A film blog by Allan Berg Nielsen & Tue Steen Müller
A film blog by Allan Berg Nielsen & Tue Steen Müller
It’s slow, it has no music if I remember correctly, the images are amazing, from countryside of Argentina, the characters are wonderful, full of humour and originality – and mystery because in El Dorado the inhabitants tell good stories and…
An ordinary story told in an extraordinary way. Because Marcin Sauter is not “only” a skilled director, he is a cinematographer who knows about composition and framing of images. This film has no boring moments, it is intense and full…
He was a musician, he says, Ryūichi Sakamoto, in the portrait film “Coda” about him. He talks about Andrey Tarkovsky and in the film a clip from “Solaris” is shown, a close-up on drops of water bringing nature’s sounds to…
In November last year I wrote this on filmkommentaren.dk about Marta Prus “Over the Limit”: An (almost) perfect film. Plays with the classical dramaturgical rules in terms of characters and rythm – positive mood and development, crisis, winning, losing, crisis…
My countryman Lars von Trier’s last film “The House that Jack Built” was not in competition at the Cannes Film Festival. In an interview he was asked, if he was sorry about that. No, he said, I don’t believe in…
The Belgrade festival that screens 7 films, one per night, from June 8 till June 14 is moving from the Sava Centre to central Belgrade, to Kombank Dvorana. I asked the festival directors to give me words about the new…
There he stands, the Prince Waszyński, in his palazzo, smoking a cigarette. An elegant man. Like a character in a film by Luchino Visconti. Did they ever meet the two in Rome, where the Prince passed his last years? After…
I received the English language press release from DocsBarcelona. Here it comes in a slightly edited version: DocsBarcelona 2018 ends consolidating the growth that began in the 20th edition of the festival, with an increase of days and audience. The…
The Syrian director was not at the closing ceremony of DocsBarcelona Sunday night so I did not have the chance to thank him for three meetings we had during the festival: Two times talks with him and the audience after…
Sunday morning I took a walk in the Eixample of Barcelona, where my home has been since the beginning of the festival. Lots of parents were in the street with their kids. Happy moments for boys and girls to be…
It’s one of those documentaries that makes you smile through the whole film, Ouaga Girls by Swedish Theresa Traore Dahlberg. It was shown yesterday at DocsBarcelona at the Aribau Club cinema followed by a Q&A with the French coproducer Estelle…
Aribau Club Cinemas in Barcelona. Two cinema halls, one bigger than the other. The home of DocsBarcelona for four days, yesterday the first where I had the privilege to introduce and moderate three films in the competitive Panorama section. With…
It’s become an institution, the rough cut sessions of DocsBarcelona and I am proud to be the one, who has chosen the projects and the one playing the ball to the panelists, who sit in comfortable sofas in a living…
On the way back to Vilnius after two succesful screenings of “Wonderful Losers” at DocsBarcelona, Lithuanian Arunas and Alge Matelis met Joan Gonzalez, director of the festival who was happy to tell them that 210 students in Granollers, a city…
… with the subtitle ”Barcelona in Two Acts” was premiered yesterday at the CCCB theatre in Barcelona within the DocsBarcelona festival. Full house for a film about the architectural gem of the city, the Pavilion set up by Mies van…
DocsBarcelona 2018: Lovely film by Claudia Abend and Adriana Loeff, who in promotion of the film use this phrase as a logline, so precise it is: What happens when Life lasts longer than Love? Take a look at the photo,…
… and it did so with a full cinema of spectators, who expressed their enthusiasm over the sweet film about the sweeet and charismatic man on the screen and in the cinema, where he got standing ovations. The film is…
… were many and you can read whoi got what via the link below. My positive comments are that the winners also here were made by directors from or dealing with Eastern and Central Europe. Serbian Mila Turajlic’s “The Other…
“Everyone knows that I have three Motherlands. I was born in Georgia, worked in Ukraine and I’m going to die in Armenia.” A quote from an interview with Sergei Parajanov, this master of Cinema, whose life – with interviews, clips…
The festival here in Tbilisi has a country focus on Romania. One of the films selected is “Cinema, Mon Amour” by Alexandru Belc from 2015 that has gone around to festivals like IDFA and DOKLeipzig, a Romanian-Czech coproduction, an HBO…
Yes, this is how an opening night should be – presentation of the program through trailers, a speech from the Minister of Culture and Sport, some words from your correspondent and from the director of the festival, Artchil Khetagouri. Most…
Arriving to Rustaveli Palace Hotel in Tbilisi this morning after two flights from Copenhagen. Five hours of sleep and then out to re-discover lovely Tbilisi ending up with a cappuccino and a chacha outside the Marco Polo restaurant, where Current…
”The Human Shelter består af otte kapitler. Hvert kapitel har et shelter og en menneskelig fortælling om hjem som omdrejningspunkt. Hver og en af disse er med til at sætte gang i publikums egne tanker om, hvad hjem betyder for…
It’s the third of the kind and it takes place not only in Copenhagen but also in Aarhus, Aalborg and Odense in Denmark from May 3rd till 16th. And it’s brilliant in thought and program. From the website, here is…
Demand the Impossible! is the motto of this year’s edition of DOK Leipzig (October 29 – November 4). In 2018, the festival’s Special Programmes will revolve around films that seek to bring about changes or depict processes of transformation, with…
