Oeke Hoogendijk: My Rembrandt

This text is written by Svetlana and Zoran Popovic, directors of the Magnificent7 Festival in Belgrade.

A dramatic documentary exclusive insight into the world behind the facades of top art, the author who amazed us with a saga about the reconstruction of one of the largest museums in Europe.

Through masterful direction, Oeke Hoogendijk tells a story about a sensation roaring through the world, the discovery of a new and previously unknown painting of the greatest of the greatest masters, Rembrandt, and transforms it to an exciting thriller that leaves us breathless. This film shows us the world behind the art, the world of collectors, art historians, authenticity experts, those possessed by both true passion and prestige, with discrete dark shades of basic greed. This is a fascinating story about a detective search from the sensing of vague outlines in the shadows and secrets of time, to the brutal penetration of x-rays and flashes in the hunt for the unseen. Balancing between fascination with the subtlest ups and downs of genius and the need to possess or profit, the heroes of this film are constantly torn, revealing the face of the modern world driven by ambition to ceaselessly produce newer and newer things and to raise values on a pedestal which simultaneously degrades and questions them.

A film that truly ‘touches’ for you the original works of masters and leads you into the space of their complex and turbulent existence.

The Netherlands 2019 95 minutes 

Joonas Berghäll: The Happiest Man on Earth

This text is written by Svetlana and Zoran Popovic, directors of the Magnificent7 Festival in Belgrade.

The celebrated author of the film about saunas, one of the greatest documentary hits in Finland, reveals in his latest work the world of unrecognized emotions of Finnish men. Talking, above all, about the deep longing for intimacy, made with a virtuoso authorial procedure, this is a film of exceptional strength and beauty.

Starting from the surprising conclusion of the research, according to which Finns are declared the happiest people in the modern world, the author documents a different, exciting, extremely emotional and colorful world of Finland, through the story of several men who reveal their sorrows, disappointments, sufferings and hopelessness. Colored with harsh humor, this film of stunning camera and photography takes us through mysterious and at times surreal landscapes. With complete openness, and as the protagonist of the story, the author masterfully intertwines individual currents, building a broad and complex image without stereotypes about the unusual mentality, misunderstanding, rejection and conflict, but also the universality of the deep sensitivity of Finnish men.

A top representative of always especially inspiring Finnish documentaries.

Finland 2019 85 minutes 

Magnificent 2020 Belgrade/ 2

Just a quick note of enthusiasm. They had less than a week to announce the 16th edition of Magnificent7 that is running right now in Belgrade. I am not there as at the 15 first editions but contrary to pandemic scepticism from the two festival directors the three screenings so far (“Gunda”, “Patrimonium”, “Bitter Love”) have had audiences from 100 to 200 people in the Dombank Hall Theatre where you can keep distance – and watch films on a big screen. On the photo you see Svetlana and Zoran Popovic celebrating the 100th film screening, which was the film by Audrius Stonys and Kristine Briede, “Bridges of Time”. 

German Kral: Our Last Tango

This text is written by Svetlana and Zoran Popovic, directors of the Magnificent7 Festival in Belgrade.

Buenos Aires nights echo with the sounds of the bandoneon, with stories of love, and with the unique and unmatchable beauty of tango. During such nights one of the greatest dancers in the history of tango, Maria Nieves, and her legendary partner, Juan Carlos Copes, share their memories with a group of young dancers and choreographers, who in turn convert their stories into breath-taking choreographies. These are stunning in their execution, not only supremely sophisticated and masterful, but also powerful in the emotions they embody with their movements. Before our eyes the dances transform into stories of love and passion, of tenderness and pain, of vulnerability and strength imbued by harmony.

