A film blog by Allan Berg Nielsen & Tue Steen Müller
A film blog by Allan Berg Nielsen & Tue Steen Müller
A copy-paste from FNE (FilmNewEurope) about a film that I have seen close to final cut thanks to the producer Guntis Trekteris, loved it: RIGA: Latvian director/writer Jānis Ābele is currently in postproduction with his documentary The Last Will, which…
In collaboration with various partners, the panels will cover a wide range of relevant topics, including best practices in managing intellectual property, co-productions, artificial intelligence, gaming, representation, and intimacy coordination. The 2024 CineLink Talks will revolve around three core themes:…
… was founded one year ago, November 2022. And has since then performed an avalanche of activities, first of all protesting against the Ministry of Culture and its Reorganization at Georgian National Film Center followed by demonstrations outside the Center…
Georgia [June 15, 2023] Georgia’s Ministry of Culture Appoints Interim Director and Initiates Reorganization at Georgian National Film Center The Georgian National Film Center (GNFC) has recently undergone significant changes with the appointment of Mr. Koba Khubunaia as its interim…
DOCA – Documentary Asociation Georgia – issued this press release on June 15: The Georgian National Film Center (GNFC) has recently undergone significant changes with the appointment of Mr. Koba Khubunaia as its interim director, effective June 10. In addition…
The other day there was a El Classico football match: Real Madrid against FC Barcelona. Mikael Opstrup sent me a text message expressing that he did not feel fantastic before the match. He felt UNCERTAIN about the result to come,…
Alle var dette mærkelige år, et århundredes sidste, efterhånden enige om, at Randers ikke mere var, hvad byen havde været. Sådan skrev jeg 2004 til Mette Lundens og min bog Randersbiografi. Og jeg selv begyndte dengang tilmed at spekulere på,…
… a major threat for freedom, a major threat for cinema Is the headline for at text I received from filmmaker Avi Mograbi, who wants readers/filmmakers outside Israel to know about a proposal put forward by the Minister of Culture…
Years ago, when in Israel as a tutor for the documentary CoPro event organised by Orna Yarmut, I visited the Jerusalem Cinematheque. I was there with Herz Frank, whose favourite cinema of his home town it was. Herz was proud…
I read the last article this morning in a plane on my way to Prague. I had browsed through the sport pages of a stupid Danish tabloid newspaper and felt good in my 24C seat on Czech Airlines with DOX…
It happens quite often. Mails arrive with sad news – ”they” did not take my film, nobody likes it, what should I do? Filmmakers are disappointed, the film that took them a couple of years to make are rejected by…
Jennifer Merin, American film journalist and critic, has again and again written against “The Act of Killing”, some days ago when it was awarded 2 big prizes at the Cinema Eye Honors. Merin is not the only one, BBC Storyville…
Adam Schmedes har efter anmeldelsen af “Ishavets kæmpe” sendt Filmkommentaren dette brev: “Kære Allan Berg. Efter i 6 år at have kæmpet med en meget vanskelig filmopgave, Danmarks hidtil største satsning på naturfilmområdet. En pioneropgave, idet Grønlandshvalen var nærmest umulig at filme…
Dagnė Vildiūnaitė is the producer behind the Lithuanian production company Just a Moment. She has for years had an international focus, and her films have had both national and international success. “Father” by Marat Sargsyan were this year awarded in…
Romanian director Florin Iepan has – according to his Facebook page with a lot of links from the press coverage – shown a rough cut version of the film ”Odessa” in Bucharest on the 8th of April. I have known…
Han er jo fordingsfuld og uforsonlig den Tarkovskij. Til FILMKLUB FOF’s møde i aftes, hvor vi diskuterede Ada Bligaard Søbys film, havde jeg taget et lille stykke med, som jeg havde oversat (lidt frit) fra Andrej Tarkovskijs bog Die versiegelte Zeit,…
