A film blog by Allan Berg Nielsen & Tue Steen Müller
A film blog by Allan Berg Nielsen & Tue Steen Müller
Honour your master… this is what four young Polish filmmakers do. They have all come out of the Andrzej Wajda Master School in Warsaw, and their names are already known outside their own countries in festival circles and as participants…
The festival includes no less than 6 competition sections with the Millenium Award as the main one. 19 films compete for the 6000€, several of them known to readers of filmkommentaren.dk. Like ”Kites” (photo) by Polish Beata Dzianowicz, ”Burma vj”…
The big international documentary festival in Toronto is running now and until May 10 and they do a wonderful promotion and information work for the audience and for us who are not there. Annotations on the film, written interviews, it’s…
The Documentary Film Centre at the University of Westminster in London arranges in May 5 screenings and filmmaking discussions under the headline: The Factual and the Fictive: A series of screenings/talks exploring hybrid fiction/documentary film-making. One session is dedicated to…
1989 will be remembered in festivals and on tv. And documentaries will be a strong visual element to show the changes that took place when the Berlin Wall went down, followed by the decline of the USSR. The following text…
472 pages. Full of illustrations – still from films, photos from award ceremonies at festivals all over the world, the 45th edition of the International Film Guide is available. With ”Directors of the Year”, a ”World Survey”, info/reports/highlights country by…
Wow, they deserve it! Atanas Georgiev, director and his team, who can add one more acknowledgement to the one they got at ZagrebDox some months ago at the world premiere: Last night they were awarded the ”Regards Neufs Prize” at…
Morgane turns 18. She lives with her father and brother. Her mother lives somewhere else. Morgane still keeps her teddy bears lined up at her bed, but she is also the young girl on her way to adulthood caring about…
Still photos from a prostitution environment, without any persons pictured, accompany the words from a witness statement to the police. It is a alarming declaration read by a male voice, straight forward and neutral without any attempt to touch the…
A minimalistic film school diploma work, full of tension and importance, with a terrifying story told through staged interviews with the director’s parents, a sister and a boyfriend. Intertwined to these fragments of words that carry the narrative – about…
A piece of promotion for a serious and competent publishing house with an excellent newsletter with links to events (conferences like the one below about Pasolini and Fassbinder, and festivals) and first of all info on new books on the…
URTI stands for Université Radiophonique et Télévisuelle Internationale, and for the 28th time the organisation will give an award, the International Grand Prix for Author’s Documentaries (what is equivalent to ”creative documentaries” or ”author driven documentaries, ed.) in connection with…
The ECCOS (European Cultural Capital On Screen) organised by Belgian Associate Directors has this year a focus on Lithuanian documentaries to celebrate that Vilnius is Cultural Capital of Europe. In connection with the filmfestival Open Doek in Antwerp a masterclass…
From without and from within the cinema is dying, if not already dead. You shoot a dinosaur in the head on a Monday but the goddamned animal is so big and clumsy and stupid it will not roll over till…
It is huge in content and very professional in communication. The festival in Toronto gets closer as does the parallel TDF, Toronto Documentary Forum: April 30-May 10 for the festival, May 6-7 for the forum. A newsletter comes out for…
Be careful if you are German, has made a good documentary and wants it to go to DOK Leipzig 2009. New regulations have been introduced, read this press release: Starting in 2009, all films screened in DOK Leipzig’s German Competition…
