Festival dei Popoli Firenze/ Winners

Sergei Loznitsa was awarded one more time for his ”Maidan” (photo) at the festival in Firenze. The brief jury motivation goes like this: Timely in this current passage of History, the filmmaker calmly and masterfully engages in the unfolding of a people’s unrest with a conflicted system.

Click the link below and you will get an interesting interview (in English) with the director – 15 mins.

Alexander Nanau received the audience award for his ”Toto and his Sisters”. There is a clip from the film and an interview with the director – 10 mins. Click the link below.

For other awards check the website for the festival, that has ”Reality is More” as its motto. … Is it?

http://www.festivaldeipopoli.org/en/blog/see_news/2014/best-feature-length-documentary/710

http://www.festivaldeipopoli.org/en/

Mark Levinson: Particle Fever /2

Hun hedder Monica Dunford og hun er eksperimentel fysiker ved CERN, og hun er den, som sidst DR2 Dokumania viste filmen, charmerede mig til rigtig godt at kunne lide den: ”… Her har jeg hele spændet af tid og følelse og arbejdsindsats: fra den gamle fysiske teoretiker, som påviste denne universelle byggesten til den unge eksperimenterende fysiker, som i den vældige organisation er med til at påvise higgspartiklens materielle eksistens. Hun kan forklare, så jeg forstår og især begejstres, så jeg følger med, emotionelt accepterende. Uden modstand.”

Nu på tirsdag 20:45 viser DR2 Dokumania filmen igen, så jeg linker lige til, hvad jeg skrev, sidst de viste den: LINK

USA 2013, 99 min.

Mehran Tamadon: Iranian

After a long career at festivals (winning the Grand Prix at Cinéma du Réel 2014) the feature length documentary by Mehran Tamadon opened in cinemas in Paris December 3. In many cinemas in the French capital, that is still unique in its repertory of art house films. I watched the film at 11 in the morning – 40 people in the cinema…… to a film that basically is built on 105 minutes of talking between the director and the four mullahs he convinced to take part in the film after a couple of years of filming discussions with other, who ended up saying no to take part – some (according to the director) because they did not want to be seen together with ”someone like me”, others out of fear for public reactions in Iran.

”Someone like me” – the director is atheist and his ambition with the film, and inviting the mullahs to stay with him for two days, was to find out if it was possible to find a way to ”vivre ensemble”, to ”live together”. The mullahs arrive to his house outside Tehran, they eat together, some have their wives and children with them, they sit for hours discussing and drawing on paper on the floor, discussing what kind of books could be on common ground, what kind of music could be played, what kind of photos could be on the wall, the veil etc. It’s all being discussed in an atmosphere without aggression and with the mullah number two from the left on the still photo as a very efficient leader of the mullahs in terms of rethoric talent. It’s actually at times quite entertaining to watch, also when the director is instructed on how to pray and wash arms, hands and face.

At the end of the film, driving back to Tehran, the director, who lives in Paris, tells the audience that he had his passport confiscated upon arrival to Iran, because of the official knowledge of his film project. He got it back but with the message that if he came back, his passport would be taken from him, preventing him from leaving Iran. ”Vivre ensemble”?

There is a long – in French – interview with the director on Le Blog Documentaire, worth reading. Link below.

His previous film about the ”Bassidji” (Orig.) (2009 / Frankrig, Iran, Schweiz / 114 min.) is available through DocAlliance, link below.

France/Switzerland, 2014, 105 mins.

https://cinemadocumentaire.wordpress.com/2014/07/17/retour-au-reel-iranien-rencontre-avec-mehran-tamadon/

http://dafilms.dk/director/8852-mehran-tamadon/

Kristof Bilsen: Elephant’s Dream

Is it wrong to characterize a film as lovely? Well, the young woman on the still photo is wonderful to be with, and she has been made lovely through the approach of a director, who dares to leave the main road, when it comes to a documentary from and about Congo. To give the viewer an insight to what some citizens, actually they are all civil servants, think about their jobs, primarily, and the future of their tormented country. It is fun to watch and warm in atmosphere, and reaches the audience brilliantly even if it raises some narrative problems that the director has chosen to bring comments and thoughts forward as voice-offs, stopping the flow sometimes. But by this choice he has made it possible to work with great tableau-like, composed images that you remember so well. Henriette on the still photo is waiting for the post system to be modernised, equally Simon from the railway station sits and waits as does his colleague from the fire brigade. Waiting for something to happen. It does for Henriette, things are moving, and she is the one, we follow to a religious meeting and to her home.

