Time Trial as Doc of the Month

DocsBarcelona starts in 10 days. I have written about the upcoming festival, link below.

But DocsBarcelona has many other rooms. One of them is the Documentary of the Month that includes one film being shown at 75 venues in Spain and later on in countries in Latin America. In cinemas, in culture houses, in libraries… check the link below.

It is an amazing film cultural initiative.

In the month of May, it is the Scottish director Finlay Pretsell’s “Time Trial” that is offered to the audience. Here is what the site says about the film:

“The end of an athlete’s career is a race against time and a fight against an inevitable demise. The addictive need to participate defies logic and creates a mesmerising and painful spectacle. TIME TRIAL takes us into the final races of cyclist David Millar’s career, leading up to his last encounter with the Tour de France. We go inside the peloton, we’re pushed up impossible climbs and forced down rapid descents, we lie alongside him in his hotel room in post-race agony. We ride in the support car, the source of comfort, supplies and fleeting relief from the cold. And we know that every mile travelled is a mile closer to the end. TIME TRIAL gets us close to David Millar, revealing how the human spirit is driven by a force deeper than success and glory. Filmed using pioneering techniques, bespoke vehicles and on-bike cameras, and with a new score by US composer Dan Deacon…”

And my words from November 2017: …I watched the film yesterday in a smaller cinema, Munt 13 (at IDFA), and I was suffering with the protagonist David Millar on screen. My suffering was in solidarity with poor Millar, who fights to get his last Tour de France but loses – suffering very much due to the music composed by American Dan Deacon, music which is constantly surprising and sometimes a torture to take into the ears.

It has changed my view on music in documentaries, which normally is just filling in holes in weak scenes. Here it goes with the race and the situations, the sequences, the scenes. A great example of music in documentaries – here used for a film, which is so well constructed, full of funny moments, it’s not “only” the tragic fall of a hero…”

http://www.filmkommentaren.dk/blog/blogpost/4521/

http://www.filmkommentaren.dk/blog/blogpost/4089/

http://eldocumentaldelmes.com/en/

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Tue Steen Müller
Tue Steen Müller

Müller, Tue Steen
Documentary Consultant and Critic, DENMARK

Worked with documentary films for more than 20 years at the Danish Film Board, as press officer, festival representative and film consultant/commissioner. Co-founder of Balticum Film and TV Festival, Filmkontakt Nord, Documentary of the EU and EDN (European Documentary Network).
Awards: 2004 the Danish Roos Prize for his contribution to the Danish and European documentary culture. 2006 an award for promoting Portuguese documentaries. 2014 he received the EDN Award “for an outstanding contribution to the development of the European documentary culture”. 2016 The Cross of the Knight of the Order for Merits to Lithuania. 2019 a Big Stamp at the 15th edition of ZagrebDox. 2021 receipt of the highest state decoration, Order of the Three Stars, Fourth Class, for the significant contribution to the development and promotion of Latvian documentary cinema outside Latvia. In 2022 he received an honorary award at DocsBarcelona’s 25th edition having served as organizer and programmer since the start of the festival.
From 1996 until 2005 he was the first director of EDN (European Documentary Network). From 2006 a freelance consultant and teacher in workshops like Ex Oriente, DocsBarcelona, Archidoc, Documentary Campus, Storydoc, Baltic Sea Forum, Black Sea DocStories, Caucadoc, CinéDOC Tbilisi, Docudays Kiev, Dealing With the Past Sarajevo FF as well as programme consultant for the festivals Magnificent7 in Belgrade, DOCSBarcelona, Verzio Budapest, Message2Man in St. Petersburg and DOKLeipzig. Teaches at the Zelig Documentary School in Bolzano Italy.

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