Pioneers Flaherty and Linklater

Tom Roston, film blogger with his own column, Doc Soup, on the site of American POV, writes today on Flaherty and Linklater, an elegant reflection on the two’s pioneer work with each their own genre.

Here is a quote: ”… Like Flaherty, Linklater (Boyhood) is pioneering a new form — he certainly isn’t the first, but he’s made a fictional film that hues so close to being real that it feels like real life. It’s a beautiful film. I think it’s a marvel. It was inspiring to see, even in our age, that the film medium could feel so new. It must have been somewhat like what audiences felt watching Nanook when they first watched it. So where Flaherty bent the rules of nonfiction to create a cinematic documentary, Linklater bent the rules of narrative fiction filmmaking to create realistic cinema. Bravo to both…”

http://www.pbs.org/pov/blog/docsoup/2015/02/linklater-like-flaherty-before-him/#.VNpMGSnnJEI

http://www.pbs.org/pov/blog/docsoup/#.VNpOCynnJEI

Share your love
Tue Steen Müller
Tue Steen Müller

Müller, Tue Steen
Documentary Consultant and Critic, DENMARK

Worked with documentary films for more than 20 years at the Danish Film Board, as press officer, festival representative and film consultant/commissioner. Co-founder of Balticum Film and TV Festival, Filmkontakt Nord, Documentary of the EU and EDN (European Documentary Network).
Awards: 2004 the Danish Roos Prize for his contribution to the Danish and European documentary culture. 2006 an award for promoting Portuguese documentaries. 2014 he received the EDN Award “for an outstanding contribution to the development of the European documentary culture”. 2016 The Cross of the Knight of the Order for Merits to Lithuania. 2019 a Big Stamp at the 15th edition of ZagrebDox. 2021 receipt of the highest state decoration, Order of the Three Stars, Fourth Class, for the significant contribution to the development and promotion of Latvian documentary cinema outside Latvia. In 2022 he received an honorary award at DocsBarcelona’s 25th edition having served as organizer and programmer since the start of the festival.
From 1996 until 2005 he was the first director of EDN (European Documentary Network). From 2006 a freelance consultant and teacher in workshops like Ex Oriente, DocsBarcelona, Archidoc, Documentary Campus, Storydoc, Baltic Sea Forum, Black Sea DocStories, Caucadoc, CinéDOC Tbilisi, Docudays Kiev, Dealing With the Past Sarajevo FF as well as programme consultant for the festivals Magnificent7 in Belgrade, DOCSBarcelona, Verzio Budapest, Message2Man in St. Petersburg and DOKLeipzig. Teaches at the Zelig Documentary School in Bolzano Italy.

Articles: 3839