The IDFA website intro to this remarkable hybrid documentar-fiction goes like this: ”The aftermath of the explosion that took place at the Port of Beirut in August 2020 is revealed in quiet stillnes, from the destroyed buildings and the despair of local residents to the cautious first sounds of reconstructions.”
Thanks to the director for choosing a totally different approach to the catastrophy in Lebanon’s beautiful capital. It surprised me in the beginning as there was no talking, no dialogue, no facts concerning the human and material consequences BUT ”merely” an invitation to look and think, while watching superbly framed image compositions of faces and buildings and wounded apartments, with this little ”action” = the mark of an octopus on a piece of wood, a symbol of what… maybe adaptibility according to my encyclopaedia, life goes on, Beirut will survive but how; there is nobody home when the man knocks on doors in a spoilt appartment building but a lift takes the viewer to the top, to blue sky or blue sea… hope?… there is something mysterious about an octopus.
And there is something surrealistic in the atmosphere in the film that invites you to look at faces of people in Beirut, in shock maybe and/or reflecting on what Life can do to you…or. Still kids are playing in the streets.
A fascinating intelligent work!
The film was shown at IDFA and won Best Film Award in the Envision Competition.
Lebanon, Qatar, United States, 2021, 64 mins.