Finlay Pretsell: Douglas Gordon by Douglas Gordon

A perilous character, that´s the title of the film, Douglas Gordon says to director Finlay Pretsell, when they are in the Berlin studio of the Scottish artist. I did not know the English word perilous, checked it and shook my head. No. I have no other suggestion and I think the one chosen is the right one. Gordon by Gordon, this is what it is, directed by Finlay Pretsell, poor guy I was thinking while watching, as Gordon is – an understatement – not an easy person to deal with for years I understand from the film, that includes a lot of dialogues, actually mostly monologues by Gordon telling Pretsell that he can´t make schedules for the shootings as he does not in advance, what is going to happen. He is right but what comes out in the film gives me, who knows about the artist, also from an exhibition in Denmark, a fascinating powerful portrait of a man close to his sixties, who as he says himself, has his head full of thoughts, ideas, memories… it’s never boring to be with him, also in archive, clips from 1996, when he receives an award, a young beautiful man till today 30 years later, a man with scars thinking and formulating sentences about Life and Death, a man with hernia (did I get that right?) that he puts plasters on the wound when settled?

Love and hate, it’s there already in the credits, Douglas Gordon loves D…, Douglas Gordon hates D. And the film opens with Gordon setting fire to cloths and other things in the studio. Dramatic as is the scene with the hernia and stopping blood to go to his hands BUT from there to Gordon or should I write Douglas with his soap bubbles towards the end of the film, wow for a change in time and mood. He performs, he calls his mother, he sings Scottish songs, he talks about the responsibility towards parents and sister and brother(s?) and children, blowing bubbles – there is something honest, fragile and beautiful in these scenes, it made me want to hug him – Finlay Pretsell does so on my behalf, wonderful!

Psycho scene in 24 hours, an elephant on the floor trying to sleep, Zinedine Zidane, clips from the fantastic football film, de Niro in the scene from “Taxi Driver”… and much more that I don´t know about from Douglas Gordon, now I know about him, loved him and loved the achievement of Finlay Pretsell, also a Scotsman like Gordon, who at a point tells the director “leave, I’ve had it” out from the studio, calling Pretsell several times to come back, I have a funny story to tell you.

What is happiness… to have a soap bubble stay on your nose. Watch this extraordinary film full of music in the studio as well, Siri play…!

United Kingdom, France, 88 mins.

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Tue Steen Müller
Tue Steen Müller

Müller, Tue Steen
Documentary Consultant and Critic, DENMARK

Worked with documentary films for more than 20 years at the Danish Film Board, as press officer, festival representative and film consultant/commissioner. Co-founder of Balticum Film and TV Festival, Filmkontakt Nord, Documentary of the EU and EDN (European Documentary Network).
Awards: 2004 the Danish Roos Prize for his contribution to the Danish and European documentary culture. 2006 an award for promoting Portuguese documentaries. 2014 he received the EDN Award “for an outstanding contribution to the development of the European documentary culture”. 2016 The Cross of the Knight of the Order for Merits to Lithuania. 2019 a Big Stamp at the 15th edition of ZagrebDox. 2021 receipt of the highest state decoration, Order of the Three Stars, Fourth Class, for the significant contribution to the development and promotion of Latvian documentary cinema outside Latvia. In 2022 he received an honorary award at DocsBarcelona’s 25th edition having served as organizer and programmer since the start of the festival.
From 1996 until 2005 he was the first director of EDN (European Documentary Network). From 2006 a freelance consultant and teacher in workshops like Ex Oriente, DocsBarcelona, Archidoc, Documentary Campus, Storydoc, Baltic Sea Forum, Black Sea DocStories, Caucadoc, CinéDOC Tbilisi, Docudays Kiev, Dealing With the Past Sarajevo FF as well as programme consultant for the festivals Magnificent7 in Belgrade, DOCSBarcelona, Verzio Budapest, Message2Man in St. Petersburg and DOKLeipzig. Teaches at the Zelig Documentary School in Bolzano Italy.

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