Kristina Mikhailova: River Dreams

I close my eyes and think about the film, I have just seen. On my MacBook Pro far away from Berlin, where the premiere was yesterday. I see beauty, pure beauty, in the images and in the way the Kazakh director Kristina Mikhailova has invited/casted girls and young women to be the River Girls of her film. She has gained their trust, they open up for both joyful and vulnerable memories. I open my eyes, I am in a place where there are no rivers, but I am close to an ocean and next to me are amazing trees and flowers. The film makes me enjoy my surroundings and I realize that Kristina Mikhailova has given me an introduction to a Kazahkstan that I know far too little about.

From a woman’s point of view. Through a personalization of the river, giving an inner perspective, as she says at the beginning of the film. There are songs, there are intimate monologues, sometimes you hear the director’s question or comment, there is the river spa, there are different kind of smokes caressing the images and situations, there is a woman who talks about LGBT in the country, there is one who talks about sex and sexuality being a taboo for discussion in the country – and there is a muslim girl school where the teacher says how important it is to raise the girls to be good housewives.

It’s all done without judgement, always out of a curiosity and we are also shown hundreds of factory workers lining up to be filmed, saying “ah, will we be on television…”. Good question, if the film will be on Kazakh television?

The director gets goose-bumps, when she hears a young woman, who has been abroad, state with emotion that “nothing can replace my country”. The editing is superb, after a visit to a yurt, where a woman invites the director to stay for food singing an emotional song, a sequence follows with portraits of girls and young women, they don’t say anything, keeping the rhythm and atmosphere. I am never bored!

Kristina Mikhailova is also conveying dreams and experiences from her own life. A young woman tells about an incident, where a man attacked her, an attempted rape – the director gives us a similar story. And there are sequences, where domestic violence is touched upon, abuse.

Amazing film. Super-talented director. Produced by Dana Sabitova, chapeau for her as well…

Kazakhstan, Switzerland, United Kingdom, 2026, 99 mins.

❤️ ❤️ ❤️ ❤️❤️


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Tue Steen Müller
Tue Steen Müller

Müller, Tue Steen
Documentary Consultant and Critic, DENMARK

Worked with documentary films for more than 20 years at the Danish Film Board, as press officer, festival representative and film consultant/commissioner. Co-founder of Balticum Film and TV Festival, Filmkontakt Nord, Documentary of the EU and EDN (European Documentary Network).
Awards: 2004 the Danish Roos Prize for his contribution to the Danish and European documentary culture. 2006 an award for promoting Portuguese documentaries. 2014 he received the EDN Award “for an outstanding contribution to the development of the European documentary culture”. 2016 The Cross of the Knight of the Order for Merits to Lithuania. 2019 a Big Stamp at the 15th edition of ZagrebDox. 2021 receipt of the highest state decoration, Order of the Three Stars, Fourth Class, for the significant contribution to the development and promotion of Latvian documentary cinema outside Latvia. In 2022 he received an honorary award at DocsBarcelona’s 25th edition having served as organizer and programmer since the start of the festival.
From 1996 until 2005 he was the first director of EDN (European Documentary Network). From 2006 a freelance consultant and teacher in workshops like Ex Oriente, DocsBarcelona, Archidoc, Documentary Campus, Storydoc, Baltic Sea Forum, Black Sea DocStories, Caucadoc, CinéDOC Tbilisi, Docudays Kiev, Dealing With the Past Sarajevo FF as well as programme consultant for the festivals Magnificent7 in Belgrade, DOCSBarcelona, Verzio Budapest, Message2Man in St. Petersburg and DOKLeipzig. Teaches at the Zelig Documentary School in Bolzano Italy.

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