They have some verbal battles in the office, Natalya and Eugenia. They get on each other’s nerves. They both work at the museum, have done so for a long time, but where one is for the material side of the life (Natalya), the other (Eugenia) is heading for the spiritual values.
The scenes with the two are among the finest in a film that in an observational style catches the museum for Lenin, that was set up in 1987, had a great time in the beginning and now is trying to regain a visiting audience. Natalya does her best – are you filming Askold, she says to the director, she obviously sees the film as a chance to promote the museum – and shows us around in the rooms in Gorki, where Lenin died 90 years ago. Come and have an ”Soviet-era experience”, says Natalya, who brings school kids to the place where they pay respect to the great leader in finest pioneer style.
Otherwise, they take it easy at the museum, the rythm is slow, the stairs are cleaned as is the statue, but at the meetings of the board, the voices are raised, and a new director is brought in. Who cancels one plan for modernisation to bring in a Chinese opera show – and belly dance could maybe also bring more visitors. Alas! By the way, indicates the film, next to the museum a church is being built…
It would have been easy for Askold Kurov to make fun of the museum. He does not. He brings forward the institution, lets the viewer see it, meet the ones, who work there and let them take the floor. A fine choice.
Russia, 2013, 52 mins.