Well, I have to confess that I was not at the cinema this year at DOK Leipzig! Shame on you, many will think and right they are. There is nothing but sitting in a big cinema with big screen with a big audience sharing an experience. But I have for three days from 9am in the morning seen a lot of films at the DOK Markt scouting for other festivals, to get updated on what goes on and to forward my impressions through this website.

The DOK Markt is wonderfully organised. You go there, you have made your reservation in beforehand, 415 films from 71 countries are available, digitalised, so you give your benutzername and password number, find your title, click, and there you have the film on a fine screen with good quality in a hall where the temperature makes you stay fresh – the air condition in the Museum für Bildende Kunst, where the video library is placed, is pretty effective! After you have screened the film, you can send an email to the contact person of the film if you wish to have the film for your tv station or festival or greet the maker with nice words.

No objections in other words, the same goes for the meeting place downstairs in the lobby of the museum: accreditation and information desk, a café, meeting area in corners, easy to find people and to be found. Relaxed. And close to everything in cosy Leipzig.

And the place to have a quick talk with an old friend Claas Danielsen, who is festival director in his 10th year, announcing that 2014 will be his last one. Danielsen has done a great work to make DOK Leipzig what it is today, a meeting place with strong competitive programmes, a strong many faceted industry programme without forgetting film history and masterclasses with important directors and a look at other continents and countries like India, Brazil, Chile…

One of the best films I saw, maybe the best was Russian “Optical Axis” by Marina Razbezhkina, (photo).


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Tue Steen Müller
Tue Steen Müller

Müller, Tue Steen
Documentary Consultant and Critic, DENMARK

Worked with documentary films for more than 20 years at the Danish Film Board, as press officer, festival representative and film consultant/commissioner. Co-founder of Balticum Film and TV Festival, Filmkontakt Nord, Documentary of the EU and EDN (European Documentary Network).
Awards: 2004 the Danish Roos Prize for his contribution to the Danish and European documentary culture. 2006 an award for promoting Portuguese documentaries. 2014 he received the EDN Award “for an outstanding contribution to the development of the European documentary culture”. 2016 The Cross of the Knight of the Order for Merits to Lithuania. 2019 a Big Stamp at the 15th edition of ZagrebDox. 2021 receipt of the highest state decoration, Order of the Three Stars, Fourth Class, for the significant contribution to the development and promotion of Latvian documentary cinema outside Latvia. In 2022 he received an honorary award at DocsBarcelona’s 25th edition having served as organizer and programmer since the start of the festival.
From 1996 until 2005 he was the first director of EDN (European Documentary Network). From 2006 a freelance consultant and teacher in workshops like Ex Oriente, DocsBarcelona, Archidoc, Documentary Campus, Storydoc, Baltic Sea Forum, Black Sea DocStories, Caucadoc, CinéDOC Tbilisi, Docudays Kiev, Dealing With the Past Sarajevo FF as well as programme consultant for the festivals Magnificent7 in Belgrade, DOCSBarcelona, Verzio Budapest, Message2Man in St. Petersburg and DOKLeipzig. Teaches at the Zelig Documentary School in Bolzano Italy.

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