In recognition of his outstanding contribution to the art of film, director and writer Mark Cousins will receive the Honorary Heart of Sarajevo Award at the 29th Sarajevo Film Festival. 

This will not be his first encounter with the city – his first visit to Sarajevo was during the Siege, in the mid 90s. He and the Edinburgh International Film Festival had visited the Obala Art Centar cinema, where they showed films in support of Sarajevo’s besieged citizens. That cinema will come to be the birthplace of the Sarajevo Film Festival. 

„Taking films from the Edinburgh International Film Festival to Sarajevo during its siege showed me why movies matter. Most things I’ve done since have been influenced by those scary, inspiring weeks in 1994. Going back to Sarajevo for the first time, after 29 years, will open a dam of emotions for me. The Honorary Heart of Sarajevo will take pride of place in my home and remind me of the need to take risks, to act in solidarity. I can still learn from the young man I was and, far more so, from the pioneering people in Sarajevo who understood that movies aren’t just a pastime. They are a crucial part of our lives. I’m so grateful“, said Mark Cousins.

Mark Cousins is a Scottish-Irish filmmaker. His themes are the inspiring power  

of cinema, cities, walking, childhood, archives and recovery. At the start of his career he made TV documentaries on childhood, neo-Nazism and Mikhael Gorbachev. The first book he penned was Imagining Reality: The Faber Book of Documentary (which the Times Literary Supplement dubbed “indispensable”). Cousins’ first feature documentary, THE FIRST MOVIE (2009), about kids in Iraqi Kurdistan, won the Prix Italia. It was inspired by growing up during the Troubles in Northern Ireland, and his passionate interest in the role cinema can play in children’s lives.

The London Times called his subsequent book, The Story of Film, “by some distance the best book we have read on cinema.” His 930 minute film, THE STORY OF FILM: AN ODYSSEY (2011), was screened at some of the most prominent international film festivals, and in cinemas worldwide. In addition to Michael Moore giving it the Stanley Kubrick Award, it was BAFTA Scotland nominated, and won the Peabody Award among many other prizes. A decade later he would come to direct its sequel, THE STORY OF FILM: A NEW GENERATION (2021).

WHAT IS THIS FILM CALLED LOVE? (2012) was released in 20 countries, presented at the ICA in London, and nominated for Best Director by BAFTA Scotland. PJ Harvey called it “revelatory and inspiring”. The rock band Maximo Park wrote a song inspired by it.

In 2013 he completed HERE BE DRAGONS, a film about the vital role of film archives, especially in Albania. It won the Grand Prix at the Romania Film Festival. In the same year he made A STORY OF CHILDREN AND FILM, which was in the Official Selection of the Cannes Film Festival.

His next film, LIFE MAY BE, co-directed with Iranian filmmaker Mania Akbari, was lauded for its feminist and innovative approach, and called “transcendent and extraordinarily delicate”. It won the Don Quixote prize. 6 DESIRES: DH LAWRENCE AND SARDINIA, an adaptation of DH Lawrence’s book Sea and Sardinia, premiered at the London Film Festival and Sundance.

Cousins’ THE OAR AND THE WINNOWING FAN was a takeover of the DazedDigital website, whilst I AM BELFAST was his first full feature about Northern Ireland. His BBC/BFI film ATOMIC, a collaboration with the band Mogwai, screened in both Hiroshima and the Chernobyl perimeter, as well as at the Coventry Cathedral and the Edinburgh International Festival.

In 2016, he made the feature film STOCKHOLM MY LOVE. In 2017, he completed BIGGER THAN THE SHINING, a secret project, which he chose to only present in underground circumstances. That same year, Mark Cousin’s The Story of Looking was published. It was nominated for the Saltire Award for best non-fiction book.

Cousins’ THE EYES OF ORSON WELLES had its World Premiere in Cannes in 2018. 2018 also saw him complete the 2-hour, four-screen STORM IN MY HEART, which was commissioned by the Rotterdam Film Festival. The installation addressed sexism and racism in Hollywood. His 2018, 14-hour film WOMEN MAKE FILM is narrated by Jane Fonda, Sharmila Tagore, Debra Winger, Adjoa Andoh, Kerry Fox and Tilda Swinton, and has gained vast exposure and recognition across the screens all over the world. It won the European Film Academy’s inaugural Innovative Storytelling award, and has led to the restoration of a series of films directed by women.

Two more recent films are THE STORMS OF JEREMY THOMAS, about the legendary film producer – which premiered in Cannes 2021 and won the best documentary in Spain’s Dias De Cine – and THE STORY OF LOOKING, in which he filters the history of looking through his own eye surgery. It won the Best Non-Fiction Film award at the Seville Film Festival. Cousins recently completed MY NAME IS ALFRED HITCHCOCK and THE MARCH ON ROME (both 2022). The latter premiered at the Venice film festival, won the audience award for Best International Documentary in Brazil, and was nominated for a European Film Academy Award.

In 2022, his films were the subject of a multi-screen film installation, Passé Présent Futur, at the huge Plaza cinema in Geneva, and had a retrospective at the Biograf film festival in Bologna. He premiered his first art installation, LIKE A HUGE SCOTLAND, at the Fruitmarket gallery, Edinburgh.

