Main award at IDFA 2022 for Danish director Lea Glob for a film she has been working on for 13 years. A huge achievement to say the least. I saw the film two days ago at home online and was planning to write a review, but after this announcement of to night it was much easier to let the jury speak as well as quote the fine description from the IDFA website:
“This film has characters who breathe life and take us on a journey, opening us up to the worlds of culture and art, of business and politics, of the mechanics of a success story. It is infused with love…” the Jury statement.
“When Danish filmmaker Lea Glob first portrayed Apolonia Sokol in 2009, she appeared to be leading a storybook life. The talented Apolonia was born in an underground theater in Paris and grew up in an artists’ community—the ultimate bohemian existence. In her 20s, she studied at the Beaux-Arts de Paris, one of the most prestigious art academies in Europe. Over the years, Lea Glob kept returning to film the charismatic Apolonia and a special bond developed between the two young women.
The result is a fascinating portrait, spanning 13 years, of a young woman trying to find her place in the art world. Apolonia is confident in her talent, but her path is not always an easy one. Life is not a storybook; one of the lessons Apolonia learns is that women painters have to make more sacrifices and overcome greater obstacles than their male counterparts do. This also applied to the friend she lived with for a long time, Oksana Shachko, one of the founders of the feminist action group Femen. Apolonia’s resilience is put to the test.” the IDFA website.
Apolonia, Oksana, Lea… three women, three approaches to life and art and society… three women from different parts of this crazy world we live in… three women full of life and hope… living on the edge… life and death.