It is not very often that jury motivations are useful to read. This one is, from the documentary competition at the Belfast Film Festival, named after the Maysles Brothers. The members were Karolina Lidin, Charlie Philips and Ben Kempas. Here…
If you happen to be around Nyon in Switzerland on tuesday April 28, you should go and meet one of the few real stars in documentary cinema, Russian director Sergey Dvortsevoy. He has been invited to Visions du Réel and…
Documentary festivals flourish. For the 4th time ”Doc a Tunis” takes place, April 1st to 5th. A lot of films are shown from the host country, and from Marocco, Algeria and Libanon, and from Syria comes the film ”Dolls. A…
The Idfa based Jan Vrijman Fund, named after the late Dutch documentarian, who made several great films, including one about the COBRA painter Karel Appel, has finished the first round selection for 2009, second round deadline June 1st. The fund…
The excellent “One World Human Rights Film Festival” in Prague is over and awards have been distributed. One of the awards not only carry the name of Vaclac Havel but when I was there years ago, I was told that…
The annual EDN award for 2009 goes to Nenad Puhovski and his ZagrebDox. The motivation goes like this: ZagrebDox is a documentary event initiated by Nenad Puhovski, consisting of a weeklong festival and a financing forum entitled ZagrebDox Pro. Within…
For 70 years, the National Film Board of Canada has been breaking ground in socially-engaged documentary, auteur animation, alternative drama and more! This is how the NFB/ONF (Office National du Film du Canada) modestly, in small letters, celebrates itself on…
Pier Paolo Pasolini og Chris Marker, ja, de gamle meget forskellige mestre var med. Havde hver en sag med. Pasolini en lille og en mindre og Marker en lille bitte. Vægtige på hver sin måde alle tre… Pasolinis rejsefilm fra 1963…
Atelier Denis Cheerbrant, en hel dag med den flittige og koncentrede dokumentarist fra Marseille.. “La Totalité du monde”, 2009, 13 min. Grebet i den lille perle af en film er forbavsende enkelt. Et langt, grundigt, improviseret interview med en mand på en…
Med sit kamera på skulderen er instruktøren på sentimental rejse hjem til sin molesterede by. Han møder som de første tre drenge, som præcist og bevægende nøgternt viser om i ruinerne. Her boede deres navngivne handlende, naboer, skolekammerater. De er…
De taler om nederlagene, som var de sejre. Disse palæstnensiske veteraner fra krigene. De bærer skaderne efter sårene som stolte minder, deres egne skæbner i slutspillet som begyndelser til en samlet stolt fortsættelse. Vreden er deres styrke – eller er det…
Min anden festival favorit var Aljona Poluninas “The Revolution That Wasn´t” med Anatoly, som en kort periode greb magten og partiformandskabet i det russiske kommunistparti og havde gyldne dage som en af lederne af demonstrationerne mod Putin. Han mistede imidlertid…
Jeg havde jo mine favoritter på festivalen, især to. Den første af dem er Rosemarie Blank: “Job en de hollandse vrisjtaat”. Hendes forbavsende værk konstrueret på tre årtier gammelt filmmateriale i flere forskellige formater, som hun optog, dengang fristaden i…
Den dansk/ægyptisk producerede film “Over Jorden, under Himlen” af Simon Lereng Wilmont fik festivalens pris som bedste kortfilm. Den er om ambition og træning, med den lille Mahmoud, som elsker cirkus og drømmer om at blive akrobat i det ægyptiske…
Den næste film i programmet, Nathalie Loubeyres “No Comment” fortsætter uden at vide det, hvor “Mirages” slipper. (Programlæggeren ved det, havde set det..). De overlevende rejsende er kommet til en by uden navn, markeret ved et markant tårn. En havneby,…
Festivalen begyndte forrige torsdag, som denne festival bør, i det fremmede. Som jeg troede, jeg kendte. I Sahara. Olivier Durys “Mirages” handler om at rejse i ørkenen, om sandet overalt, om farens konstans. Om at være lille og ubetydelig, her i ørkenen…
Så er vi i gang med sidste dag af FOF’s og Filmkommentaren.dk’s festival med Tue Steen Müller. Her et sidste citat fra hans katalogtekst til den sidste film, “Black Sun af Gary Tarn: … Jo, “Black Sun” er noget ganske særligt,…