About a specific Danish matter re. support or no support from Danish Film Institute: Mikkel Stolt skriver på sin hjemmeside en kommentar til en verserende historie i Ekko: ”Filminstituttets konsulentsystem er vel kun godt så længe det administreres forsvarligt – af…
Anmeldelsen af Fergusons film førte en diskussion med sig. Først en kommentar her på filmkommentaren.dk af Mikkel Stolt, hvorefter diskussionen sidste weekend fortsatte på Katrine Kiilgaards Facebookside. Mikkel Stolt: Den film har vi diskuteret meget her på kontoret, og jeg…
Ludmila Nazaruk, who runs the Russian documentary website www.miradox.ru informs filmkommentaren that text entries from our Doc Discussion have been translated into Russian. She writes: Nice and initiative filmmakers from Moscow – here is their blog in the live journal http://albatrossdoc.livejournal.com/78661.html translated…
Lithuanian producer Dagne Vildziunaite writes after the Baltic Sea Forum in Riga – a perfect follow-up to the doc-discussion on this site: I usually say it was nice to meet you again. But this time I want to say a…
Mikael Opstrup writes: Dear Louise, Thanks a lot for your thoughts on the future for documentary. I think you are pointing out the right issues, I will try to address a few of them. For me this debate started with…
Louise Rosen, who started this Doc Discussion writes: Dear Mikael (Opstrup), Reading the posts is uncomfortable – the humiliation and frustration of the filmmakers, the sense from the CEs/funders of being overwhelmed and likewise frustrated. I feel both sets of…
Charlie Phillips writes: Tue has kindly given us an opportunity to respond to some critical comments about Sheffield Doc/Fest in the last few months on his blog. We think this blog is brilliant, especially with the recent discussions over the…
Comments on the Doc Discussion have been posted on facebook as well. They take different directions. Producers Marie Olesen, Scotland and Sinisa Juricic, Croatia characterise the pitching as “a fool’s game” and “a showcase of big ego’s from the other…
Iikka Vehkalahti writes: Dear Tue and others. I am delighted, that Louise and Mikael took the cat on the table (or how do you say in it real English?). Anyway, now after one month out from the position of a…
Doug Aubrey writes: Hi Tue, here are some personal comments that I would like to share with you… I’m glad to see that some of the more – shall we call them – mature protagonists are addressing the issue of…
Jorge Yetano writes: I was reading the posts from Louise Rosen and Mikael Opstrup, and I must say, I have been reflecting on the subject myself for some time now, like most of us, just trying to guess which way…
If you surf around on websites announcing workshops and pitching fora you might very easily get the impression that everything is fine with documentary financing and coproductions between the countries. It is not, and it should be discussed. This is…
Louise Rosen writes: Dear Tue and Mikael It was a pleasure working with you again at Storydoc this year. Wonderful that we had a really diverse representation from all over the southern Mediterranean and could spend a day on the…
Mikael Opstrup writes: Dear Louise Thanks for your raising the issue about independent, feature docs. It’s of course a key issue, as you point out. I see it like this: 15 years ago the establishing of a ‘preproduction TV-market’ with…
For our non-Danish readers: The two postings below in Danish language deal with a current scandal in Danish film administration. At least this is what it has been called. In brief: Danish film magazine EKKO publishes an article by journalist…
Et lille PS til Opstrups mail: Den tarvelige smudskastende artikel i EKKO af René Fredensborg, forsmået ansøger hos Det danske Filminstitut, fik den konsekvens at en filmkonsulent blev fyret. Og Peter Ålbæk kunne så more sig i Berlin med sange,…
Mikael Opstrup har overladt os denne mail til EKKOs redaktør Claus Christensen. Opstrup venter stadigvæk på svar. I mellemtiden har vi på Filmkommentaren valgt at bringe den som en slags åben mail: Kære Claus. Da jeg i dag (11. februar) hørte om…