Masterful photography and camerawork, echoing unforgettable cinema cast a permanent spell with the scenes and images unfolding on the screen. Equally so, the close-ups of the two charismatic dancers, whose faces still radiate the fullness of emotion and dignity. Also extraordinary are the reconstructions of the milongas of Buenos Aires, those seminal events and places where energies crossed to create tango, where dancers’ steps wrote out its living history, whose essence the participants and authors of the film aim to reach. There is no doubt that German Kral is the ideal author of this documentary – Argentinian by birth, a European filmmaker by education and experience, and long-time collaborator of Wim Wenders, his professor at the Munich film school, whose influence extends beyond the role of executive producer on this film.

An exciting work which interweaves a dramatic love story with unforgettable inspired movements of tango’s finest dancers captured by fascinating and kinesthetic shots.

Germany, Argentina 2015, 85 minutes 

Artemio Benki: Solo

This text is written by Svetlana and Zoran Popovic, directors of the Magnificent7 Festival in Belgrade.

A documentary that tells an equally exciting story about the colorful world and the music that fills and transforms it.

A poignant drama about a hero torn between his extraordinary talent and the dark abyss of mental illness. Discreet, simply recorded scenes of a psychiatric institution and urban spaces without splendor, scenes that are always on the verge of drama, reveal an unusual, charismatic hero in a constant struggle for dignity and preservation of his precious ability to express himself artistically. His contacts with other patients of the psychiatric clinic, or admirers of his virtuoso playing of the piano, reveal complex layers of a person in states of agitation or rare moments of calm. From restraint to victory and vice versa, we follow a story told without prejudice and with the deepest empathy that expands our understanding of the human psyche and condition.

Collisions of existential anguish with music that ennobles and liberates.

Czech Republic, France, Argentina, Austria 2019,  84 minutes

Carl Olsson: Patrimonium

This text is written by Magnificent7 Festival directors Svetlana and Zoran Popovic:

Awarded a special prize for artistic excellence at a major international festival in Moscow, this film by a young Danish director with its exceptional style is one of the few close to the works of some of the most important film artists. 

This unique documentary is an exclusive journey through the world of the Danish aristocracy as a privileged tour of estates and forests closed to ordinary people and pleasant walks through the rich, luxurious interiors of laird homes. This whole world, precisely determined by inherited protocol and captured by tradition, is presented to us by the author almost as a gallery of exceptional paintings by old masters, painted with modern digital means. A film that creates a view that does not exceed a precisely defined limit of respect, where we perceive the heroes and their dramas with a discreet presence and careful observation. As we enjoy discovering fascinating details, the author develops a story about the burden of birth. 

A documentary in which, in enchanting scenes, history and the modern world meet.

Denmark 2019 74 minutes  

Jerzy Śladkowski: Bitter Love

This text is written by the Magnificent7 festival directors Svetlana and Zoran Popovic:

The work of a great master of studies on the finest emotions, the master who charmingly and unobtrusively delves into the deep secrets of the soul, an author who superbly poetizes the cruel everyday life and transforms it into the magic of film.

Chekhov’s spirit is revived in a film about a group of people on a cruise in search of love. The bitter-sad, touching-comic atmosphere permeates the encounters of men and women who mourn love or long for it. Lost in the timelessness of the moment, between the beginning and the end of the journey through the gentle landscapes of the wide Volga, at one moment they are filled with hope, and at the next with its loss or reawakening. Extremely discreet, and most deeply connected with the heroes, the poetic camera of Wojciech Staroń, and the sense for understanding the most subtle human feelings of Jerzy Śladkowski, achieve a rarely seen fullness and persuasiveness.

A film that invites you to indulge in an enchanting cinema cruise imbued with music.

Sweden, Finland, Poland 2020, 87 minutes 

Viktor Kossakovsky: Gunda


Svetlana and Zoran Popovic, Magnificent7 directors:

A masterful film by one of the most important documentarians in the world. Premiered at the Berlin Festival and the New York Festival. The film that was made for the big cinema screen!

