DocsBarcelona Starts Tonight

… and goes until May 18. The opening film is “RIEFENSTAHL” by Andres Veiel, a film that premiered at the festival in Venice and goes all over, of course, praised by critics. I will not be in Barcelona for the screening (only one) but the film is in cinema (Grand Theatre) here in Copenhagen and I will watch it before going to the festival on Monday the 12th, where the Industry section will start, more about that below.
Opening the website of the festival, six of the films from the “Official Competition” are listed: The extraordinary “9 Month Contract” (PHOTO) by Georgian Ketevan Vashagashvili that I recommend warmly, the nice content-wise predictable “Facing War” by Norwegian Tommy Gulliksen, “Mr. Nobody Against Putin” by David Borenstein and Pasha Talankin, the latter the protagonist of a well-made personal documentation of a brave teacher, who could not endure to be a propagandist, Danish Robin Petré with “Only on Earth” that I have not seen but the other day I met Frank Paulsen, now former film consultant at Danish Film Institute, claimed that Petré is THE documentary director in Denmark right now, and two more that I have not heard about, Iranian Mohammadreza Eyni’s “Cutting Through Rocks” and María Mauti’s “Miralles” – “Enric Miralles is considered an essential figure in contemporary architecture”, the site says.
The Industry section starts on Monday the 12th, you can read all about it on the website – there are Public Pitch, Speed Pitch, Rough Cut pitch, thematic discussions AND “Artistic Consultancies”, which are not public, but let me tell you about it as I am the one in charge:
9 rough cut projects have been chosen to meet experienced knowledgeable tutors. The projects come from all over world and the filmmakers will be present in Barcelona AND/OR online to meet their tutor for an 80 minute long conversation, that first of all has a focus on content and storytelling. I can assure you that the tutors, handpicked by me, are prepared for their job and will come up with inspirational comments. I say so as they – the tutors – have tried it before. They are Scottish Emma Davie, Danish Cecilia Lidin, American/Danish Robert Goodman and Montse Bartui and Pol Roig, both based in Barcelona. The latter, Pol Roig, film director and former artistic director of the festival will be present in the background together with me during the sessions, ready to step in if needed.
After each session I will post a screenshot of the participants on FB,
Enjoy the festival.