A film is written four times. When a script is made. When the film is shot. When the material is edited. When the audience sees it… Words from Hubert Sauper, who was invited to have a conversation with festival programmers Cecilia Lidin and Martijn te Pas at Nordisk Panorama. One hour with clips from his “Darwin’s Nightmare”, “We Come as Friends” and the most recent “Epicentro” from Cuba. Well prepared by the moderators, who during the session were trying to come in with questions – difficult but no problem as the director talked so well and interesting, especially about “We Come as Friends” that (as “Darwin’s Nightmare”) is available online, for free, for the audience in the Nordic countries. The fine thing about the talk was that he related to the clip, gave the context and told how it was shot: A naked black boy is given white socks by missionaries, who ask the black people to dance… Sauper told us that he was about to break down watching this colonialist humiliation, this “moment of truth”; a friend who was with him grapped the camera and shot the scene. A mild and generous Hubert Sauper invited us to experience some of his ways of filmmaking. And I have to see “We Come as Friends”.
Tonight I have been invited to put on my festive slippers for the Award Ceremony. Online. Will do my best. Wonder who will win the main award, Best Documentary. „The Cave“ by Feras Fayyad must be the clear favourite, but it could also be „Songs of Repression“ by Estephan Wagner and Marianne Hougen-Moraga or „The Painter and The Thief“ by Benjamin Ree. Or could I hope for „Bitter Love“ by my old friend Jerzy Sladkowski who with cameraman Wojciech Staron has created another lovely story from Russia. I have not seen all 14 films in this competition so there could be a dark horse somewhere.