Baltic Sea Forum 2012/ 1
It is the third day of the Baltic Sea Forum 2012. A workshop goes on during the day, where 24 projects are being evaluated, trailers and teasers are being adjusted, wordings discussed – in order to have the filmmakers be focused on the pitching of their projects. Saturday and sunday a panel of 12 broadcasters and distributors will comment on what they hear and see. It is the 16th edition of the Forum, the format is well known and for many of the filmmakers this is the first step into a documentary market that is full of declining budgets and slots when it comes to television.
These were the words used by Charlie Phillips from Sheffield DocFest, who made a brilliant lecture this friday afternoon in the Cinema K. Suns. Phillips gave ”a overview of the documentary life on new platforms, recent developments and some succesful case studies”. The most interesting for me, who for Phillips is part of ”the old world”, 35+ (!), that is full of ”frustrated distributors and audiences” and only offer ”linear stories”, was his listing of online distribution platforms and examples of interactive projects, that – no surprise – included a couple of high class from National Film Board of Canada (NFB): ”Bears” and ”Welcome to Pinepoint”. ”Who pays” was the headline of one of the last pages Phillips put on screen – maybe it should have been ”who should pay?” because this is where the problem lies: The new fascinating and in perspective very important new ways for the documentary, both in terms of distribution and storytelling, do not yet have business models that can help the producers. Apart from some examples within arte, the NFB and funds like the Tribeca New Media Fund.
The day today also gave time to pay a visit to the cemetery where Juris Podnieks (photo) is buried. The perestroika director (”Is it Easy to be Young?”, ”Homeland”, ”Hello do You Hear Us?”…) died 20 years ago, June 23 1992. A couple of months before he attended the Baltic Film & TV Festival on the island of Bornholm, he gave an excellent masterclass and expressed the ambition to make personal films, ”no more political films”, he said. Audrius Stonys, Lithuanian director and I were at the masterclass on Bornholm and at Podnieks grave today brought there by Antra Cilinska, Podnieks colleague, producer, director and editor, who is today running Juris Podnieks Studio.
http://www.mediadesklatvia.eu/baltic-sea-forum-for-documentaries-2012/