A film blog by Allan Berg Nielsen & Tue Steen Müller
A film blog by Allan Berg Nielsen & Tue Steen Müller
Wow, it’s tomorrow at the Karlovy Vary International Film Festival that Bridges of Time has its premiere. The film, a co-production between the three Baltic countries, is introduced like this by the festival: “Kristīne Briede and Audrius Stonys’s meditative documentary…
Today starts the festival in Karlovy Vary, Kviff, and tomorrow is the first (of three) screening of Vitaly Mansky’s “Putin’s Witnesses”, that has its premiere at the festival. To celebrate this and the director, DocAlliance, www.dafilms.com launches a curated programme…
Enkel is German for grandson – and that is what Rainer Höß is. His grandfather was Rudolf Höß, commandant in the Auschwitz concentration camp for three and a half year from 1940. He was the one behind the expansion of…
We met at Amdocs festival in Palm Springs, where the English director showed his fine short documentary “Seven Days a Week” about a man, who sells newspapers in a street of London. Now the director is back in the streets…
Yesterday festival director of Ji.hlava International Documentary Film Festival in Czech Republic announced the theme of the 22nd festival, that takes place October 25-30: Memory. “Numerous documentary filmmakers focus on historical events, record testimonies, creating a map of personal memory.…
The closing film of the 2018 edition of the Magnificent7 Festival for European documentaries in Belgrade was Finnish “Entrepreneur” by Virpi Suutari with music composed by Sanna Salmenkallio, who was there to introduce the film that had the highest amount…
… Malla Grapengiesser, Per Bifrost and Alexander Rynéus, the trio behind “Giants and the Morning After”, was what we in Danish call “hyggelig” with Zoran Popovic as “hyggeonkel” (uncle), asking questions about Ydre, the small society 300 km south of…
Last night the Lithuanian Film Academy presented the annual Silver Crane Awards and there were appreciations for two of the outstanding recent documentaries, ”Wonderful Losers: A Different World” by Arunas Matelis and ”The Ancient Woods” (Photo) by Mindaugas Survila. Both…
With few well placed questions by festival director Zoran Popovic, director of “The Distant Barking of Dogs” Danish Simon Lereng Wilmont performed a fine 2 hour workshop, sharing with the participants the doubts he had had when filming in Eastern…
Painting with an I-phone! I had the most amazing aesthetic experience for a long time in the cinema yesterday night at the Kombank Dvorana cinema during the Magnificent7 festival in Belgrade. 90 minutes with landscapes, rivers, valleys, woods, sunset, barely…
… indeed there is, at the new venue of Magnificent7 festival in Belgrade at a new time of the year, in June, where it previously was in January The cinema Kombank Hall, before it was Dom Sindikata, totally renovated, has…
Festival directors Zoran and Svetlana Popovic write about the film: Scott Barley, a young British author, is already proclaimed by some critics to be “the greatest filmmaker of the millennial generation”. Due to his works, which in a unique way…
One of the producers of ”Leaning into the Wind” Stefan Tolz, who in the absence of the director Thomas Riedelsheimer, on behalf of the film, took part in Magnificent7 in Belgrade, did one of the workshops which are part of…
Magnificent7 festival directors Svetlana and Zoran Popovic write about the film: “Giants and the Morning After” is a cinematic hit whose screenings are currently taking place throughout Sweden, while at the same time embarking on a trip to world festivals.…
No need to state that Thomas Riedelsheimer’s film on and with Goldsworthy, “Leaning into the Wind” is masterly done. A great artist filmed by a great cameraperson and photographer. But what I was thinking of, watching the film last night…
Festival directors Svetlana and Zoran Popovic write about the film: “The Distant Barking of Dogs” started its impressive festival and award quest at the largest documentary film festival IDFA in Amsterdam where it won the First Appearance Award. This is…
Two great artists – a sculptor who shapes nature and creates surreal scenes of reality, Andy Goldsworthy, and filmmaker Thomas Riedelsheimer, meet again sixteen years later. Again, as in the big film “Rivers and tides – Andy Goldsworthy Working with…
I still remember that day in 2005 when the very first screening of a European feature length documentary took place here in Belgrade – and the Magnificent7 festival started. We had no real idea of how many spectators, who would…
This text is written by Svetlana and Zoran Popovic, the directors of Magnificent7 festival in Belgrade: This touching film story, without any interview or narrator, introduces us to the turbulent world of small, irresistible, charismatic heroes who have just arrived…
Elwira Niewiera, co-director with Piotr Rosolowski of ”The Prince and the Dybbuk”, the opening film at the 14th edition of the Magnificent7 festival in Belgrade, had to cancel her presence because of illness. From Berlin the Polish co-director sent this…
I worked with Anita for the 9 years, I was at EDN. It was pioneer times building up the organisation. It was fun and exciting, when we at the start stood at the fax machine waiting for filmmakers to sign…
This text is written by Svetlana and Zoran Popovic, the directors of Magnificent7 festival in Belgrade: Poland, Germany 2017. 82 minutes directed by: Elwira Niewiera and Piotr Rosołowski The best documentary on cinema of The Venice Film Festival 2017. The…
There we are, my wife and I, back in Belgrade to take part in the 14th European Feature Documentary Film Festival, Magnificent7 – seven films, one per night, starting tomorrow on the 8th with the Polish masterpiece, “The Prince and…
Alina, 20 year old, Ukrainian, likes football. She plays herself and she is good. In the beginning of the film she is making a collage to hang on the wall, from pictures of famous football players. She cuts off the…