Gunda is a story told in images exclusively created in an extraordinary visual style. The black-and-white photography that evokes the best classical films woven into the series of magical scenes takes us into the world of beautiful, large and small entities in areas ruled by the rhythms of nature. Specially inspired by his own childhood memories, the author Viktor Kossakovsky recorded this visual poem with the idea of directing our attention to the irresistible beauty of beings that together with man make up the precious living world of our planet. Beings capable of making us infinitely happy, but that are often neglected and are suffering because of us and from us. A superb work of art, in the creation of which the celebrated Joaquin Phoenix, as an executive producer, helped with his commitment.

A great cinema holiday, a great visual praise of Nature!

Norway, USA 2020, 93 minutes. 

Magnificent 2020 Belgrade

Words from Svetlana and Zoran Popovic:Here we go again! After a delay due to the pandemic from which we all suffer, and from which we have learnt to take measures into consideration; Where we are, Whatever we are doing. Let’s continue to do so during the Magnificent7, 16th edition in Belgrade.

And words from me, selector together with the mentioned Popovic’s: Here we are to again enjoy to be together – respecting distance and wearing masks – in a cinema to see films on the big screen as they were meant to be seen, when they were made.

I have been to many festivals this year. Online. I have even been a juror. Online. Alone in front of my MacBook! So, like many of you in the audience, I look forward the moment when films come back to cinemas, come back to big screens…

And I say so that because we have chosen excellent films for you. Films that 

have important themes of our time, appealing to heart and brain. Emotional, informative, thought provoking. Taking you to countries like Argentina, Russia, Finland, Denmark, Netherlands and to Nature. Several of the films have already been awarded at other festivals, now the award given is to be screened at Magnificent7. Am I too overwhelming in my phrases? No, I am simply proud of being part of the selection team with Svetlana and Zoran Popovic.

And happy that we can start with „Gunda“ by the master Victor Kossakovsky. It has been to big festivals so far, on a big screen, as the director wants it solely to be shown in theatres. It features a mother sow, Gunda, two ingenious cows and a one-legged chicken…

Equally happy we are to welcome back – unfortunately not physically – Oeke Hoogendijk and Jerzy Sladkowski. Hoogendijk (who was here with “The New Rijksmuseum”) has again put herself behind the scene of art with “My Rembrandt” that invites us to experience – with humour and insight – how the best painter ever is being treated by art historians and sellers and buyers.

And Polish – living in Sweden – Jerzy Sladkowski  comes with “Bitter Love”, a visual cruising tour on a boat named Maxim Gorki, where he (as in “Don Juan”) with the help of – again – the magnificent cameraman (and director) Wojciech Staroń, catches love in all its Russian – Chekovian – aspects. It is a tour full of tears and smiles and music! 

Yes, music, piano music by Martìn Perino in the film “Solo” that takes place in Buenos Aires, mostly in a psychiatric hospital, where Perino is being treated for his mental disease. Get ready for a touching, superbly told story about the pain, the suffering, the joy, the introvert side of Martìn Perino, who is full of energy and comes out of the hospital to live on his own. “I have to get rid of the genius” he says to his therapist. The film was directed by French Artemio Benki, who tragically passed away in April this year. RIP.

And we stay in Buenos Aires to make a special screening, “Un Tango Mas” (Our Last Tango) by German Kral. Tango is thedance that always reminds us how important it is to stay close and understand the other. To stay close in a time where we at the same time are advised to keep distance…

From Buenos Aires to my home country Denmark, from where comes “Patrimonium” by Carl Olsson, who is born in Sweden, educated in Denmark, with quite an eye for a phenomenon that I as a Dane knew existed but had never seen so well depicted as here, “the noble landed gentry, constantly renegotiating the borders between history and modernity”. We wanted the film for the 2019 edition of the festival but the prestigious Moscow IFF saw its qualities as well and Olsson won a special award for its “artistic excellence”. No objections and here it is for the Belgrade audience.

