The English title of this superbly staged French language documentary is a bit complicated, I prefer the simple original „Sans Frapper“. Below you find the IDFA website description ending with „listen carefully“; yes do so, the stories are amazing, but this is a Film that includes perfectly composed images: Woman after woman, young and younger, and a couple of men, filmed in their homes, most of them smoking cigarettes, talking to the director, who sometimes asks a question or two, „are you ok“ or words to that effect. The director makes it easy for the viewer to stay with the beauty that contrasts the stories the beautiful characters in the beautiful images tell us. This is an example of how to deal with a film with talking faces, how to make pauses, to let the image stand alone after a story. It is obvious that the director has rehearsed with the involved to have the stories come out with a strong intensity and precision. Reminds me of Pawel Lozinski’s „You Have No Idea How Much I Love You“.
„He was someone she knew, and she didn’t resist. And then it happened twice more that week. Ada was 19. Her testimony is central to this film, but many share her history: people of all ages, black and white, men and women.
Director Alexe Poukine finds a sensitive way to make it possible to talk about the consequences of rape: the pain, the coping mechanisms, or indeed the lack of them. Ada’s story is interwoven with the experiences of others, from different perspectives, but in essence barely different. The result is a collective introspection that connects compellingly with us – which are the questions that come to our minds, and which are the ones that we forget to ask?
Although the narrative style often misleads us, it also creates space for the universality of the story. It’s one that’s neither simple to express nor easy to hear. The best you can do is listen carefully.”
Alexe Poukine: That Which Does Not Kill (Belgium/France, 2019, 85 mins.)