Avi Mograbi Retrospective

Under the headline “Always The Trouble With Avi”, the Filmforum at the Museum Ludwig in Köln shows a retrospective of films by Israeli Avi Mograbi, introduced by this great text by the curator Rasha Salti:

“He is almost always in front of the camera, but the films are never about him at all; he films the commonplace, the everyday, even the prosaic – only to reveal with unsettling lucidity more profound and unseen truths about the paradoxes of contemporary Israeli society and ist occupation of Palestine. He seems to make films about making films that in reality are never made; he trumps documentary with fiction, performance with reality, back and forth, addling the codes of direct cinema. This is the trouble with Avi Mograbi’s cinematic and artistic practice: it is so essentially and literally subversive that it is impossible to classify. As is he: actor, sound recordist, second cameraman, singer, performer, director and citizen, he embodies all these roles dutifully, responsibly, without ambiguity or affect. And most remarkably, he never

displaces himself or his body from the ailing social body he films, deconstructs, challenges or provokes.”

The director is present at the screenings.

And this is what I wrote on this site, when Avi Mograbi was in Barcelona:

…A masterclass, a master’s class, Mograbi is exactly as his films are: tense, sometimes comic, but always dealing with the embarrassing reality of the country he lives in. A frustrated artist, as he says himself, who wants to move something, raise a debate in Israel, but does not succeed, he is met with total silence, no reactions, whereas he now is an estimated artist in Western Europe! In the next issue of Cahiers du Cinema, the headline is characterising him as ”Le Grand sculpteur de notre temps”. (DocsBarcelona 2009, masterclass with Avi Mograbi).

Photo from “Avenge But One of My Two Eyes”. 2005.

Check the website, fine introductions to all films.

https://www.academycologne.org/en/article/659_always_the_trouble_with_avi

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Tue Steen Müller
Tue Steen Müller

Müller, Tue Steen
Documentary Consultant and Critic, DENMARK

Worked with documentary films for more than 20 years at the Danish Film Board, as press officer, festival representative and film consultant/commissioner. Co-founder of Balticum Film and TV Festival, Filmkontakt Nord, Documentary of the EU and EDN (European Documentary Network).
Awards: 2004 the Danish Roos Prize for his contribution to the Danish and European documentary culture. 2006 an award for promoting Portuguese documentaries. 2014 he received the EDN Award “for an outstanding contribution to the development of the European documentary culture”. 2016 The Cross of the Knight of the Order for Merits to Lithuania. 2019 a Big Stamp at the 15th edition of ZagrebDox. 2021 receipt of the highest state decoration, Order of the Three Stars, Fourth Class, for the significant contribution to the development and promotion of Latvian documentary cinema outside Latvia. In 2022 he received an honorary award at DocsBarcelona’s 25th edition having served as organizer and programmer since the start of the festival.
From 1996 until 2005 he was the first director of EDN (European Documentary Network). From 2006 a freelance consultant and teacher in workshops like Ex Oriente, DocsBarcelona, Archidoc, Documentary Campus, Storydoc, Baltic Sea Forum, Black Sea DocStories, Caucadoc, CinéDOC Tbilisi, Docudays Kiev, Dealing With the Past Sarajevo FF as well as programme consultant for the festivals Magnificent7 in Belgrade, DOCSBarcelona, Verzio Budapest, Message2Man in St. Petersburg and DOKLeipzig. Teaches at the Zelig Documentary School in Bolzano Italy.

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