Alongside his prolific career as an author and filmmaker, Mark Cousins has gained honorary doctorates from the Universities of Edinburgh and Stirling, is an Honorary Professor of Film at Queen’s University Belfast, and has notable achievements in film programming and curating. He was Chair of the Belfast Film Festival and Docs Ireland. He curated CINEMA OF CHILDHOOD, a series of 17 films which toured the UK and Ireland for a year. He was co-artistic director of Cinema China. Together with Tilda Swinton, he also created cinema events such as The Ballerina Ballroom Cinema of Dreams and A Pilgrimage. He and Swinton additionally ran The 8 ½ Foundation: a two-year event which created movie birthdays for children. It was nominated for the Human Rights Award.

He was recently given Portugal’s Aurelio de Paz dos Reis international award for Outstanding Contribution to Cinema, and the British Association of Film, Television and Screen Studies Outstanding Achievement Award for his work in screen education (2020). In 2023 he received the Persistence of Vision Award from the San Francisco Film Festival, the annual Maverick award at the Dublin International Film Festival and the Outstanding Contribution to Film and Culture Award from the Ismailia Film Festival in Egypt.

The 29th Sarajevo Film Festival will take place from the 11th to the 18th of August, 2023.

In the context of Mark Cousins’ Honorary Heart of Sarajevo Award, the festival will also hold a special screening of MARCH ON ROME as part of its Dealing with the Past section.

photo: mark cousins (jenny leask)

This is a text I wrote for the premiere of the film, 30^th of June 2018:

Wow, it’s tomorrow at the Karlovy Vary International Film Festival that Bridges of Time has its premiere. The film, a co-production between the three Baltic countries, is introduced like this by the festival: “Kristīne Briede and Audrius Stonys’s meditative documentary essay portrays the less-remembered generation of cinema poets of the Baltic New Wave. With finesse, they push beyond the barriers of the common historiographic investigation in order to achieve a consummate poetic treatment of the ontology of documentary creation.”

A fine intro, however, I would make it a bit longer with these words: “This is a film for all cinema lovers. It tells about the Baltic poetic documentary cinema that was created during the Soviet Union. In opposition to the USSR propaganda films. It was a wave of a personal free visual language that celebrated life and humanity. Together with Latvian Kristine Briede, Lithuanian director Audrius Stonys, who in his own work continues the tradition for a poetic look at reality, has picked magical moments from unique long and short documentaries to let them meet the old masters as they look today or when they were in front of the camera decades ago. The directors in the film about this special artistic phenomenon in film history are Herz Frank, Uldis Brauns, Ivars Seleckis, Andres Sööt, Robertas Verba, Henrikas Sablevicius, Arvis Freimanis, Mark Soosaar.”

I have been invited to come for the premiere in Karlovy Vary, which I do with great pleasure as someone whose professional life changed completely in the 1990’es, where I discovered the Baltic documentary on the island of Bornholm where a festival, Balticum Film & TV Festival took place until 2000. Today it is my joy to go to Riga every year to take part in the Baltic Sea Docs that is a continuation of the adventure on Bornholm, as is the collaboration of the three Baltic countries cinema-wise with this celebration os something very special – the film will be followed by a superb retrospective of the primarily short documentaries made by the masters in the documentary. 

This is a text that I wrote in October 2017 when Arunas Matelis film had its world premiere:

… with the subtitle ”A Different World”, a film that many of us, who think Lithuanian Arunas Matelis is a great artistic documentary film director, have been waiting for – will have its premiere at the Warsaw International Film Festival that takes place October 13-22, a festival for fiction, shorts and documentaries. Arunas and his wife Alge, from their Studio Nominum in Vilnius, have produced a film of high quality (I have seen it just before final cut) that deserves to travel the world because of its cinematic qualities and its invitation to us viewers to look into – as the subtitle says- a different world. It’s (also) a film on professional cycling that touches upon existential questions. Here is the synopsis from the site of the film, link below:

”For spectators, cyclists in the back of the race are simply the losers. They are called water carriers, domestics, gregarios, and Sancho Panzas of professional cycling. Moreover, they have no right to personal victories – these sportsmen sacrifice their careers to help their teammates. We follow the magnificent world of the race from the point of view of the doctors’ team situated in a claustrophobically small medical car surrounded with wounded cyclists. The life of the medical team in race reminds one on the frontline of war. Cyclists crash, rise and race again. And amongst this fight, many magnificent things happen. This film-odyssey reveals the untold world of the wonderful losers, true warriors, knights and monks of professional cycling.”

From a production point of view the credits show an amazing list of co-producers (with 10 cinematographers!) – let me mention them from the credits: Stefilm Italy, Dok Mobile Switzerland, Associate Directors Belgium, VFS Films Latvia, Dearcan Media N.Ireland/UK, Planet Korda Ireland, SUICA Films Spain, Arturas Jevdokimovas for Kino Kontora.

Normally you say that too many cooks spoil the meal – having known Arunas Matelis and his work for more than 25 years I can assure you that this is a film that has his signature.

Wish you good luck with the premiere!

http://www.wonderfullosers.com