Oksana Yakobava, major in the Ukrainian army, was at war from 2014-17. Her job was to report on the dead soldiers: identity, how death occurred, how many bullets in the body, was there any torture, any obvious signs, contact and…
Sometimes it´s jackpot! I had voted for – in my post yesterday – four films and they were all awarded: Talal Derki for his “Of Fathers and Sons” (The Golden Horn and the Fipresci), Marta Prus for her “Over the…
It’s slow, it has no music if I remember correctly, the images are amazing, from countryside of Argentina, the characters are wonderful, full of humour and originality – and mystery because in El Dorado the inhabitants tell good stories and…
An ordinary story told in an extraordinary way. Because Marcin Sauter is not “only” a skilled director, he is a cinematographer who knows about composition and framing of images. This film has no boring moments, it is intense and full…
He was a musician, he says, Ryūichi Sakamoto, in the portrait film “Coda” about him. He talks about Andrey Tarkovsky and in the film a clip from “Solaris” is shown, a close-up on drops of water bringing nature’s sounds to…
In November last year I wrote this on filmkommentaren.dk about Marta Prus “Over the Limit”: An (almost) perfect film. Plays with the classical dramaturgical rules in terms of characters and rythm – positive mood and development, crisis, winning, losing, crisis…
My countryman Lars von Trier’s last film “The House that Jack Built” was not in competition at the Cannes Film Festival. In an interview he was asked, if he was sorry about that. No, he said, I don’t believe in…
The Belgrade festival that screens 7 films, one per night, from June 8 till June 14 is moving from the Sava Centre to central Belgrade, to Kombank Dvorana. I asked the festival directors to give me words about the new…
There he stands, the Prince Waszyński, in his palazzo, smoking a cigarette. An elegant man. Like a character in a film by Luchino Visconti. Did they ever meet the two in Rome, where the Prince passed his last years? After…
I received the English language press release from DocsBarcelona. Here it comes in a slightly edited version: DocsBarcelona 2018 ends consolidating the growth that began in the 20th edition of the festival, with an increase of days and audience. The…
The Syrian director was not at the closing ceremony of DocsBarcelona Sunday night so I did not have the chance to thank him for three meetings we had during the festival: Two times talks with him and the audience after…
Sunday morning I took a walk in the Eixample of Barcelona, where my home has been since the beginning of the festival. Lots of parents were in the street with their kids. Happy moments for boys and girls to be…
It’s one of those documentaries that makes you smile through the whole film, Ouaga Girls by Swedish Theresa Traore Dahlberg. It was shown yesterday at DocsBarcelona at the Aribau Club cinema followed by a Q&A with the French coproducer Estelle…
Aribau Club Cinemas in Barcelona. Two cinema halls, one bigger than the other. The home of DocsBarcelona for four days, yesterday the first where I had the privilege to introduce and moderate three films in the competitive Panorama section. With…
It’s become an institution, the rough cut sessions of DocsBarcelona and I am proud to be the one, who has chosen the projects and the one playing the ball to the panelists, who sit in comfortable sofas in a living…
On the way back to Vilnius after two succesful screenings of “Wonderful Losers” at DocsBarcelona, Lithuanian Arunas and Alge Matelis met Joan Gonzalez, director of the festival who was happy to tell them that 210 students in Granollers, a city…
A small break from DocsBarcelona. To experience a historical moment. The end of an era. The last match of Andres Iniesta for FCBarcelona. And the celebration of winning the championship and the Copa del Rey. I was there thanks to…
… with the subtitle ”Barcelona in Two Acts” was premiered yesterday at the CCCB theatre in Barcelona within the DocsBarcelona festival. Full house for a film about the architectural gem of the city, the Pavilion set up by Mies van…
Since 2015 we have again and again written about the Ukrainian film director Oleg Sentsov, who is in prison in Russia. At numerous festivals the message has been sent to the Russian authorities “Release Oleg Sentsov” and Askold Kurov has…
DocsBarcelona 2018: Lovely film by Claudia Abend and Adriana Loeff, who in promotion of the film use this phrase as a logline, so precise it is: What happens when Life lasts longer than Love? Take a look at the photo,…
… and it did so with a full cinema of spectators, who expressed their enthusiasm over the sweet film about the sweeet and charismatic man on the screen and in the cinema, where he got standing ovations. The film is…
Doc Alliance is a creative partnership of seven key European festivals. One of its activities, Doc Alliance Selection (DAS) Award, celebrates its 11th edition. Each festival nominates one documentary film which is evaluated by a jury of seven film critics…
… were many and you can read whoi got what via the link below. My positive comments are that the winners also here were made by directors from or dealing with Eastern and Central Europe. Serbian Mila Turajlic’s “The Other…
Anna Dziapshipa, a true friend, great photographer and organiser through SAKDOC in Tbilisi, in preparation for a film, took me for a tour down to Old Tbilisi as I wanted to see the monument of Parajanov – see previous post.…
“Everyone knows that I have three Motherlands. I was born in Georgia, worked in Ukraine and I’m going to die in Armenia.” A quote from an interview with Sergei Parajanov, this master of Cinema, whose life – with interviews, clips…
The festival here in Tbilisi has a country focus on Romania. One of the films selected is “Cinema, Mon Amour” by Alexandru Belc from 2015 that has gone around to festivals like IDFA and DOKLeipzig, a Romanian-Czech coproduction, an HBO…