Joe Bini Interview

I was there in Prague when American editor Joe Bini made his lecture in connection with the East Doc Platform. I wrote a small report that first of all had its focus on his collaboration with Werner Herzog. Now you have the chance to read a more in-depth interview with the editor, made by Marta Obršálová and brought on the IDF (Institute of Documentary Film) website, link below.

Two clips to stimulate your appetite to read it all:

On trailers: To be honest, I hate trailers. For me, it is putting the  cart before the horse, as they say. Especially when you are asked to cut a trailer before the film has been edited or perhaps even shot. How can I make a trailer when I do not know what the film is about? It’s more like advertising. I absolutely understand how important it is but it is not something I am good at. I did a couple early on in my career and I just realized it is definitely not something I enjoy doing…

On the director and editor relationship: A film is generally edited by two people – the director and the editor – two people who have a different relationship to the same material. In a documentary, I usually start my job after the filming is done. By that point, the director has already formed a relationship with the material. He or she already has an idea about the characters – who is lying, who is telling the truth, who is important in the story or not. The editor does not have any of that in his mind. The editor has only what they see when they look at the footage. I have often had the experience, especially with young filmmakers, when they come back from shooting, they say to me: This is what happened, it was an amazing scene, the guy was great! etc. But after I have a look I often have to say: Maybe so, but that’s not what I saw…

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Tue Steen Müller
Tue Steen Müller

Müller, Tue Steen
Documentary Consultant and Critic, DENMARK

Worked with documentary films for more than 20 years at the Danish Film Board, as press officer, festival representative and film consultant/commissioner. Co-founder of Balticum Film and TV Festival, Filmkontakt Nord, Documentary of the EU and EDN (European Documentary Network).
Awards: 2004 the Danish Roos Prize for his contribution to the Danish and European documentary culture. 2006 an award for promoting Portuguese documentaries. 2014 he received the EDN Award “for an outstanding contribution to the development of the European documentary culture”. 2016 The Cross of the Knight of the Order for Merits to Lithuania. 2019 a Big Stamp at the 15th edition of ZagrebDox. 2021 receipt of the highest state decoration, Order of the Three Stars, Fourth Class, for the significant contribution to the development and promotion of Latvian documentary cinema outside Latvia. In 2022 he received an honorary award at DocsBarcelona’s 25th edition having served as organizer and programmer since the start of the festival.
From 1996 until 2005 he was the first director of EDN (European Documentary Network). From 2006 a freelance consultant and teacher in workshops like Ex Oriente, DocsBarcelona, Archidoc, Documentary Campus, Storydoc, Baltic Sea Forum, Black Sea DocStories, Caucadoc, CinéDOC Tbilisi, Docudays Kiev, Dealing With the Past Sarajevo FF as well as programme consultant for the festivals Magnificent7 in Belgrade, DOCSBarcelona, Verzio Budapest, Message2Man in St. Petersburg and DOKLeipzig. Teaches at the Zelig Documentary School in Bolzano Italy.

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