Bilsen showed his film at DOKLeipzig and at idfa this year and a premiere is now to happen in Belgium. He demonstrates an obvious talent for catching situations, create his own tone and visuals, and has a feeling for a montage, where you go from the noisy streets of Kinshasa to the quiet public service venues where something is to happen. Lovely!

Belgium, England, 2014, 72 mins.

http://kristofbilsen.com/portfolio/elephants-dream/

http://www.elephantsdream-film.com/

Ivette Löcker: When it Blinds, Open Your Eyes

Zhanna, Lyosha and Maria. St. Petersburg 2013. Small apartment. Full of smoke from the cigarettes of Zhanna and Lyosha. Maria is the mother of Lyosha. She provides the two junkies with food – and love. She works, they do not – and yet, Lyosha is seen at the beginning of the film helping other drug addicts. He gets out of the appartment, Zhanna does not except for the ending of the film in a wheel chair pushed by Lyosha.

It is a chamber play of great intensity. A story about despair and misery, but also an intimate interpretation of a couple, who are still alive against all odds. Zhanna is the constant talker, Lyosha is thus more silent, they delve into the past where they had a better life.

It is a film that is difficult to watch was it not for the three strong individuals, who have given the director access to their lives. She has reacted to this generosity by making a non-sentimental, compassionate portrait. As intervals she has decided to have clips from a rock concert, probably thought as a companion in text and expression to the situation of the couple in the appartment.

Austria, 2014, 75 mins.

http://www.mischief-films.com/filme/wenn-es-blendet/e

Covi/Frimmel:Photographer In Front of the Camera

Erich Lessing, born 1923, Austrian reportage and art photographer, associated to Magnum, famous for photos from Hungary 1956 and for photos of art in museums. And probably for much more – which is not the theme of this film that primarily wants to make a portrait of an old man, a fine artist, who is still going strong, when it comes to select his photos for a book, photos for an exhibition and who has clear opinions about, what he has wanted to catch with his camera.

Those scenes where he discusses and selects and formulates are the best. ”I’’m a storyteller. In my photos there has to be a story… All pictures have a political message” – some of the sentences expressed by Lessing, who is followed by his wife and helper in his métier, a warm side motif, one can say.

It is always inspiring for documentarians to see the work of a photographic artist, who has an eye for people and situations and can talk about his work. And to meet one more fine photojournalist next to Capa and Cartier-Bresson.

Austria, 2014, 75 mins.

http://www.mischief-films.com/filme/der-fotograf-vor-der-kamera/e

http://www.lessingimages.com/

Frederick Wiseman: National Gallery

The other day I visited the National Gallery in London. I was there for three hours, generously being introduced to the fabulous collection by skilled art historians, who took me and others to watch and learn. We stood in front of one masterpiece after the other. I watched the reactions of my fellow visitors, the concentration they had, and some of them sat down to copy the works. I also had the chance to get behind the scene and discover how fascinating it must be to work with the restoration of paintings, the x-ray technique being used, and I met staff members who discussed budget matters for the museum, I saw how new exhibitions are being set up, I saw model painting classes by amateurs, blind people seeing pictures… all of it was arranged for me by Frederick Wiseman and his team, who again has made an inviting institution film with the right rythm, indicating the conflicts there are at a place like that – policy towards the audience, how populistic do you have to be etc. – but first of all this time with a focus on the art. It is simply wonderful to be there…

And then you can, as I did here in Paris, where ”National Gallery” is running in several cinemas, inspired go and watch Mike Leigh’s new film ”Mr. Turner”. Brilliant as well.

