Charles Ferguson: Inside Job

Jeg melder lige ud med det samme: den film kan jeg godt lide. Den er betydeligt mere overbevisende, end de danske anmeldelser efter premieren sidste år lod mig tro, den er et fuldt forståeligt vredt angreb på Wall Street spillerne, økonomerne og direktørerne. Den berømte gades verden set som et banalt casino, klædt af til skindet, medvirkende efter medvirkende, i en imponerende klippet række krydsforhør, som Ferguson gennemfører uden at lade sig forstyrre det mindste af alle mulige forsøg på intimidering, som den medvirkende på dette still fra filmen (han hedder R. GlennHubbard og var George W. Bush`s nærmeste økonomiske rådgiver og stod bag dereguleringerne), som ser sur ud, fordi han flere gang har sagt, at han kun vil tre mintter mere, og Ferguson fortsætter uanfægtet og fotografen selvfølgelig bare følger trop. Fergusons vrede er disciplineret i en yderst velforberedt saglig tørhed som var det Orienterings vidunderlige Jesper Tynell på vej fra avisernes Cavling til filmenes Academy Award. Ferguson og han har fortjent hver sin pris på beslægtet journalistisk metodik.

Martin Nguyen: Tomorrow You Will Leave

Once you get the bit heavy narrative rythm under your skin, this film opens beautifully its theme, finds its calmness and develops the characteristics of its protagonists. It is a family film with a son, who by the way just became a father himself, the film is dedicated to his daughter, and also therefore wants to know about the past of his parents, in the film at least about that dramatic period where they, with him as a baby, got away from Malaysia.

The family Nguyen comes from Vietnam and like many others they fled their country in the late 70’es – in 1979, the statistics say that 400.000 did so! They came to the Malaysian island Pulau Bidong, their son was born and it was from here they were lucky to get to Austria where they live a good but also hard life as well integrated immigrants. The father, wonderful to hear him talk German with a local accent, is a farmer in the countryside, the mother works in Vienna and comes home during the weekends. Their story in Austria is in itself interesting to watch but works also as a kind of prologue to where the real story unfolds: the filmmaker son and the parents take off to the island in Malaysia to find the man, Ali is his name, who helped them create a new life.

The travel itself brings freshness to the film. Where especially the father seesm to be sad and introvert when the talk comes to the past, in the dialogues with his son, he – and the film – gets energy from the meetings with two dedicated Malaysians with a past in Pulau Bidong. They suit the film and will do anything to make father Qang happy as the travel around brings fine situations, humour and a bit of suspense… will they find Ali? There are many memorable scenes like the one where the Vietnamese are gathered around a table talking or almost singing unstoppably.  

It is a joy to watch this film for its warmth and respectful, fine balance between sadness and getting sentimental. There is a small interview with the director on the IDF website, click below.

Austria, 78 mins.

http://de-de.facebook.com/pages/Tomorrow-you-will-leave/127941350551592

http://www.dokweb.net/en/documentary-network/articles/film-of-the-week-tomorrow-you-will-leave-1903/?

Dokumania January 2012

For the English readers: The Danish documentary strand Dokumania, that broadcasts on DR2, starts the new year with high quality films: Oscar-winner ”Inside Job” by Charles Ferguson, continued the week after by ”The Interrupters” by Steve James (to be remembered for his masterpiece ”Hoop Dreams”, staying in the US to celebrate Mohammed Ali’s 70th year birthday on January 17th, ending with Palestinian/Danish Omar Shargawi’s Cairo documentary ”1/2 Revolution”.

For the Danish readers:  Der er grund til at holde øje med Dokumania i januar måned. Det starter godt med den oskar-belønnede ”Wall Street Indefra” (”The Inside Job”) af Charles Ferguson, fortsætter med ”Chicagos Gadeengle” ( The Interrupters”), som jeg personligt glæder mig til at se efter spaltevis af rosende omtale af Steve James’ film – det var ham med basketballfilmen ”Hoop Dreams” – så fejres Mohammed Ali’s 70 år på dagen, den 17. Januar,  med canadiske ”Mohammad Ali – den største”, og som sidste film i januar vises ”1/2 Revolution” (foto) af Omar Shargawi, som der bl.a. blev skrevet følgende om på dette site:

