by the couple Markku Lehmuskallio and Anastasia Lapsui was disappointing compared to what they have been doing before. Heavy and over-structured it is and not at all the ”poetic reflection on cave paintings and petroglyphs” that the catalogue text says. ”Another Night on Earth”, by Spanish David Munoz, is one of many current films that let people be driven and filmed in a taxi, this time in Cairo. Conversations, sometimes entertaining but most of the time boring. I already, below, wrote about the Bangla Desh film ”Are You Listening?”, it will get a prize for sure but maybe not the Golden Dove, whereas the Chinese ”Cloudy Mountain” by Zhu Yu might candidate because of its visual strength depicting people working in asbestos mines. Swedish ”Colombianos” by Tora Mårtens is weak, ”Documentarian” (see below) will not go for main prizes, and I doubt that Peter Mettler’s essayistic ”The End of Time” can unite a jury. Polish pedophile subject film, ”Entangled”, by Lidia Duda, demonstrates how difficult it is to make a film, where you are not allowed to show faces, and Damien Ounouri’s fine ”Fidaï” about the Algerian FLN fighter going back in time and place is probably not strong enough. German ”Der Kapitän und sein Pirat”, on the contrary, is a great piece of investigative and character driven documentary, raising so many moral and ethical questions about the ship piracy, this time off the Somalian coast. Swiss Olivier Zuchuat has visited Makronisos with ”Like Stone Lions at the Gateway Into Night”, several Greek filmmakers have done the same, much better than this documentary that suffers from too much perfume.

The Chilean ”Last Station” (photo) will get a prize, one of the Doves, is my guess for its beauty in approach and cinematography, rightly characterised in the catalogue as ”picturesque dark tableaux vivants, the rythm of slowness turns into poetry”, and another one will be given to ”Sofia’s Last Ambulance” by Bulgarian Ilian Metev.

… but I might be totally wrong! (And I have not talked to any jury members!)

www.dok-leipzig.de

DOK Leipzig – Films/ 3

The festival in Leipzig also hosts several workshops, where documentary projects are being developed. Andrea Prenghyova, one of the founders of the IDF (Institute of Documentary Film) in Prague, presented for the second year, in collaboration with the festival, projects that were at rough cut stage, or at rough rough cut stage as one said to me, or finished. The session with the presentation of the projects were very well received, and it seems that the DOK.Incubator has come to stay.

Also the Mediterranean focused Storydoc programme had its final session in Leipzig. The workshop that include film proposals from Palestine, Algeria, Greece and other countries, is organised by the Greeks in collaboration with the EDN (European Documentary Network).

A film that came out of a workshop connected to Dox Box festival in Damascus had its world premiere in Leipzig. Lina Alabed, of Palestinian/Egyptian origin, presented her ”Damascus, My First Kiss”, shot in Damascus (where she no longer lives) with herself as the leading character in a courageously open and well told story about three women and their growing up in a culture where talking about your body and sexuality is a taboo.

http://dokincubator.net/

www.dok-leipzig.de

www.dox-box.org

http://www.proactionfilm.com/pkg09/index.php?page=show&dir=docs&ex=2&lang=2&ser=1&cat=168

DOK Leipzig – Films/ 2

The Doc Alliance vod that characterises itself ”your online documentary cinema”, and has over 700 quality films in the catalogue, that can be streamed or downloaded for a prize between 0,50 to 5€ – also takes part in the DOK Leipzig with a generous offer to all of us:

Watch for free a selection of short films from DOK Leipzig 2011!

To be recommended (seen by this blogger) are ”Decrescendo” (photo) by Polish Marta Minorowicz, the Scottish ”Kirkcaldy Man” by Julian Schwanitz and the Russian ”I will for get this Day” by Alina Rudnitskaya. Read more about them and others on the site of Doc Alliance, and take a closer look at the site of the best documentary vod.

http://dafilms.com/

DOK Leipzig – Films/ 1

Any films that we must see, film students and others who enter the festival centre ask me. Many, I answer, because there are many that have high quality. The problem in my answering is that many of the films I have not seen yet, as they are world or European or National premieres, but after three days at the video library, see below, I have tips to pass on. Some of these will later on have a review on this site, some will not.

