IDFA Forum/ 1

The Forum at IDFA is for documentary filmmakers the place to launch the new projects, they want the documentary community to be aware of, and eventually be interested in, eventually to invest in. Projects are presented/pitched followed by meetings. It is all very well organized and respected. “You have to be there”, filmmakers working internationally say, “otherwise “they” think that your company has died”. Words to that effect.

IDFA has announced that 51 projects have made it to the grande finale – the pitch that takes place November 18th-21st.

The press release – a long quote from that – says “…

“The selection process was particularly competitive this year: with a record-breaking 768 projects submitted. Of the 51 projects selected to present at IDFA Forum, 24 different countries are represented, reflecting the inclusive emphasis of IDFA and its continuous word-wild support of documentary filmmakers.

This year’s IDFA Forum selection casts a wide net, ranging from projects that examine pressing social issues to ones exploring the artistic boundaries of documentary filmmaking. Returning IDFA guests include Nanfu Wang (Untitled Cuba Project, United States), Camilla Nielsson (Democrats 2, Denmark), and Renzo Martens (A Gentrification Program, the Netherlands). Several selected projects demonstrate a clear interest in experimenting with documentary syntax, such as Lash by Yoonsuk Jung (South Korea) and The Way We Were by Marten Persiel (Germany).

The 2018 selection also features new projects by established filmmakers as well as emerging talents. Guy Davidi, co-director of the Academy Award-nominated 5 Broken Cameras, presents Senseless (Denmark/Israel). The renowned Mohamed Al-Daradji (Iraq’s Invisible Beauty, Belgium), and Hemal Trivedi (The Half Truths, India, United States), as well as up-and-coming talents Sun Hee Engelstoft (Forget Me Not, Denmark) and Ayse Toprak (The Other Half, Turkey) will also present their latest projects at IDFA Forum 2018…”

Questions raised in IDFA Forum/ 2 above.

Photo from “Democrats” by Camilla Nielsson, she is pitching a sequel.

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Tue Steen Müller
Tue Steen Müller

Müller, Tue Steen
Documentary Consultant and Critic, DENMARK

Worked with documentary films for more than 20 years at the Danish Film Board, as press officer, festival representative and film consultant/commissioner. Co-founder of Balticum Film and TV Festival, Filmkontakt Nord, Documentary of the EU and EDN (European Documentary Network).
Awards: 2004 the Danish Roos Prize for his contribution to the Danish and European documentary culture. 2006 an award for promoting Portuguese documentaries. 2014 he received the EDN Award “for an outstanding contribution to the development of the European documentary culture”. 2016 The Cross of the Knight of the Order for Merits to Lithuania. 2019 a Big Stamp at the 15th edition of ZagrebDox. 2021 receipt of the highest state decoration, Order of the Three Stars, Fourth Class, for the significant contribution to the development and promotion of Latvian documentary cinema outside Latvia. In 2022 he received an honorary award at DocsBarcelona’s 25th edition having served as organizer and programmer since the start of the festival.
From 1996 until 2005 he was the first director of EDN (European Documentary Network). From 2006 a freelance consultant and teacher in workshops like Ex Oriente, DocsBarcelona, Archidoc, Documentary Campus, Storydoc, Baltic Sea Forum, Black Sea DocStories, Caucadoc, CinéDOC Tbilisi, Docudays Kiev, Dealing With the Past Sarajevo FF as well as programme consultant for the festivals Magnificent7 in Belgrade, DOCSBarcelona, Verzio Budapest, Message2Man in St. Petersburg and DOKLeipzig. Teaches at the Zelig Documentary School in Bolzano Italy.

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