I morgen 15:00 køres Juraj Lehotskys “Blind Loves”. Om den hedder det blandt andet i katalogteksten: … Hvordan fortæller man fire kærlighedshistorier, som har det til fælles, at de elskende er blinde? Hvordan kommer man tæt på sine karakterer uden…
Festivalen er i gang. Første film i morgen søndag klokken 11 er Ferenc Moldovananyis “Another Planet”. Citat fra Tue Steen Müllers katalogtekst: … Uden kommentar og uden at vi bogstaveligt får at vide, hvor i verden vi er. Moldovanyi går…
Så er den lille eksklusive festival i gang. Et publikum er samlet om Tue Steen Müllers farverige viden og hans omhyggelige valg af syv film til denne week-end hos FOF i Randers. Men man kan sagtens nå støde til. For…
Lørdag, 14. marts 15:00 vises Peteris Krilovs’ “Klucis – the Deconstruction of an Artist”. Tue Steen Müller fulgte filmens tilblivelse og vil før og efter kørslen fortælle om det. I sin katalogtekst skriver han: … Det var her, i den såkaldte…
Lørdag 14. marts 11:00 “The Bell”: Tue Steen Müller præsenterer Audrius Stonys film. I kataloget skriver han udførligt om sit møde med denne litauiske instruktør og hans betydningsfulde filmværk. Her et par citater fra teksten: “Et af de steder, vi besøgte på…
“Citizen Havel” 13. marts 19:00. På fredag begynder festivalen 7BEST i Randers med den store film om Václav Havel, som Tue Steen Müller kommenterer og diskuterer med publikum. Fra hans katalogtekst dette citat: “… Det er her – i 1993 –…
”Six Ordinary Stories” by Syrian director Meyar Al Roumi is a quite refreshing report on six ordinary taxi drivers and their work and life in Damascus. Ordinary, well also extraordinarily open they are as well as critical to the life…
Another fine new initiative from DoxBox 2009 is the “Point of View” festival newsletter. Editor-in-chief is Danish Ulla Jacobsen, who by this year decided to leave the post of the DOX Magazine after more than a decade as the brilliant…
The writing workshop is over. An amazing development from Day 1 to Day 3. 5 documentary projects are ready to be piitched internationally. Projects with quality and passion. The doors should be opened for these filmmakers to proceed to the…
Second day of a workshop organised by DoxBox that really has put an emphasis on establishing a so-called industry section of the two year old festival. Mikael Opstrup and I tutor 6 filmmakers with projects and 6 with no projects.…
Nicholas Philibert is here. Three films have been shown, “Le Pays des Sourds”, “Retour en Normandie” and “La moindre des choses”. Last year the Syrian audience could enjoy “Etre et Avoir”. Philibert did a master class, denied to be called…
It is sometimes difficult to understand the mechanisms of censorship. I saw the funny, maybe a bit repetitive documentary by Massoud Bakhshi, “Tehran has no more Pomegranates”, a playful and well made film about the big city, using wonderful archive,…
It is one of those minimalistic films that subject-wise has been seen so many times: Man lives alone outside the cities, big house, animals – cows, chicken, horses, cats and dogs – he has retired from the noisy world full…
Orwa Nyrabia, together with Diana el-Jeiroudi the founder and director of the festival: We considered 300 films. 90 of them we requested for the selection. 100 passed for the selection committee, 6 people, and out came the around 40 films…
Second edition. Second time that Damascus has an international documentary film festival. The programme is enlarged, there is an industry section, sidebar retrospectives, it is all there. Impressive it is to be back. Full house at the opening film, “China…
Just a brief follow-up note from Zagreb where the votes from the audience gave the following result: Best film “The English surgeon” by Geoffrey Smith. Second “Cash and Marry” by Atanas Georgiev. Third “Burma vj” by Anders Østergaard. … they…
Second edition of the documentary festival in Damascus, Tartous and Homs in Syria. Reports from the 1st edition can be found on filmkommentaren.dk. I dont have the programme schedule yet but have seen the list of films and guests who…