Articles/Reviews ENGLISH

DANISH FILM INSTITUTE wrote yesterday: “Jonas Poher Rasmussen’s Flee and Camilla Nielsson’s President took home top prizes at Sundance, as the festival celebrated this year’s winners during Tuesday night’s awards show. The two films, both produced by Final Cut for Real, have garnered rave…

DANISH FILM INSTITUTE wrote yesterday: “Jonas Poher Rasmussen’s Flee and Camilla Nielsson’s President took home top prizes at Sundance, as the festival celebrated this year’s winners during Tuesday night’s awards show. The two films, both produced by Final Cut for Real, have garnered rave…

The film is co-directed by Sead Šabotić & Lea Vahrušev, the latter is also the producer. Take a look at the still above. Marko is trying to find out if his new sneakers fit him. His wife has sent them…

This text is written by Svetlana and Zoran Popovic, directors of the Magnificent7 Festival in Belgrade. A dramatic documentary exclusive insight into the world behind the facades of top art, the author who amazed us with a saga about the…

This text is written by Svetlana and Zoran Popovic, directors of the Magnificent7 Festival in Belgrade. The celebrated author of the film about saunas, one of the greatest documentary hits in Finland, reveals in his latest work the world of…

This text is written by Svetlana and Zoran Popovic, directors of the Magnificent7 Festival in Belgrade. Buenos Aires nights echo with the sounds of the bandoneon, with stories of love, and with the unique and unmatchable beauty of tango. During…

This text is written by Svetlana and Zoran Popovic, directors of the Magnificent7 Festival in Belgrade. A documentary that tells an equally exciting story about the colorful world and the music that fills and transforms it. A poignant drama about…

This text is written by Magnificent7 Festival directors Svetlana and Zoran Popovic: Awarded a special prize for artistic excellence at a major international festival in Moscow, this film by a young Danish director with its exceptional style is one of…

This text is written by the Magnificent7 festival directors Svetlana and Zoran Popovic: The work of a great master of studies on the finest emotions, the master who charmingly and unobtrusively delves into the deep secrets of the soul, an…

Svetlana and Zoran Popovic, Magnificent7 directors: A masterful film by one of the most important documentarians in the world. Premiered at the Berlin Festival and the New York Festival. The film that was made for the big cinema screen! Gunda…

Words from Svetlana and Zoran Popovic:Here we go again! After a delay due to the pandemic from which we all suffer, and from which we have learnt to take measures into consideration; Where we are, Whatever we are doing. Let’s continue…

A mail came in with the announcement of the films selected for the Sundance Festival in Utah in the US. That starts January 28. I have been looking at the list of the 10 films selected for the World Cinema…

I have had the pleasure – a couple of times –  to present Russian master director Viktor Kossakovsky at festivals. For instance at DocsBarcelona, where I was meant to be the moderator. Not really a possible job as the director takes…

I enjoyed the show. Professional it was. Festive Onlining. Warm and respectful to the filmmakers. It opened at 17h and closed at 19h. Many awards were to be given. The programmers of the different sections came to the stage, where…

It was here that it started, Gianfranco Rosi said looking at the almost empty Tuschinsky Theatre, where his very interesting and inspiring talk with artistic director of IDFA Orwa Nyrabia took place. I attended the first part of it and…

It does not take long in this fine film that you connect to Mateo, the man on the photo, who (from IDFA catalogue) “started recording Ayoreo conversations, stories, and songs in the 1970s, and is still traveling to Ayoreo communities with…

Obituary for a 42 year old filmmaker. So sad. The last time I saw Valentina was at DocsBarcelona, where she won the main award for her “Faith”. The moderator of the ceremony had a short conversation with her, online, before…

I had the pleasure – indeed it was – to observe the online pitch of Rough Cut projects yesterday. There were five of them and the atmosphere was much more relaxed than several of the pitches, where projects were new and…

Two quotes from the opening of IDFA 2020, wise words from a minister and an artistic director of this unique meeting place for people in the documentary community – and for the audience, in the cinemas and online. “Standing in…

It’s a scoop to have the constant tableau-like returns to the room in the house in Tehran. It’s beautiful to look at – in the beginning I associated to Danish Hammerhøi and his paintings of interiors – here (except for…

The Golden Dove as well as the Silver have been given out at the DOK Leipzig festival. ”Downstream to Kinshasa” by Dieudo Hamadi won the Golden, a coproduction ” from the Democratic Republic of Congo, France and Belgium that focuses…

This is a world premiere of an excellent film, that will travel all over. Shot in the Eastern part of Jerusalem in Palestinian families with the focus on the children. How they cope with living close to settlers and therefore…

You don’t know if she is crying or laughing. The grandmother of the director, who came to France from Algeria with her husband in the fifties. She is born in 1937, the two were married for 62 years, then decided…

I saw (most of) the IDFA press conference, 2 hours!, with artistic director Orwa Nyrabia on stage in de Balie on Leidseplein, which used to be the main meeting place for IDFA. Nostalgia! Nyrabia presented the sections, also those that…

It’s a good film. Not because of the theme (a mine is closed, miners are without job, what to do?) that is pretty much known. This time it takes place in Silesia, a region that has also been described before,…

… Gevar, Natasha, Shevan. A family. From Syria, now living in France. English title: Gevar’s Land. The joy of seeing something grow. Plants, vegetables – at home on the balcony and in the garden. In a scene Natasha looks at her phone…