Ragnhild Ekner: Ultras

Sorry, dear reader, I have to go to the box with superlatives. Again. You might argue that I always do so, and indeed this was what Allan Berg and I agreed upon, when we started this film blog: We don’t take time to write about bad films, well sometimes we have been a bit critical, but as a general rule – we have been writing about films we like. And I intend to keep this line after Allan is no longer here…

In this case I am happy to express my full enthusiasm. The film by Swedish Ragnhild Ekner is unique. Not only does it give a completely different picture of the ultras – around the world, what an achievement! – but the way it does it as a Film is so convincing!

Let me start with Ekner’s commentary through the whole film. It is not a wall-to-wall speak, it comes when needed, it is so well written, sometimes almost as a poem, sometimes informative, sometimes very personal, she is a supporter herself and she has been there, on the stadium with friends, yes friendship is a word that comes back again and again, in the images where the ultras meet, where they make their banners, where they sing, where they are involved in confrontations with the police. Ekner speaks and lets ultras from the countries, she has filmed in, express diverse opinions and impressions around the phenomenon.

The Polish talks about the reaction from the PiS government and the police. An Indonesian young woman (you don’t see any of those speaking, they are anonymous) talks about the women going together having established their own group, maybe the part from Indonesia is the one that stands out, but also the Egyptian is strong, a man talks about how the ultras joined the revolution confronting the military… And the Italian, and the English where the director has visited a non-league club, not the Premier League, and Sweden of course.

I could go on praising the film that has a, yes, let me say fantastic composed music score that fits the sequences perfectly. No complaints about camera work and editing.

To conclude, thanks for giving me and a huge audience I guess and hope, a superb cinematic experience!

Sweden, Finland and Denmark, 2025, 89 mins.

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Tue Steen Müller
Tue Steen Müller

Müller, Tue Steen
Documentary Consultant and Critic, DENMARK

Worked with documentary films for more than 20 years at the Danish Film Board, as press officer, festival representative and film consultant/commissioner. Co-founder of Balticum Film and TV Festival, Filmkontakt Nord, Documentary of the EU and EDN (European Documentary Network).
Awards: 2004 the Danish Roos Prize for his contribution to the Danish and European documentary culture. 2006 an award for promoting Portuguese documentaries. 2014 he received the EDN Award “for an outstanding contribution to the development of the European documentary culture”. 2016 The Cross of the Knight of the Order for Merits to Lithuania. 2019 a Big Stamp at the 15th edition of ZagrebDox. 2021 receipt of the highest state decoration, Order of the Three Stars, Fourth Class, for the significant contribution to the development and promotion of Latvian documentary cinema outside Latvia. In 2022 he received an honorary award at DocsBarcelona’s 25th edition having served as organizer and programmer since the start of the festival.
From 1996 until 2005 he was the first director of EDN (European Documentary Network). From 2006 a freelance consultant and teacher in workshops like Ex Oriente, DocsBarcelona, Archidoc, Documentary Campus, Storydoc, Baltic Sea Forum, Black Sea DocStories, Caucadoc, CinéDOC Tbilisi, Docudays Kiev, Dealing With the Past Sarajevo FF as well as programme consultant for the festivals Magnificent7 in Belgrade, DOCSBarcelona, Verzio Budapest, Message2Man in St. Petersburg and DOKLeipzig. Teaches at the Zelig Documentary School in Bolzano Italy.

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