USA, France, 2014, 180 mins.

http://www.zipporah.com/

DocsBarcelona Starts Documentary Film School

Normally, there is no reason to bring a photo of two men signing a contract but in this case I want to honour my dear friend and colleague Joan Gonzalez (right) for making one more of his many dreams come through – here is the press release that came out:

DocsBarcelona creates DocsBarcelona Documentary School to strengthen international documentary training. To accomplish this project DocsBarcelona has associated with the School of Communication and International Relations of Blanquerna University.

The agreement has been signed between Dr. Josep M. Carbonell, chairman of School of Communication and International Relations of Blanquerna University and Joan González, DocsBarcelona director.

DocsBarcelona Documentary School will offer a wide training program in the documentary field. The program, that will start its activity in 2014-2015, will include an International Master of Direction and Executive Production of Documentaries, Postgraduate studies of Interactive Documentary and a Summer School of Documentary, among other training activities.

DocsBarcelona Documentary School has the aim to become a referent in the field of international documentary training during next years.

DocsBarcelona has more than 18 years of experience in the training field in Spain, Europe and Latin America. Designing, coordinating and giving courses in universities, film schools, markets, festivals and televisions.

More information:

info@docsbarcelona.com

www.docsbarcelona.com

Festival dei Popoli Firenze

The 55th edition of the Firenze based documentary Festival dei Popoli is running now – until December 5. A rich programme and it’s all very professionally presented on the website. And I liked the welcoming words of the festival director, so I made a copy-paste – his name is Alberto Lastrucci, who brings a modest, unpretentious text:

Humankind needs stories. It needs them to learn as well as recognize itself. To acquire information, nourish its inexhaustible curiosity, and respond to its innate instinct to share, to participate, and to hand down experiences, opinions, and fantasies to others. And, is there a better generator of stories than Reality?

Reality produces situations, incidents, and events with an incredible fecundity: it is a tight web of lives, thoughts, actions, and passions. ‘Film-makers of the real’ are deeply aware of this because they are its keenest observers. They explore it, they scan it, they investigate it, and then pick those thin threads that will wind into a story. The vicissitudes of certain individuals at a given time and in a faraway place take shape and become a narrative: a new story to tell. Thus, that event takes off and starts a journey to go and strike the imagination, fantasy, and heart of thousands of people. It becomes universal.

I have met people, in different contexts, who, when I tell them my job, say they watched a film presented at the festival “a few years ago”. They often recall neither its title nor the name of the author. But they can recall the story and its protagonists precisely. The story must have stayed with them, rooted in their minds. It nourished their imagination. They bring the story along, possibly for many years. That story is ready to resurface when some aspect of existence stirs memory for some mysterious assonance. When people tell me this, I am always moved, especially when I recognize the story (and yes, I do recall the film’s title and the author’s name too). I remember the stage of selection, and how that film had impressed me. When I told this to colleagues, the enthusiasm pervading all of us when we agreed that it was a beautiful story and really deserved to be shown was matched by our hope that the audience would appreciate and love it as much as we did.

Our job also offers this kind of ‘long-term’ satisfaction: we find that, after years, a story is fixated in the memory of our viewers. This is one of the reasons why organizing this festival is worthwhile. Never mind that the funds are never enough, that you always work in a state of uncertainty, that not all projects succeed, that we would always need a few more days, whereas there’s no time left because the Festival dei Popoli begins… tomorrow.

Well, we are now presenting the 55th edition of the International Documentary Film Festival. It certainly is an important goal, considering that very few film festivals can boast such longevity. By virtue of this experience, Festival dei Popoli invites you once again to know new films, meet new film directors, and take part in meetings, exchanges, and reflections.