Emma Davie, Scottish filmmaker and film teacher at the Edinburgh College of Arts did a brilliant lecture on what a creative documentary can be. She was adressing her colleagues with advice and reflections that came from the clips from the…
Ken Loach, no introduction needed, gave a strong speech the other day at the opening of the London Film Festival. According to the Guardian, that brought an excerpt of the speech (Saturday 16 October) the veteran director, who has made…
En forfattergruppe, som kalder sig Medusa står for kronikken Birthe fra Vejle lægger niveauet for tv, der blev bragt i Politiken i søndags. En bredside af en kritik af TV´s personfiksering og føleri. Kasper Torstings film Søren Gade – de sidste…
Filmen og dens opfølgende arbejde er voldsomt debatteret. Højdepunktet i troløse udtryk er Ekko-anmeldelsens bemærkning om instruktøren som “en nyttig idiot”. Kasper Torsting har forleden dag svaret med en kronik i Berlingske Tidende, hvor han skviver om den observerende dokumentarfilm som en stolt…
Jeg ser på det her still, og jeg ser straks, at det er Vilby i baggrunden. Pålideligheden og engagementet og videnmængden personificeret. Dola Bonfils og Lise Lense Møller har sendt ham til New Delhi for at møde en berømt miljøforsker. Det er…
Jeg er dokumentarist, understregede Ulla Boje Rasmussen forleden, vi talte om hendes nye film, og der var noget der, som er vigtigt for hende. Hun er i den anstrengende slutfase af arbejdet med en stor film om en berømt (og…
Niels Pagh Andersen vil have ballade. Den er jeg med på. Så jeg fortsætter med mit højtravende intellektuelle snak, som det er blevet kaldt. Jeg finder lige et citat igen, jeg faktisk fandt for nogle uger siden. Og nu nægter…
This year’s Top 10 at the coming IDFA festival in Amsterdam is put together by Austrian filmmaker Nikolaus Geyrhalter. He has chosen films that have impressed him and that have played a role in his own development. Here is a…
I (Tue) wrote from Riga about the theme in the headline after a pitch at the Baltic Sea Forum. I made Iikka Vehkalahti comment on it and now there is a contribution from Marje Jurtshenko at Estonian Television, who was…
Iikka Vehkalahti, YLE Finland had this comment to Riga Diary 5: “Dear Tue. I have to admit, that we (YLE TV 2 Documentaries) have a slogan: ” don´t look at tv, look at TV 2 Documentaries”. It´s implement is actually…
I attended the first handful of projects that were pitched at the Baltic Sea Forum. Before I had to leave back to Copenhagen. Again I heard a sentence that is often expressed at pitching sessions by the commissioning editors present.…
Ebbe Preislers indsats for dokumentarfilmen i Danmark er omtalt under Mandagsdokumentaren. At han ikke er bange for at tage bladet fra munden viser følgende klip fra hans forord til programmet. Vi tilslutter os helt hans nødråb vedr. udenlandske kort- og…
Det er herligt at få at vide at Cinemateket i København i denne måned ”begynder en længere rundtur i dokumentarfilmens mangfoldighed” med film af bl.a. Franju, Alain Resnais, Bert Haanstra, Joris Ivens (hans vidunderlige Kina-film), Chris Marker (fra hvem begrebet…
I have just left Vilnius, this beautiful spiritual capital of Lithuania. I had two nights at the Shakespeare Hotel, which I would like to (an exception on this blog) recommend to everyone. Anyway, I can report to you that the…
De hundrede mest bevaringsværdige danske dokumentarfilm… den opgave blev stillet undertegnede og Niels Jensen for nogle år tilbage. Og den liste kan diskuteres, naturligvis, og I skal vide, hvis I kigger os nærmere i kortene, at når Jørgen Roos, Jørgen…
Jeg læser så lige det, som Kohl opfordrer til. Og så godt! Det er endnu en alvorlig og præcis og klog artikel af Peter Laugesen. En vigtig kommentar til Jacob Kjær Pedersens Agenten der sladrede om Frank Grevil. Laugesen peger på, at filmen…
Så har jeg fat i Line Holm Nielsens artikel. Og jeg ser ikke helt filmen som hun. Jeg har i det, jeg så, ikke belæg for, at datteren ikke får knus nok, jeg opfatter bemærkningen om moderens fravær ved studenterhøjtideligheden…