The headline is a quote from the Karlovy Vary International Film Festival director Karel Och. The festival celebrates beautifully the 100th anniversary of independence of the three Baltic countries. The following is a copy-paste of the website text that accompanies…
Jørgen Vestergaard har i sin karriere spændt vidt, hans filmografi er imponerende, han har om nogen indforstået og smukt skildret det Danmark, som så grimt i dag bliver kaldt for udkantsdanmark. Og han er stadig aktiv (TSM) Jørgen Vestergaard præsenterer…
The sixth edition of the documentary festival in Tbilisi takes place May 3-8. I am going there again. Why? Because I am impressed of what good people are doing to improve the conditions for the documentary in the country. Building…
In 2010, at DOKLeipzig, I attended a masterclass with the director, whose documentaries I have always adored and still do. One of the true masters of modern documentary. I knew him from the 1990’es, where his ”Paradise” was shown on…
DocsBarcelona has existed for more than 20 years. As an industry event, a market, where documentary projects are developed and pitched, where professionals meet to exchange ideas and push films further. The DocsBarcelona as a festival, however, started small scale…
… and seems to keep the high quality for ”auteur” documentaries that was the profile created by Luciano Barisone. The festival, in Nyon Switzerland, now with Emilie Bujès as artistic director, goes on until April 21, and announces on its…
Det her skrives på dansk for vi skal have folk i Aarhus og omegn i biografen, hvor de skal se baltiske film. Det foregår i kunstbiografen Øst for Paradis og det er ifølge arrangøren Det Danske Kulturinstitut i de baltiske…
Two days ago Martovski Festival = The March Festival, 65th edition = Belgrade Documentary and Short Film Festival gave the main award for Best Long Documentary to Andrijana Stojkovic for “Wongar”. If you click below you can read what I…
From Ukraine to Paris where the festival ”L’Europe autour de l’Europe” with a program of European films took place from March 14 till yesterday April 1. A celebration of the author film it is, the film d’auteur, with hommages to…
I had the privilege to moderate the final pitch session of the Civil Pitch at Docudays festival in Kiev Ukraine. 8 projects were presented to a panel of documentary producers, festival people and distributors. Projects which were quite young but…
Confession: I insisted to be the one to talk to Lithuanian Arunas Matelis in the class that the organisers of Docudays in Kiev had set up to celebrate the director and his work for the last 25 years with his…
Angelina Kariakina from Hromadske (google it, interesting online channel) was the moderator and she did a good job, keeping the panel engaged: Olga Zakharova from Media Group Ukraine that includes a big commercial tv channel, Ivan Bukreev from NLO TV…
Up, up, up the slippery street Andriyivskyy Uzviz to the fine Triptych Gallery together with Da’rya Averchenko and Roman Bondarchuk to watch the exhibition ”Looking for Lenin”, Da’rya chose the photo to accompany the text: Gagarin, Stalin and Lenin watching…
At Docudays 2017 the winner of the Warscape competition was a film project with Valeriya Treshchova as the director. A film about herself living in Kiev with her father and mother living in Donetsk. In other words, in the war…
I have just come back from giving an introduction to a screening of “Last Men in Aleppo”, written and directed by Feras Fayyad, produced by Kareem Abeed and Søren Steen Jespersen Larm Film Denmark, co-directed by Steen Johannessen. A screening in…
RAYMOND DEPARDON: 12 DAYS Wow – Raymond Depardon’s latest film 12 Days made a deep impression. It is simple, powerful, sober and precise. In France, a citizen who is involuntarily committed to psychiatric treatment has, within 12 days, the right…
Look at the photo, an elderly couple studying the program waiting for the opening of the 15th edition of DocuDays UA. My wife, Ellen, and I have been here several times, the hospitality is always warm and generous and the…
The winner of Dox:Award 2018 is ‘The Raft’ ( PHOTO) by the Swedish director Marcus Lindeen, which tells the story of one of the strangest social experiments of all times – told by those who took part in it. The…
NITESH ANJAAN: DREAMING MURAKAMI As a writer and film maker who is quite interested in (and even feel an affinity for) the Japanese author Haruki Murakami, I felt almost obliged to be disappointed and a bit bitter after watching this…
ALEXANDER RYNÉUS, MALLA GRAPENGIESSER, PER BIFROST: GIANTS AND THE MORNING AFTER I saw a clip of this Swedish documentary in Malmø at the DocIncubator presentation of new projects in connection with the Nordisk Panorama. Promising it was and I was…
In a break of the Danish television 3 hour long coverage of the re-election of President Putin – instead of falling asleep – I checked facebook and saw that the organisers of the independent documentary festival in Moscow had chosen…
KAREN WINTHER: EXIT “How do you get out of the closed and often violent milieu among extremists without risking your life? Norwegian filmmaker Karen Winther has taken the journey herself. With her past as a right-wing extremist, she visits other…
NASIB FARAH OG SØREN STEEN JESPERSEN: LOST WARRIOR Mohammed was just three years old when he was sent away from Somalia without his parents to a better life in England. As a teenager in London he got involved in crime…
HANS BLOCK OG MORITZ RIESEWIECK: THE CLEANERS ”What responsibility do Facebook, Google and YouTube have for what is being posted on their sites? And what power do they have to shape the public discourse through censorship? Two questions that are…
Huge cinema for the highlight of the East Doc Platform 2018. After masterclasses, presentations, individual meetings at the market, receptions – all held in the good atmosphere that the IDF (Institute for Documentary Film) is so good in creating, and…