Finally, the film that ends the festival takes us Further North, to Finland, country with a strong tradition for original documentaries – we have had several Finnish films at the festival – and “The Happiest Man on Earth” is no exception. Joonas Berghäll puts himself into the film together with 6 other men, who – like in his previous film “Steam of Life” – break the stereotypes that Finnish men are not able to express emotions and their wishes for a happy life, for love. It is touching and full of special humour as you could expect from Finland.

This is Magnificent7 2020!

Tue Steen Müller

Copenhagen, October 19 – December 15, 2020 

http://www.magnificent7festival.org/en/filmski_program.php   

Best of DAFilms 2020

The https://dafilms.com/ is an excellent vod for documentary lovers. Not only bringing new documentaries to their subscribers but also giving us a chance to go back in film history to pick important works. The seven members of DocAlliance, all of them festivals, deserve much credit for standing behind the vod, they are CPH:DOX, Doclisboa, Docs Against Gravity FF, DOK Leipzig, FIDMarseille, Ji.hlava IDFF, Visions du Réel. DAFilms celebrate its 15th year and have made a… “special program “Best of DAFilms” is created by the DAFilms viewers themselves according to what they watched and searched for the most this year. The year’s most highly rated films will be complemented by significant new releases handpicked from the catalogue by DAFilms curators as well as personalised recommendations for exceptional titles that you don’t want to miss. Among twenty select films include No Home Movie by Chantal Akerman and Walden by Jonas Mekas. The works of both these filmmaking celebrities were presented as part of two rare retrospective programs in 2020.”

“2020 has been an exceptional year for the film industry in every way imaginable, from new productions and festivals to online distribution. Although this stress test brought upon the cultural sector by the pandemic continues, we still had the chance to see a lot of prominent titles and present retrospective programs in homage to several filmmakers. Among the most successful of them were screenings of films by Brazilian filmmaker Petra Costa and Canadian director Peter Mettler. And thanks to online distribution, several short films such as All Inclusive and Shooting Crows have managed to pique audience interest,” says the program’s curator, Veronika Likov, weighing in on this year’s activity.

And here is the list, go to the website and then to the titles to watch, it’s pretty much cheap. Here is the list, I have highlighted those I would recommend you to watch. Make your own film festival:

The Border Fence (AT, 2018)– dir. Nikolaus Geyrhalter

El Mar La Mar (US, 2017) – dir. Joshua Bonetta, J. P. Sniadecki Exotica,

Erotica, Etc. (FR, 2015) – dir. Evangelia Kranioti

Bridges of Time (PHOTO) (LT, EE, LV 2018)– dir. Kristīne Briede, Audrius Stonys This

Movie Is a Gift (AT 2019) – dir. Anja Salomonowitz

Ama-San (PT, CH, JP 2016) – dir. Cludia Varejo

Baracoa (CH, ES, US 2019) – dir. Pablo Briones

Island of the Hungry Ghosts (UK, AU, DE 2018)– dir. Gabrielle Brady

Samuel in the Clouds (BE, NL 2016) – dir. Pieter Van Eecke

Before Summer Ends (CH, FR 2017) – dir. Maryam Goormaghtigh

Our Little Poland (PL 2019) – dir. Matěj Bobřk

Photographic Memory (US, FR 2011) – dir. Ross McElwee

The Prison in Twelve Landscapes (CA, US 2016) – dir. Brett Story

Teach (RO 2019) – dir. Alex Brendea

Come Back Free (EE 2016) – dir. Ksenia Okhapkina

No Home Movie (BE, FR 2015) – dir. Chantal Akerman

Walden (US 1968) – dir. Jonas Mekas

Undertow Eyes (BR 2009) – dir. Petra Costa

All Inclusive (CH 2018) – dir. Corina Schwingruber Ilić

Shooting Crows (CH 2018) – dir. Christine Hrzeler

A Man Returned (UK, LB, NL, PS 2016) – dir. Mahdi Fleifel

Abiding (NL 2019) – dir. Ugo Petronin

https://dafilms.com/