Nicholas Philibert is here. Three films have been shown, “Le Pays des Sourds”, “Retour en Normandie” and “La moindre des choses”. Last year the Syrian audience could enjoy “Etre et Avoir”. Philibert did a master class, denied to be called a master, talked for two hours with a lot of charm and commitment, especially about “La moindre des choses”, which is for sure a Master’s Piece. Shot in 1995, the director went to the psychiatric clinic called la Borde, filmed the people in the institution, staff and patients, and followed the rehearsals and staging of a theatre piece by Polish Witold Gombrowicz. What comes out of it is a beautiful hymn to life and to us, the actors on the big stage of life. Wonderful characters with whom Philibert made a film, as he said, the film is not about but with. A director’s vision and what I admire in this film is the almost caressing rythm of the montage, with which Philibert slowly introduces his gallery of characters.

Constantly looking for beauty… my work consists of creating the conditions for something to happen, he said, this great filmmaker, who masters the art of listnening to the other. I am a documentarian and not a fiction filmmaker, I do not want people to play roles. Maybe I ask them to repeat something or ask if I can be present on a special occasion but they are themselves.

www.dox-box.org

It is sometimes difficult to understand the mechanisms of censorship. I saw the funny, maybe a bit repetitive documentary by Massoud Bakhshi, “Tehran has no more Pomegranates”, a playful and well made film about the big city, using wonderful archive, quite critical to the society in a soft ironic tone. I was told that the film has been screened in the national festival, and won a prize. When I was inTehran in 2000 several films were on the shelf forbidden for the local audience. But being shown abroad at whatever festival. So are times-a-changing? Or did the rulers just see that documentaries are not that dangerous?

Orwa Nyrabia, festival director at DoxBox, told me that there are many critical films shown in Iran, paradoxically some of these films can not be shown here in Damascus as the censors here do not want to annoy their allies in Iran!

Full house for this film, lots of laughter, always good to see humorous documentaries, is it not?

http://www.dox-box.org/

It is one of those minimalistic films that subject-wise has been seen so many times: Man lives alone outside the cities, big house, animals – cows, chicken, horses, cats and dogs – he has retired from the noisy world full of pollution and he has a fine life. A bit excentric, yes, but clever and sweet to the filmmaker, his nephew, the Lebanese film director Simon El Habre, who masters a narrative full of warmth and surprises with the behind the camera nephew getting closer and closer to his uncle and his story. And why are you not married, have you ever been in love, what happened to your parents… questions are asked, the uncle demonstrates his passion for the animals, gets into his old, rusty car to go downhill with the milk, and slowly we understand that the village is emptied because of what happened in the civil war in Lebanon between 1975 and 1990. The film has an extraordinary sound design and you are not bored for a moment. It was in Berlin, it goes to Nyon and Hotdocs, well-deserved. Tell your local festival to screen it.

Here in Damascus the audience enjoyed the film with big applause. What an uncle to have! Charismatic, energetic, with a smile in his eyes all the time, a happy man.

http://www.dox-box.org/

Orwa Nyrabia, together with Diana el-Jeiroudi the founder and director of the festival:

We considered 300 films. 90 of them we requested for the selection. 100 passed for the selection committee, 6 people, and out came the around 40 films that we show… a very democratic selection process in a country that can not be characterised as democratic!… was my comment.

But we (Nyrabia and el-Jeroudi) did the side bars, the two series called “Voices of Women” and “Voices of War”. It is a festival for the audience, there is no other international documentary festival in the region, so we have no competition, Nyrabia says, this is why we do not refrain from showing films, that are not completely new. Great films that our audience has never seen before.

Which gives me the chance to re-watch the 1991 masterpiece by Polish director Maciej Drygas, “Hear My Cry” (photo) about Richard Siwiec, who in 1968 set fire to himself in protest against “the evil of tyranny, hate and lies possessing the world”. As well as three films by Nicholas Philibert and others. Check the site of DoxBox.

http://www.dox-box.org/

Second edition. Second time that Damascus has an international documentary film festival. The programme is enlarged, there is an industry section, sidebar retrospectives, it is all there. Impressive it is to be back.

