Verzio DocLab 2022

From tuesday till saturday 8 film projects were being worked on in Budapest as part of the Verzio Human Rights Film Festival. The filmmakers came with their material and were met by mentors and colleagues, who gave them feedback in order for them to develop their projects and make – for their presentation today – a scene that could prove their film skills and tell the audience, what the film would be about. No trailers, no money talk, a brief verbal presentation and then the scene – or two – edited during the four days.

It was pure pleasure to be part of the mentoring team (Austrian director Michael Seeber, Spanish editor Diana Toucedo, Hungarian editor Brigitta Bacskai) walking from room to room in the infamous CEU Library, where there are no students due to the conflict between the Hungarian government/Victor Orban and the university founded by George Soros – that resulted in the move of the university to Vienna. But that’s another story you can google on your own…

It’s amazing what can be achieved creatively in so few days and it was my impression that the panelists (representatives from the festivals FipaDoc in Biarritz, Biograffilm in Bologna, from KinoDok in Czech Republic, Claudia Rodriguez Valencia from Colombia, Danish film consultant at the Swedish Film Institute Jannick Splidsboel, Hungarian film directors Asia Dér and Klara Trencsenyi, whose wonderful film “The Missing Tale” had its Hungarian premiere at the Verzio festival two days ago) appreciated the non-classical-pitch situation.

Also during the week there were two so-called masterclasses. The two editors Diana Toucedo and Brigitta Bacskai talked about their profession and I had the pleasure to have a conversation with Michael Seeber, who is a very knowledgeable person in the European film scene, having made documentary films and tv series and fiction. Seeber had chosen the title of the conversation, “Pursuing focus in our films — The creative possibilities”, showing clips we did both of us. Seeber showed a text clip from his upcoming film on Ida Halpern, Austrian ethnomusicologist, looking fwd. to see the final result.

The titles of the projects presented, look out for them:

  • Up in the Air (Ukraine)

  • Your life without me (Hungary)

  • 2158 Stories (Denmark)

  • The pursuit of grief (South Africa) 

  • Albada / From the morning (Venezuela) 

  • Under the dance floor (Hungary)

  • Dreams at sunset (Hungary) 

  • El cielo esta azur y el mar esta tranquilo (Spain)

    The workshop was organised by Péter Becz, filmmaker (by the way making a documentary in Denmark about a Hungarian chef based in DK!) assisted by Hanna Kadar and Anna Bölcsföldi, two great young women who made our stay effective and enjoyable.

  Still: …Hungarian film directors Asia Dér and Klara Trencsenyi, whose wonderful film “The Missing Tale” had its Hungarian premiere at the Verzio festival two days ago) appreciated the non-classical-pitch situation.

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Tue Steen Müller
Tue Steen Müller

Müller, Tue Steen
Documentary Consultant and Critic, DENMARK

Worked with documentary films for more than 20 years at the Danish Film Board, as press officer, festival representative and film consultant/commissioner. Co-founder of Balticum Film and TV Festival, Filmkontakt Nord, Documentary of the EU and EDN (European Documentary Network).
Awards: 2004 the Danish Roos Prize for his contribution to the Danish and European documentary culture. 2006 an award for promoting Portuguese documentaries. 2014 he received the EDN Award “for an outstanding contribution to the development of the European documentary culture”. 2016 The Cross of the Knight of the Order for Merits to Lithuania. 2019 a Big Stamp at the 15th edition of ZagrebDox. 2021 receipt of the highest state decoration, Order of the Three Stars, Fourth Class, for the significant contribution to the development and promotion of Latvian documentary cinema outside Latvia. In 2022 he received an honorary award at DocsBarcelona’s 25th edition having served as organizer and programmer since the start of the festival.
From 1996 until 2005 he was the first director of EDN (European Documentary Network). From 2006 a freelance consultant and teacher in workshops like Ex Oriente, DocsBarcelona, Archidoc, Documentary Campus, Storydoc, Baltic Sea Forum, Black Sea DocStories, Caucadoc, CinéDOC Tbilisi, Docudays Kiev, Dealing With the Past Sarajevo FF as well as programme consultant for the festivals Magnificent7 in Belgrade, DOCSBarcelona, Verzio Budapest, Message2Man in St. Petersburg and DOKLeipzig. Teaches at the Zelig Documentary School in Bolzano Italy.

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