The quality of this film lies with the fact that the Palestinian/Danish director succeeds to personalize the story. He and his friends lived in the centre of Cairo, close to the Tahir Square. From their windows they could follow the violent clashes between police and demonstrators, from hour to hour, in a flat where there was also a baby stumbling around among grown-ups like the director himself, who have family outside he country and who of course worry about what could happen to their dear ones. It does indeed gives the situation another perspective, and the film a tension different from the youtube uploaded clip documentations from the fights in the streets…

På dansk igen: Dokumania’s hjemmeside er generelt udmærket, denne gang er der dog sjusket – “The Interrupters” er krediteret med Nanna Frank Møller som instruktør (!) og I forbindelse med trailer-henvisninger er der gået kuk I linkningen fra filmen om Mohammad Ali med henvisninger til to andre film. Når det er sagt, læg så også mærke til at (nogle af de) gamle udsendelser kan ses tredive dage efter – bla. Göran Olssons fremragende Black Panther-arkiv film. 

http://www.dr.dk/dr2/dokumania#/26130

http://interrupters.kartemquin.com/

http://www.facingalimovie.com/

William Klein Exhibition in Paris

William Klein (born 1928), American filmmaker and photographer, who has great reputation for his many photo books, especially those dealing with cities like New York, Paris and Rome, and who has made films on Muhammad Ali and who has been active in artistic protests against American policy, is exhibiting a selection of his photos in Paris, they are from Rome, taken 1956-1960, when the young Klein went to Rome to become an assistant of Fellini, who, however, had enough assistants, wherefore Klein went to the streets to take photos with his newly acquired camera.

It is a joyful exhibition (runs until January 8) at the great Maison Européenne de la Photographie in Paris, a must-see-place for fans of photography and documentary or should I say, and documentation as many exhibitions also aims at documenting a country or period or a special period of our times.

Klein went to the street, caught the moments and the atmosphere, went (also) for celebrities like Sophia Loren, arranged some situations, and found Rossellini and Fellini in conversation woith each other at Cinecitta.

For copyright reasons I dare not publish any of the photos, but go to the site of the museum or google Klein and you will find his unique talent demonstrated.

Rome is a movie and Klein did it, said Federico Fellini. Klein’s book with photos from Rome can still be bought on Amazon,

http://www.mep-fr.org/expo_1.htm

William Karel: Looking for Nicolas Sarkozy

A couple of days after the death of Vaclav Havel, you sit down and watch a documentary on the French president Nicolas Sarkozy – what a quality step down – set up through a mix of archive material and comments from foreign correspondents, who have followed the president from his entrance to power in May 2007. Commentators from leading English and German newspapers and magazines, as well as tv people from a handful of countries. Quite a good spread with more or less analytical remarks, practically speaking all of them pretty negative. Well in the beginning everyone was expecting a new, much more energetic period after dead years with Chirac, but quickly it was clear that Sarkozy was not ready for the job, to say the least. He comes out as a total fool in this documentary, ”in the beginning he was like a ten year old boy”, one says in the film that is chronologically structured and involves a lot of anecdotes about the performance of the president. And not much more, as he has never really invited the foreign press to have longer interviews with him – visions for France, he does not have.

But he has the ability to control the media in his country, he has the power to push himself into the spotlight leaving his ministers as tools for the promotion of himself. Of course the private life is commented. His dependency on the advice of his Cecilia (”sans Cecilia il était totalement perdu”), who left him – and his quick change to Carla, and now the baby, cleverly used in public relations purpose. OK, he gets praise for his role in the Russian-Georgian conflict, for his role in dealing with the European financial crisis, but otherwise the film is full of the correspondents talking about his coming late to the Vatican, using his cell phone during the meeting with the Pope, the catastrophical insults to Africa, the idea of sending help to Ben Ali when the revolution in Tunisia had started, his disastrous and cynical move towards the romas, his relationship to Angela Merkel (remember the photo of the two on the beach and the comment ”how deep is their love”), his jealousy towards Barack Obama etc. At the end of the film the correspondents revela that Sarkozy, through his campaigners, now is trying to build up a new image as a more calm and intellectual statesman, who watch Robert Bresson and Carl Th. Dreyer in the evenings!

