Iikka Vehkalahti Interview

It’s not because he says something new, Iikka Vehkalahti, who is now out of YLE, Finnish public television, active as always with different international activities, one of them being the rough cut service that he has set up together with respected editors like Niels Pagh Andersen, Erez Laufer and Menno Borema – link below. For that reason and because he will be one of the tutors at the first session of the upcoming Ex Oriente workshop series, the organiser of these, IDF (Institute of Documentary Film) has made an interview with Vehkalahti, from which we take a quote, but read the whole, not because he says something new but because he says something important:

What mistakes do the young documentary filmmakers frequently make? It is possible to give some examples in general? 

Mistakes are not made only by the young ones, we all make them. There are so many. For example: not to adjust the film to the audience; not to leave any space for the audience to create the final version of the film in their own heads; to play too much; not to stay simple and preserve the complexity of the issue at the same time. Not to be truthful, or not to be open to all kinds of filmmaking tools and methods. I, for example, do not understand a person who, by principle, says: “And I don’t use voice over“. It is like leaving out the music! What would such films as Citizen Kane, Sans Soleil or Sound Of Insects be without voice over? As I said: we all make mistakes all the time and often we make the most fundamental ones in the old age – such as those on the informative level (where are we, who is who, what is the question/dilemma/conflict/quest of the film, what is the role of the back story, etc.), which make the film unclear and messy and at the same time full of too much detailed information. Very often the need just to finish the film already, to get rid of it or too get the film to a certain festival makes the team think: „we have to finish the film now“ and rush it… But in fact, very rarely the film has to be ready immediately.

http://roughcutservice.com

http://www.dokweb.net/en/?

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Tue Steen Müller
Tue Steen Müller

Müller, Tue Steen
Documentary Consultant and Critic, DENMARK

Worked with documentary films for more than 20 years at the Danish Film Board, as press officer, festival representative and film consultant/commissioner. Co-founder of Balticum Film and TV Festival, Filmkontakt Nord, Documentary of the EU and EDN (European Documentary Network).
Awards: 2004 the Danish Roos Prize for his contribution to the Danish and European documentary culture. 2006 an award for promoting Portuguese documentaries. 2014 he received the EDN Award “for an outstanding contribution to the development of the European documentary culture”. 2016 The Cross of the Knight of the Order for Merits to Lithuania. 2019 a Big Stamp at the 15th edition of ZagrebDox. 2021 receipt of the highest state decoration, Order of the Three Stars, Fourth Class, for the significant contribution to the development and promotion of Latvian documentary cinema outside Latvia. In 2022 he received an honorary award at DocsBarcelona’s 25th edition having served as organizer and programmer since the start of the festival.
From 1996 until 2005 he was the first director of EDN (European Documentary Network). From 2006 a freelance consultant and teacher in workshops like Ex Oriente, DocsBarcelona, Archidoc, Documentary Campus, Storydoc, Baltic Sea Forum, Black Sea DocStories, Caucadoc, CinéDOC Tbilisi, Docudays Kiev, Dealing With the Past Sarajevo FF as well as programme consultant for the festivals Magnificent7 in Belgrade, DOCSBarcelona, Verzio Budapest, Message2Man in St. Petersburg and DOKLeipzig. Teaches at the Zelig Documentary School in Bolzano Italy.

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