Michael Glawogger: Megacities
Renata Medero, documentary film student at Zelig, Bolzano, Italy, writes this review of a neo- classic:
Unforgettable images… whether you like it or not.
Some films deliver images to never be forgotten, some beautiful, some not. But – what happens when the ugliness is so hypnotizing that one cannot stop watching? “Megacities” is a unique film because it brings toghether issues that by themselves seem irreconcilable. The worst of the megalopolis is brought together: dehumanization, cruelty, despair, all wrapped in a glossy and luxurious manufacturing, which makes the film as beautiful as mercyless.
The aesthetization of the poverty is not a new tendency in some films of the international scenario, but “Megacities” is tricky. Has a spotless photography, where the flawless and somewhat mysterious composition of images forces the spectator to keep watching the movie even when he might not want to.
And then, the big lettered question: Do I have the right to see this? What right did the director had to film it? And there is still another ethical issue to deal with: a group of russian street kids reveal that they were paid to be filmed. Does that mean that they were paid for showing the inhuman condition in which they live? How maquiavelic could such an idea be? In any case this film is not advisable to animal right activists, good consciences and weak hearts!
I think it is a masterpiece, because it achieves the impossible even though I don’t agree in some of the director’s views of the situations.
1998, 90 mins.