I wish for you all, that the films you see this year will keep you company for a long time.

http://www.festivaldeipopoli.org/en 

 

 

Ben Cotner og Ryan White: The Case against 8

Det her er advokaten Theodore Olson. Han kan mødes i Dokumanias film i aften 20:45 (DR2) som en aldeles vigtig medvirkende. Han alene er filmen ”The Case against 8”værd. Filmen skildrer den historiske retssag mod en navnkundig lov 8, der forbød homoseksuelle ægteskaber i Californien i 2008 kun få måneder efter en lov, hvorefter de for første gang var blevet vedtaget, blev vedtaget. En konservativ tilbagerulning. Aftenens film åbner med en scene, som hører hjemme i en stor film om en stor retssag, Theodore Olsen i skranken, i stor form. Læg mærke til den titelsekvens! The Hollywood Reporter hæfter sig ved ham i sin anmeldelse:

“The leading conservative lawyer Ted Olson shocked right-wing pundits by agreeing to represent the California plaintiffs. Even more startling was Olson’s decision to reach across the aisle and bring on board his liberal counterpart, David Boies, as co-counsel. That the two men who had been on opposite sides of the Bush v. Gore case in 2000 would team up to champion the rights of gay men and lesbians still seems almost surreal… Olson emerges here not only as an unlikely hero, but a man of enormous integrity and open-mindedness. People eager to label all conservatives as bigots need to take a look at this guy. The mutual respect and friendship between the chief lawyers is inspiring, and their profound idealistic investment in the case is apparent at every turn…”

Ja, Olson og med ham den kongeniniale Boies, de to alene er filmen værd. Og så én ting mere: Da retten i sidste øjeblik forbyder al filmoptagelse under retssagen. Filmens måde at løse den situation på er meget, meget smuk!

Den er smuk, netop som The Hollywood Reporter beskriver det afsnit: ”The court’s decision to block the broadcast of the trial might have been a blow in documenting the events. But Cotner and White get around that deftly, having lawyers and witnesses read from transcripts, the text of which is often spread across the screen for dramatic impact. Some of the twists in the trial are so vividly discussed that we have the illusion of being there, yielding fascinating insights into the justice system and the constitutional rights of all Americans.” Jeg vil huske Olsons store sammenfatning, først beskrevet af kollegaen, så læst op af ham selv. Netop her er filmens kerne.

Her er historien, der –  som Alberto Lastrucci forleden i sin tale i Firenze sagde om gode historier i det hele taget – vil ”… become a narrative: a new story to tell. Thus, that event takes off and starts a journey to go and strike the imagination, fantasy, and heart of thousands of people. It becomes universal. I have met people, in different contexts, who, when I tell them my job, say they watched a film presented at the festival “a few years ago”. They often recall neither its title nor the name of the author. But they can recall the story and its protagonists precisely.”

Men desværre bliver filmen ikke ved og omkring de to advokater. Den fortaber sig i de fire borgere, som med ligestillingsforeningen i ryggen har anlagt sagen. Breder sig ud med de fires familiehistorier og kærlighedshistorier. Og de er ganske almindelige, ja typiske. Af den gode grund, at netop derfor er de valgt ud som dem, sagen skal handle om sådan set på alle amerikanees vegne. Derved bliver filmen en tidsbestemt film om en tidsbunden, amerikansk retsssag. Det er journalistikken i den, som vil det. Den kunne være blevet en uforgængelig, eksistentiel og universiel film om retsbevidsthed og retsgrundlag. Om folkestemning og konstitution. Bundet i kammerspillet mellem de to jurister. Det er filmkunsten i den, der vil det. Og det er især Olsons præstation og med den Boies’ indsats, der kunne gøre det, havde de fået pladsen til det. Der ligger således en evigt værdifuld film inde i den aktuelt og politisk vigtige tv-dokumentar. Denne historie er filmens. Den virkeligt gribende medvirkende er Theodore Olson, og den umistelige historie er hans fokus i sit fag, en fundamental faglig optagethed, som fører til venskabet med modstanderen David Boies. Det er den fortælling og dens to medvirkende, jeg vil huske. Også om nogle år.

USA 2013, 99 min. Sendes i aften 20:45 på DR2 Dokumania med den danske titel ”Kampen om kærligheden”.

Filmen kan nu og vel et par dage endnu ses på 

http://www.dr.dk/tv/se/dokumania/dokumania-sagen-mod-lovforslag-8

Filmens hjemmeside:

www.thecaseagainst8.com  http://www.thecaseagainst8.com

The Hollywood Reporters anmeldelse:

http://www.hollywoodreporter.com/review/case-8-sundance-review-674049