Full house at the opening film, “China is still Far” by Malek Bensmaïl, shot in Algeria and dealing with the question of what it means to be Algerian. Let me give the floor to the director: ” A school somewhere in the Aurés. Between the North and the South. Between an oasis and the steppe.I decided to set up my camera in a classroom of the last form of a primary school for a few months so that I could seize, through the look of the children as well as through that of their teachers and families, what has been passed on in an Algerian school, 50 years after the independence…”

It is beautifully shot, the children and their teachers are great, there are some very touching and funny moments between them, other sequences do not have the same focus and intensity, is felt to be a bit too long, but a very relevant choice for the opening of the festival.

http://www.dox-box.org/

Second edition of the documentary festival in Damascus, Tartous and Homs in Syria. Reports from the 1st edition can be found on filmkommentaren.dk.

I dont have the programme schedule yet but have seen the list of films and guests who will be there. It demonstrates that the organisers, filmmakers Diana el Jeroudi and Orwa Nyrabia have made a big effort to enlarge the cinema programme. It includes a very impressive list of films to be offered to the Syrian audience is. More than 40 films where half of them are new for me… who watch quite a lot as loyal readers have discovered.

There is an official selection with an audience award. Let me mention 3 known titles (”Family” by Sami Saïf and Phie Ambro, ”From Father to Son” by Visa Koiso-Kanntila and ”Mosquito Problems and other Stories” by Andrey Paounov) and 3 I am looking forward to watch (”China is Still Far” by Malek Bensmail, ”One Man Village” by Simon el Habre and ”Six Ordinary Stories” by Meyar Alroumi). There is a series called ”Voices of Women” with films – among others – by Kim Longinotto, Eva Mulvad and Alina Mazzarati. There is 3 films by Nicholas Philibert in the ”Meet the Master” category. There is a series of ”Notes on War” with films by PeÅ Holmquist, Werner Herzog – among others. And ”Best of Fest” introduces ”The English Surgeon”, ”The Mother” and ”René”. What a fest to expect. Photo: Burma vj by Anders Østergaard, closing film in Damascus.

Plus several industry arrangements, including one where Mikael Opstrup, EDN chair and producer and I are doing a writing workshop for 12 filmmakers.

http://www.dox-box.org/

It is the fourth time the programmer Cian Smyth organises the documentary festival ”within” the Belfast Film Festival, March 26- April 4. And again it is a pleasure to see a varied selection of high quality films, 44 in all, ” from experimental to cinema verite in form” as said in the press release, with observational “gaze” perspectives in the spirit of Albert Maysles like Helena Trestikova’s manyfold awarded “Réné”, and more “staged” titles like “Blind Loves” by Jura Lehotsky and “Z32” by Avi Mograbi, and several new Irish films.

From the press release: Finally, a section of the festival that is extremely important to us, Truth/Memory/Transition, attempts to present and discuss documentary films and their worldwide stories in the context of conflict resolution, managing the emotional impact of history and the flexible nature of memory. This strand centres around debate and Pray the Devil Back to Hell will provide a thrilling centrepiece discussion in the presence of filmmaker and subject as it sits alongside a fascinating discussion about the consequences of fame in politics with world-renowned Northern Ireland civil rights campaigner Bernadette McAliskey (nee Devlin) and the film Bernadette. Photo: A mural with Bernadette Devlin.

The films in this category: Pray the Devil Back to Hell: dir. Gini Reticker, USA, 2008, Ireland Premiere. Bernadette: dir. Duncan Campbell, Northern Ireland/Ireland, 2008, World Premiere. AWingBigCell: dir. Seamus Harahan, Miriam deBurca, Northern Ireland/Ireland, 2008, World Premiere. For the Record: dir. Mairead McClean, Northern Ireland/Ireland, 2009, World Premiere. An Phailistin – Disturbing the Silence: dir. Sonia NicGiolla Easbuig, Ireland, 2004

www.belfastfilmfestival.org