In the documentary genre of films about state leaders the film of Karel can not compete with the films we have available on Kennedy, Clinton and Havel. It is a tv product, formatted, fun to watch and of course you ask yourself – did we get close to the man, no, not at all, and what is it that the French like about him? Will there be a film about that? This is more of a comedy, but his flirt with the voters of Front National is not fun at all, will there be a film about that?  

France, 2011, 77 mins.

The film is available on dvd, in France  you can buy it in one of the fnac shops or you can order it via Amazon. This review is based on the broadcast on arte, wednesday december 21, 2011.

http://videos.arte.tv/fr/videos/looking_for_nicolas_sarkozy-6273024.html

Danfung Dennis: Hell and Back Again

The Afghanistan documentary by Danfung Dennis, awarded at many festivals opens today in Paris. The daily Libération has an interview with Dennis, link below. Here is a re-post of the review of the important documentary:

I love my pistol”, says Sergeant Nathan Harris, the protagonist of the film about an American soldier, who gets seriously wounded in combat in Afghanistan, is taken back to the US and to his wife Ashley, who helps him recover; at least she helps him getting through the day, the trauma he has from his time in Afghanistan, he does not seem to be able to fight on his own as the film tells the audience.

Many films have come out and is coming out from and about the war in Afghanistan and its consequences on heart and mind, especially on those going there as soldiers to secure changes in the country. This one is one of the best so far in its superb camera work from the battlefield, in its description, with a lot of dignity, of the Afghans who are victims of the constant search for Talibans by the Americans. They are told to leave their houses, their houses are searched, they are searched and controlled. The desperation comes from the Afghans, who don’t want to be ruled by the Talibans, but you soldiers do not really make the situation easier!

The emotional side of the film, however, lies where Nathan Harris is back home, suffering enormously from his pain, constantly taking strong medicin and – this is how the film is built – thinks back on Afghanistan where he definitely wants to be again as a killer, the word used by the doctor who examines him. As a spectator you look, with empathy, thanks to the approach of the director, at a man brought up in a society of violence, a young man sitting in a sofa at the end of the film playing with his guns… ”I love my pistol”.

US/UK, 2011, 88 mins.

Winner of 1st Documentary Competition at Moscow International Film festival 2011.

http://hellandbackagain.com/

http://next.liberation.fr/cinema/01012378780-j-ai-voulu-choquer-les-spectateurs

Vaclav Havel on Film

It seems strange that on the day of the death of Vaclav Havel, I posted several texts on the high quality of the IDF (Institute of Film) website (see below) and now I do it again to make you know the text published there to remember Vaclav Havel, and the many films he took part in. Read here:

Former Czech President, dissident, prolific playwright, essayist, and film director Václav Havel (October 5, 1936 – December 18, 2011) appeared in countless documentary films that closely traced both his political moves and moments from his personal life. Here are just some of them…

In 2003, David Remnick of the The New Yorker described Václav Havel’s last day in office as follows: “On Sunday night, February 2nd, Czech radio and television broadcast Havel’s farewell address. He took pains to thank his wife and his supporters. To all those who felt disappointed “or have simply found me hateful, I sincerely apologize and trust that you will forgive me.” Havel flashed his country the peace sign and his work was done.” [David Remnick, “Exit Havel”, The New Yorker, 10 February 2003].

Havel’s work and role were incredibly difficult, crucial and irreplaceable, as any of these documentary films attest. Although he was never too comfortable in front of the camera – probably much happier when staging his own scenes in Leaving – many of the films give a good idea of his warm and charismatic personality, doing away with the myth of a shy, awkward president and revealing instead his calm yet strong-willed determination.

Screened at Visions du réel, Crossing Europe, Hot Docs, DOK Leipzig, Berlinale’s Forum and other festivals, Citizen Havel (2008) may be the best-known film on Havel. Shot over the span of 13 years, it was originally helmed by Pavel Koutecký who made a number of other Havel-themed docs. After Koutecký’s death in 2006, the project was taken up by director and cinematographer Míra Janek.