A film that I keep on recommending is the masterly done ”Sofia’s Last Ambulance” (photo) by Ilian Metev, as well as ”The End of Time” that I have not seen yet, but Peter Mettler is a unique film essayist, so for that it is a must. As is the opening film of the festival that I also screened in the video library, ”Are You Listening” by Kamar Ahmad Simon from Bangla Desh, a classic humanistic, cinematically brilliant work that character-wise brings back memories of the Apu-trilogy of Satayit Ray when it comes to the film’s boy and his parents.

The Latvian ”Documentarian” by Inese Klava and Ivars Zviedris is of course a must for all who work with documentaries, it has humour and a fantastic character, who loves and hates to be filmed at the same time as she is building a friendship with the cameraman/ director who comes to see her.

Another character who is charismaric in his old, grumpy age is Pablo, a pensioned miner, whose daily life is followed by director Chico Pereira in ”Pablo’s Winter”, a warm film that perfectly catches the rythm of moving slowly around, having time to argue with the wife and teach a kid how to bicycle.

Finally, ”Tea or Electricity” by Jerome le Maire, from a village in the mountains of Morocco, just nominated for the European Award as best documentary, is a film to be enjoyed for its way of treating the theme of, yes, do we really need electricity?

www.dok-leipzig.de

DOK Leipzig – Being There

Time for a small report after three days at a festival that it is always pleasant to visit in a city, that it is always pleasant to visit. Eine Kulturstadt, that has developed immensely since the days around 1990 where I attended the festival for the first time nach der Wende. Now the festival centre is in the Museum der Bildenden Künste, in the new building from 2004. This is where the very well functioning digitalised video library is situated and where your blogging correspondent for a couple of festivals have passed hours in front of the computer picking films from the big catalogue. With good image and sound. Professional it is, as most of the elements of a festival that is well visited and visible in the streets where accredited professionals and documentary film buffs walk from one place to the other with their red bags, heading for not only cinemas bul also places where discussions take place within the industry section of the festival. I counted that today thursday there are 10 seminars/workshops taking place during daytime and evening, from ”outreach and campaigning in focus” to ”cross media case studies” – to, networking is important, the daily get-together with a couple of non-hearable speeches and glasses of wine being carried around.

Food is important and the festival centre has a fine café with fine food mastered by the same people who stand behind Hotel (and restaurant) Michaëlis, where I usually stay. This year I am at Motel One, two minutes from everything, a big machine that is ok and where most of the festival guests are staying.

Photo from the best film I saw today: Thomas Riedelsheimer’s beautiful work on the Japanese artist Susumu Shingu, “a journey through the world as he follows his life-long dream-project and explores the energy of wind and water.” Title: Breathing Earth, Germany, 2012, 93 mins.

http://www.mdbk.de/

http://filmpunkt.com/projects_WInd_eng.html

www.dok-leipzig.de

The Act of Killing Interview with the Director

The headline of the interview in Realscreen is “Mixing the real and the surreal” and the first lines go like this:

“In time for its presentation as the cph:dox (Copenhagen International Documentary Film Festival)’s opening film, filmmaker Joshua Oppenheimer tells realscreen about his “observational documentary of the imagination.”

The film opened the festival today tuesday evening with several screenings during the festival of the 115 mins. version as well as the 159 mins. version.

Read more: http://realscreen.com/#ixzz2ApBt0M48

Chinese Winner at DocLisboa

Wang Bing got one more prize added to his impressive filmography through the ”Grande Prémio Cidade de Lisboa”, the first prize at the DocLisboa that ended sunday. The film in question is ”Three Sisters” (153 mins., France Hong Kong, 2012). Description taken from the site of the festival:

“Three sisters live alone in a small village family house in the high mountains of the Yunan region. They spend their days working in the fields or wandering in the village. The father returns to the village. He has come to take the girls with him to the city but he then agrees to leave the older one under the supervision of her grandfather.”

Special Jury Prize was given to “The Anabasis of May and Fusako Shigenobu, Masao Adachi and 27 years without Images” (66 mins., France, 2011) with a special mention to the film that wins wherever it goes, “Sofia’s Last Ambulance” (75 mins., Bulgaria, Croatia, Germany) by Ilian Metev from Bulgaria.

The two last mentioned are to be watched at DOK Leipzig this week, “Sofia’s Last Ambulance” competes in the International Competition category. One more award… for this excellent piece of cinema?

http://www.doclisboa.org/2012/pt/edicao/premiados/

www.dok-leipzig.de