Please watch them if you get a chance, Václav Havel, Prague – Castle can be streamed in East Silver’s video library; many of them are available on the VOD portal Doc Alliance Films.

http://www.dokweb.net/en/

Vaclav Havel Died Today

… and what a loss it is! Luckily – in terms of films, we have a lot of material that documents who he was and how he performed as a writer, a politician and, simply, a human being. I go back to early times of filmkommentaren to re-publish, what was written after I saw a rough cut of what was going to be the masterpiece ”Citizen Havel”:

Yesterday in Prague, I attended a sneak preview of a still unfinished documentary on Vaclav Havel. The version (for cinemas and festivals) I saw was 150 minutes, for me it could easily have been longer, simply because the company of Havel is such a joy! 

I was told that a 6 hour long (6 x 1 hour) TV version has been made as well to be screened on the private channel NOVA, and not on public Czech tv, that did not want to take part which of course is no less than a scandal.

The film is wonderful being the result of 12 years of shooting by Pavel Koutecky who died last year in a tragic accident. The film has been completed by Mira Janek, and covers sequences from the life of Havel when president until the moment, he steps down and leaves the castle in Prague. Private life and official life. Havel in a lot of situations with his advisors, Havel constantly versus the other Vaclav (Klaus) and Havel with his first wife Olga, who dies in 1996. And Havel with Dagmar, Dasa, who is his life’s companion now. A film full of humour about a gentle man, who – as he says himself – is unwilling to conform to the stereotypes. A man who listens and thinks before he talks. A man who appears to have some drops of vanity when it comes to shirts and ties, and who is absolutely unpractical and who could not live without a woman at his side.

Apart from the joyful meeting with a man of great modest charisma, the film gives you an inside to important moments in Czech politics when EU is to be the reality for the former communist country.

This is not a review, just a first advertising: Watch out for “Citizen Havel” that will be a success all over the world when it comes out next year.

http://www.bbc.co.uk/news/world-europe-16236393

Agnès Varda on Arte

Tomorrow – and the rest of the week – French/German channel arte invites documentary lovers on what seems to be a wonderful lighthearted journey with Agnès Varda, entitled ”Agnès de ci, de là Varda”. On the site of arte, see address below, there are clips from the series, which according to ”le monde” (18-19. December) is ”subjective, fantaisiste, érudite et émouvante… un très beau cadeau”. In the same article Varda says that she has filmed almost as if she was thinking with no other intention than ”to show my curiosity”. Sounds like ”caméra comme stylo”, as the French new wave was saying they were aiming for.

She meets colleagues on her way, like the 103 year old Portuguese director Manoel de Oliveira and Chris Marker, a close friend, who does not want to be seen in the film, but ”he looks like Bruce Willis”, Varda says!

If you have the chance, go and peep into the windows of Agnès Varda, who has her shop in rue Daguerre (she made a film a bout the street in 1976, Daguerreotypies) or enter the shop and buy one of her many great films.

For French viewers – remember that you can watch programmes of arte seven days after they have been broadcast.

Link to arte.tv

2012 Documentary Preview/ 1

One day when she was travelling in Belarus, Lithuanian film director Lina Luzyte woke up in her train, that had stopped at a station in the town of Zhlobin. She looked out the window and saw a lot of people lined up to sell  plush toys to the passengers…

It became a film, that will premiere in 2012 – and will have a strong festival presence. I can say so as I have seen rough cuts of the film, which is more than promising, and is the first feature documentary of Lina Luzyte, whose producer is Dagne Vildziunaite, company: Just a Moment.

Look out for the film (working title: Belarussian Toys) when it comes near you. Here is a quote from the IDF website (see below) interview by Hana Rezkova. Luzyte says:

… When I was passing the town, what caught my sight was an image – a face of a man holding a crocodile next to his head. Both faces next to each other. The man’s face was really sad and the crocodile was very beautiful. At that moment I understood that the toys will be the key element, not only visually but also on the level of meaning. The process was actually the opposite. While I was there I stopped distinguishing them from the rest of the reality. They were not standing out anymore. And in the editing room I realized that they have very sad eyes. One of my protagonists told me that there are Polish eyes, German eyes, Russian eyes, and Belarusian eyes. All the eyes have eyelashes leaning towards both left and right. Only the Belarusian eyes have eyelashes directed to one side only.

http://www.dokweb.net/en/